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DIE NEUERFINDUNG DER OBSZÖNITÄT: SEX, LÜGEN UND BOULEVARDZEITU
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eBay-Artikelnr.:177343201870
Artikelmerkmale
- Artikelzustand
- Book Title
- The Reinvention of Obscenity: Sex, Lies, and Tabloids in Early
- ISBN-10
- 0226141411
- ISBN
- 9780226141411
Über dieses Produkt
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226141411
ISBN-13
9780226141411
eBay Product ID (ePID)
2298268
Product Key Features
Number of Pages
224 Pages
Publication Name
Reinvention of Obscenity : Sex, Lies, and Tabloids in Early Modern France
Language
English
Publication Year
2002
Subject
European / French
Type
Textbook
Subject Area
Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
11.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2002-018007
Dewey Edition
21
TitleLeading
The
Illustrated
Yes
Dewey Decimal
840.9/3538/09032
Table Of Content
List of Illustrations Acknowledgments Introduction: "The Words That Shock So Much at First" 1 Male Practices: Théophile de Viau's "Sodomite Sonnet" 2 The Heterosexual Turn: L'Ecole des filles or, When (the) Sex Began to Talk 3 Two-Letter Words: Moliére's L'Ecole des femmes and Obscenity Made Modern Conclusion: Beyond Obscenity? Notes Works Cited Index
Synopsis
The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy artists exploit, was invented in seventeenth-century France. The Reinvention of Obscenity casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented--that is, transformed from a minor literary phenomenon into a threat to society. DeJean's principal case in this study is the career of Moliére, who cannily exploited the new link between indecency and female genitalia to found his career as a print author; the enormous scandal which followed his play L'école des femmes made him the first modern writer to have his sex life dissected in the press. Keenly alert to parallels with the currency of obscenity in contemporary America, The Reinvention of Obscenity will concern not only scholars of French history, but anyone interested in the intertwined histories of sex, publishing, and censorship., The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy artists exploit, was invented in seventeenth-century France. The Reinvention of Obscenity casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented-that is, transformed from a minor literary phenomenon into a threat to society. DeJean's principal case in this study is the career of Moliére, who cannily exploited the new link between indecency and female genitalia to found his career as a print author; the enormous scandal which followed his play L'école des femmes made him the first modern writer to have his sex life dissected in the press. Keenly alert to parallels with the currency of obscenity in contemporary America, The Reinvention of Obscenity will concern not only scholars of French history, but anyone interested in the intertwined histories of sex, publishing, and censorship., The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy artists exploit, was invented in seventeenth-century France. The Reinvention of Obscenity casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented-that is, transformed from a minor literary phenomenon into a threat to society. DeJean's principal case in this study is the career of Moli re, who cannily exploited the new link between indecency and female genitalia to found his career as a print author; the enormous scandal which followed his play L' cole des femmes made him the first modern writer to have his sex life dissected in the press. Keenly alert to parallels with the currency of obscenity in contemporary America, The Reinvention of Obscenity will concern not only scholars of French history, but anyone interested in the intertwined histories of sex, publishing, and censorship.
LC Classification Number
PQ245.D38 2002
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Verkäuferbewertungen (1'525)
- z***r (1781)- Bewertung vom Käufer.Letzter MonatBestätigter KaufBrilliant 💖🙏
- a***2 (495)- Bewertung vom Käufer.Letzter MonatBestätigter KaufMy daughter played this game this summer and raved about it. It’s a fast paced game where everyone plays at the same time trying to get all of your groups of clothing cards into their own designated pile by placing one card from your hand into the middle and picking up a different card from the middle back into your hand- trying to create a set of 4 of the same article of clothing. You can put down those 4 cards and pick up another sept 4 repeating the process until all of your sets are done.
- e***r (6349)- Bewertung vom Käufer.Letzter MonatBestätigter KaufOutstanding seller to do business with. Quick shipment and an overall professional transaction. Thank you.