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Oresteia: Agamemnon. Libation-Träger. Eumenide
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Oresteia: Agamemnon. Libation-Träger. Eumenide

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    Artikelmerkmale

    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    Release Year
    2009
    ISBN
    9780674996281
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Harvard University Press
    ISBN-10
    0674996283
    ISBN-13
    9780674996281
    eBay Product ID (ePID)
    66222061

    Product Key Features

    Book Title
    Oresteia: Agamemnon. Libation-Bearers. Eumenides
    Number of Pages
    544 Pages
    Language
    English
    Publication Year
    2009
    Topic
    Ancient & Classical
    Genre
    Literary Criticism, Drama, Poetry
    Author
    Aeschylus
    Book Series
    Loeb Classical Library
    Format
    Hardcover

    Dimensions

    Item Height
    1.2 in
    Item Weight
    13.5 Oz
    Item Length
    6.6 in
    Item Width
    4.6 in

    Additional Product Features

    Intended Audience
    Trade
    Dewey Edition
    22
    Reviews
    Alan Sommerstein's three-volume Aeschylus...is in many respects the best critical edition of this playwright available in any format. Sommerstein's authority as a linguist and expert in Aeschylean drama is second to none, and he has provided an up-to-date and carefully constituted text for the seven surviving plays, plus all of the fragmentary remains that are at least one line long. Important manuscript variants and modern conjectures are scrupulously recorded (making the page a little cluttered, but clear enough); and in addition he has provided copious notes, fuller and more numerous than is normal for a Loeb, on matters of myth, geography, history and interpretation., The Loeb Classical Library, now almost a hundred years old and constituting over [500] volumes, has proven itself (like its French counterpart, the Budé series) an invaluable tool for scholars and students from all over the academic landscape. With Greek or Latin text on the left and English translation on the facing page, it provides quick, consistent and user-friendly access to a wide range of authors, and does not discriminate between those who want to read in the original and those who just want an English version...Alan Sommerstein's three-volume Aeschylus...is in many respects the best critical edition of this playwright available in any format. Sommerstein's authority as a linguist and expert in Aeschylean drama is second to none, and he has provided an up-to-date and carefully constituted text for the seven surviving plays, plus all of the fragmentary remains that are at least one line long. Important manuscript variants and modern conjectures are scrupulously recorded (making the page a little cluttered, but clear enough); and in addition he has provided copious notes, fuller and more numerous than is normal for a Loeb, on matters of myth, geography, history and interpretation., Alan Sommerstein's three-volume Aeschylus... is in many respects the best critical edition of this playwright available in any format. Sommerstein's authority as a linguist and expert in Aeschylean drama is second to none, and he has provided an up-to-date and carefully constituted text for the seven surviving plays, plus all of the fragmentary remains that are at least one line long. Important manuscript variants and modern conjectures are scrupulously recorded (making the page a little cluttered, but clear enough); and in addition he has provided copious notes, fuller and more numerous than is normal for a Loeb, on matters of myth, geography, history and interpretation., The Loeb Classical Library, now almost a hundred years old and constituting over [500] volumes, has proven itself (like its French counterpart, the Budeacute; series) an invaluable tool for scholars and students from all over the academic landscape. With Greek or Latin text on the left and English translation on the facing page, it provides quick, consistent and user-friendly access to a wide range of authors, and does not discriminate between those who want to read in the original and those who just want an English version...Alan Sommerstein's three-volume Aeschylus...is in many respects the best critical edition of this playwright available in any format. Sommerstein's authority as a linguist and expert in Aeschylean drama is second to none, and he has provided an up-to-date and carefully constituted text for the seven surviving plays, plus all of the fragmentary remains that are at least one line long. Important manuscript variants and modern conjectures are scrupulously recorded (making the page a little cluttered, but clear enough); and in addition he has provided copious notes, fuller and more numerous than is normal for a Loeb, on matters of myth, geography, history and interpretation., The Loeb Classical Library, now almost a hundred years old and constituting over [500] volumes, has proven itself (like its French counterpart, the Budé series) an invaluable tool for scholars and students from all over the academic landscape. With Greek or Latin text on the left and English translation on the facing page, it provides quick, consistent and user-friendly access to a wide range of authors, and does not discriminate between those who want to read in the original and those who just want an English version...Alan Sommerstein's three-volume Aeschylus...is in many respects the best critical edition of this playwright available in any format. Sommerstein's authority as a linguist and expert in Aeschylean drama is second to none, and he has provided an up-to-date and carefully constituted text for the seven surviving plays, plus all of the fragmentary remains that are at least one line long. Important manuscript variants and modern conjectures are scrupulously recorded (making the page a little cluttered, but clear enough); and in addition he has provided copious notes, fuller and more numerous than is normal for a Loeb, on matters of myth, geography, history and interpretation. Particularly welcome is the well-documented and clearly presented volume of Fragments--for of course the seven plays we happen to possess are by no means all that Aeschylus wrote, and not necessarily even the seven best: the trilogies dealing with Achilles at Troy, or with Pentheus and the Bacchants, for example, seem to have been especially daring and influential. The facing English translation is a trustworthy guide for all who want help in figuring out wjat Aeschylus (probably) wrote and meant.
    Series Volume Number
    146
    Number of Volumes
    3 vols.
    Volume Number
    2
    Dewey Decimal
    882.01
    Table Of Content
    Preface Introduction Bibliography Sigla Abbreviations Oresteia Agamemnon Libation-Bearers Eumenides Index
    Synopsis
    Aeschylus (ca. 525-456 BCE), the dramatist who made Athenian tragedy one of the world's great art forms, witnessed the establishment of democracy at Athens and fought against the Persians at Marathon. He won the tragic prize at the City Dionysia thirteen times between ca. 499 and 458, and in his later years was probably victorious almost every time he put on a production, though Sophocles beat him at least once. Of his total of about eighty plays, seven survive complete. The second volume contains the complete Oresteia trilogy, comprising Agamemnon , Libation-Bearers , and Eumenides , presenting the murder of Agamemnon by his wife, the revenge taken by their son Orestes, the pursuit of Orestes by his mother's avenging Furies, his trial and acquittal at Athens, Athena's pacification of the Furies, and the blessings they both invoke upon the Athenian people., Aeschylus (ca. 525-456 BC) is the dramatist who made Athenian tragedy one of the world's great art forms. Seven of his eighty or so plays survive complete, including the Oresteia trilogy and the Persians , the only extant Greek historical drama. Fragments of his lost plays also survive., The tragic cycle of justice. Aeschylus (ca. 525-456 BC), the dramatist who made Athenian tragedy one of the world's great art forms, witnessed the establishment of democracy at Athens, fought against the Persians at Marathon and probably also at Salamis, and had one of his productions sponsored by the young Pericles. He was twice invited to visit Sicily, and it was there that he died. At Athens he competed for the tragic prize at the City Dionysia about nineteen times between circa 499 and 458, and won it on thirteen occasions; in his later years he was probably victorious almost every time he put on a production, though Sophocles beat him at least once. Of his total of about eighty plays, seven survive complete. The first volume of this new Loeb Classical Library edition contains fresh texts and translations by Alan H. Sommerstein of Persians (472), on the recent war, the only surviving Greek historical drama; Seven against Thebes (467), the third play of a trilogy, on the conflict between Oedipus' sons which ends when they kill each other; Suppliants , the first or second play of a trilogy, on the successful appeal by the daughters of Danaus to the king and people of Argos for protection against a forced marriage to their cousins (whom they will later murder, all but one); and Prometheus Bound (of disputed authenticity), on the terrible punishment of Prometheus for giving fire to humans in defiance of Zeus (with whom he will later be reconciled after preventing his overthrow). The second volume contains the complete Oresteia trilogy (458), comprising Agamemnon , Libation-Bearers , and Eumenides , presenting the murder of Agamemnon by his wife, the revenge taken by their son Orestes, the pursuit of Orestes by his mother's avenging Furies, his trial and acquittal at Athens, Athena's pacification of the Furies, and the blessings they both invoke upon the Athenian people. This edition's third volume offers all the major fragments of lost Aeschylean plays, with brief headnotes explaining what is known, or can be plausibly inferred, about their content, and bibliographies of recent studies.
    LC Classification Number
    PA3825

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