The Violent Bear It Away (FSG Classics)

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Artikelmerkmale

Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
Release Year
2007
ISBN
9780374530877
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Farrar, Straus & Giroux
ISBN-10
0374530874
ISBN-13
9780374530877
eBay Product ID (ePID)
57081837

Product Key Features

Book Title
Violent Bear It Away : a Novel
Number of Pages
256 Pages
Language
English
Topic
General, Literary
Publication Year
2007
Genre
Fiction
Author
Flannery O'Connor
Book Series
Fsg Classics Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
7.8 Oz
Item Length
8.2 in
Item Width
5.6 in

Additional Product Features

Intended Audience
Trade
TitleLeading
The
Reviews
"I am sure her books will live on and on in American Literature" --Elizabeth Bishop "There is very little contemporary fiction which touches the level of Flannery O'Connor at her best." --Alan Pryce-Jones, "New York Herald Tribune", "I am sure her books will live on and on in American Literature" -Elizabeth Bishop "There is very little contemporary fiction which touches the level of Flannery O'Connor at her best." -Alan Pryce-Jones, New York Herald Tribune, "I am sure her books will live on and on in American Literature" --Elizabeth Bishop "There is very little contemporary fiction which touches the level of Flannery O'Connor at her best." --Alan Pryce-Jones, New York Herald Tribune, "I am sure her books will live on and on in American Literature" -- Elizabeth Bishop "There is very little contemporary fiction which touches the level of Flannery O'Connor at her best." -- Alan Pryce-Jones, New York Herald Tribune
Dewey Edition
19
Dewey Decimal
813/.54
Synopsis
A brilliant, innovative novel, acutely alert to where the sacred lives--and where it does not First published in 1955, The Violent Bear It Away is a landmark in American literature--a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Connor's work. In this, O'Connor's second novel, the orphaned Francis Marion Tarwater and his cousin, the schoolteacher Rayber, defy the prophecy of their dead uncle that Tarwater will become a prophet and baptize Rayber's young son, Bishop. A series of struggles ensues, as Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more "reasonable" modern world. Both wrestle with the legacy of their dead relative and lay claim to Bishop's soul. All this is observed by O'Connor with an astonishing combination of irony and compassion, humor and pathos., A brilliant, innovative novel, acutely alert to where the sacred lives--and where it does not First published in 1955, The Violent Bear It Away is a landmark in American literature--a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Connor's work. In this, O'Connor's second novel, the orphaned Francis Marion Tarwater and his cousin, the schoolteacher Rayber, defy the prophecy of their dead uncle that Tarwater will become a prophet and baptize Rayber's young son, Bishop. A series of struggles ensues, as Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more reasonable modern world. Both wrestle with the legacy of their dead relative and lay claim to Bishop's soul. All this is observed by O'Connor with an astonishing combination of irony and compassion, humor and pathos., A brilliant, innovative novel, acutely alert to where the sacred lives--and where it does not First published in 1960, The Violent Bear It Away is a landmark in American literature--a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Connor's work. In this, O'Connor's second novel, the orphaned Francis Marion Tarwater and his cousin, the schoolteacher Rayber, defy the prophecy of their dead uncle that Tarwater will become a prophet and baptize Rayber's young son, Bishop. A series of struggles ensues, as Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more "reasonable" modern world. Both wrestle with the legacy of their dead relative and lay claim to Bishop's soul. All this is observed by O'Connor with an astonishing combination of irony and compassion, humor and pathos.

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