John Everett Millais by Jason Rosenfeld
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John Everett Millais by Jason Rosenfeld
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Standort: Massapequa Park, New York, USA
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eBay-Artikelnr.:186274553297
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “Hardly used, very clean and tight”
- Pages
- 256
- Publication Date
- 2012-08-27
- ISBN
- 9780714839776
Über dieses Produkt
Product Identifiers
Publisher
Phaidon Press, Incorporated
ISBN-10
0714839779
ISBN-13
9780714839776
eBay Product ID (ePID)
154353122
Product Key Features
Book Title
John Everett Millais
Number of Pages
256 Pages
Language
English
Publication Year
2012
Topic
Individual Artists / General
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
65.1 Oz
Item Length
11.8 in
Item Width
10.2 in
Additional Product Features
Intended Audience
Trade
Reviews
"Admirably thorough, carefully researched... Reproductions are of good quality and comfortably placed in the text. Generous margins make it easy to read. Its six chapters track this immensely gifted, entirely Victorian, artist from his precocious youth to his death at sixty-seven in 1896... Rosenfeld is well briefed [...] he has had the opportunity to look hard at the pictures, investigate the extensive published and manuscript material and to visit the places where Millais painted. His leading aim is to disprove the commonly held view that Millais 'sold out' in the mid-1850s... Rosenfeld's analysis of paintings is thorough... He has a keen eye and describes the pictures carefully... [The] impressive late works give weight to Rosenfeld's thesis."--The Burlington Magazine "Sumptuous... A feast of glowing images and a wealth of information about the man himself."--Daily Mail "The first monograph to appraise [Millais'] complete career... Magnificent... Lavishly illustrated... Rosenfeld argues, rightly, that Millais didn't sell out when he moved away from Pre-Raphaelitism but went on doing marvellous work. There are great portraits (Gladstone, in Christ Church, and Ruskin, in the Ashmolean), luminous Scottish landscapes which Van Gogh admired, and much more."--Oxford Times, "Admirably thorough, carefully researched... Reproductions are of good quality and comfortably placed in the text. Generous margins make it easy to read. Its six chapters track this immensely gifted, entirely Victorian, artist from his precocious youth to his death at sixty-seven in 1896... Rosenfeld is well briefed [...] he has had the opportunity to look hard at the pictures, investigate the extensive published and manuscript material and to visit the places where Millais painted. His leading aim is to disprove the commonly held view that Millais 'sold out' in the mid-1850s... Rosenfeld's analysis of paintings is thorough... He has a keen eye and describes the pictures carefully... [The] impressive late works give weight to Rosenfeld's thesis."-- The Burlington Magazine "Sumptuous... A feast of glowing images and a wealth of information about the man himself."-- Daily Mail "The first monograph to appraise [Millais'] complete career... Magnificent... Lavishly illustrated... Rosenfeld argues, rightly, that Millais didn't sell out when he moved away from Pre-Raphaelitism but went on doing marvellous work. There are great portraits (Gladstone, in Christ Church, and Ruskin, in the Ashmolean), luminous Scottish landscapes which Van Gogh admired, and much more."-- Oxford Times
Dewey Edition
23
Grade From
Preschool
Dewey Decimal
759.2
Grade To
College Graduate Student
Synopsis
John Everett Millais was one of the most successful and acclaimed British painters of the nineteenth century. A founder member of the radical Pre-Raphaelite Brotherhood, an acclaimed society portraitist, and an ambitious painter of historical themes, Millais ended his days as a Baronet and President of the Royal Academy. In this widely illustrated, thoughtful account of Millais's career, Jason Rosenfeld brings together biography, art history and an insightful and detailed analysis of individual paintings. Opening with a focused study of his much acclaimed, and now iconic Pre-Raphaelite paintings, in the second half of the book the author presents a fascinating reconsideration of the artist's often over looked later career.
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