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At-Risk: Stories (Flannery O'Connor Award für Kurzfilme.)
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Standort: Dayton, Ohio, USA
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eBay-Artikelnr.:186422754734
Artikelmerkmale
- Artikelzustand
- Release Year
- 2012
- ISBN
- 9780820344393
Über dieses Produkt
Product Identifiers
Publisher
University of Georgia Press
ISBN-10
0820344397
ISBN-13
9780820344393
eBay Product ID (ePID)
117201579
Product Key Features
Book Title
At-Risk : Stories
Number of Pages
160 Pages
Language
English
Topic
Short Stories (Single Author), General
Publication Year
2012
Genre
Fiction
Book Series
Flannery O'connor Award for Short Fiction Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
23.5 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Reviews
"In these always engaging stories, Amina Gautier reminds us that behind the disturbing headlines are vibrant young people whose lives matter immeasurably. Gautier employs unflinching honesty to capture those lives, and she does so with clarity, dignity and genuine insight. At-Risk will break your heart even as it leaves you full of hope. It is a truly lovely book."--David Haynes, author of The Full Matilda, "[P]art of what makes At-Risk immensely appealing is the sense that Gautier has captured facets of youth which transcend borders. . . . Despite its title, this is not a debut composed of rapid shocks and dangers, but a quieter accumulation of heartbreaking pressures. Another treasure in the University of Georgia Press' acclaimed series."--Karen Rigby, ForeWord, "In this wonderful collection Amina Gautier writes with exhilarating insight and confidence about the lives of teenagers who are indeed at risk from themselves, their families and their friends. These are urgent and important stories."-Margot Livesey, author of The House on Fortune Street and Eva Moves The Furniture, "[T]he stories in At-Risk constitute a strong, promising performance and suggest that much more excellent work lies ahead. . . .Baxter, Sterling, and Gautier, in particular, write tales that are memorable precisely because they have an authentic texture that helps, in O'Connor's formulation, make actual the mysterious position of our lives on earth."-Greg Johnson, The Georgia Review, "[T]he stories in At-Risk constitute a strong, promising performance and suggest that much more excellent work lies ahead. . . . Baxter, Sterling, and Gautier, in particular, write tales that are memorable precisely because they have an authentic texture that helps, in O'Connor's formulation, make actual the mysterious position of our lives on earth."-Greg Johnson, The Georgia Review, "Ultimately, these aren't stories that surprise us at the end, but rather ones that surprise us with how those ends are reached. . . . A thought-provoking read, At-Risk offers no easy solutions to the problems of inner city poverty and racial discrimination. In the end, we may not be able to love these children and teenagers enough to change their circumstances, but Gautier ensures that we will, in fact, love them."--Si'n Griffiths, The Iowa Review, "[P]art of what makes At-Risk immensely appealing is the sense that Gautier has captured facets of youth which transcend borders. . . . Despite its title, this is not a debut composed of rapid shocks and dangers, but a quieter accumulation of heartbreaking pressures. Another treasure in the University of Georgia Press' acclaimed series."-Karen Rigby, ForeWord, "[T]he stories in At-Risk constitute a strong, promising performance and suggest that much more excellent work lies ahead. . . . Baxter, Sterling, and Gautier, in particular, write tales that are memorable precisely because they have an authentic texture that helps, in O'Connor's formulation, make actual the mysterious position of our lives on earth."--Greg Johnson, The Georgia Review, "In these always engaging stories, Amina Gautier reminds us that behind the disturbing headlines are vibrant young people whose lives matter immeasurably. Gautier employs unflinching honesty to capture those lives, and she does so with clarity, dignity and genuine insight. At-Risk will break your heart even as it leaves you full of hope. It is a truly lovely book."-David Haynes, author of The Full Matilda, "These stories have courage, a brutal honesty, and a layered insight that is hard to find. They will stay with you long after the stories are over."-- Richard Thomas, The Nervous Breakdown, "It was no surprise to us that she won such a high-status award. . . .What is more notable is the quality of the stories, which also update the usual Flannery O'Connor winner's content: citified, frisky, adventurous and redolent of social concerns. Gautier's stories do not resemble anyone else's, one reason why we are so proud to have published her."- Notre Dame Reviews, "It was no surprise to us that she won such a high-status award. . . . What is more notable is the quality of the stories, which also update the usual Flannery O'Connor winner's content: citified, frisky, adventurous and redolent of social concerns. Gautier's stories do not resemble anyone else's, one reason why we are so proud to have published her."- Notre Dame Reviews, "Gautier is good at what she does. . . .Her true achievement is her capacity to tell stories of urgency, sensitivity and grace. Her characters are bearers of psychological complexity. . . .all familiar stories in their basic broad strokes, it is her fine sense of detail, her intimate knowledge of the quirks and foibles of her character, and her capacity to write lines with seemingly effortless grace, that make this such a pleasurable and enlightening read."--Kwame Dawes, Prairie Schooner, "[Part of what makes At-Risk immensely appealing is the sense that Gautier has captured facets of youth which transcend borders. . . . Despite its title, this is not a debut composed of rapid shocks and dangers, but a quieter accumulation of heartbreaking pressures. Another treasure in the University of Georgia Press' acclaimed series."--Karen Rigby, ForeWord, Part of what makes At-Risk immensely appealing is the sense that Gautier has captured facets of youth which transcend borders. . . . Despite its title, this is not a debut composed of rapid shocks and dangers, but a quieter accumulation of heartbreaking pressures. Another treasure in the University of Georgia Press' acclaimed series., The stories in At-Risk constitute a strong, promising performance and suggest that much more excellent work lies ahead. . . . Baxter, Sterling, and Gautier, in particular, write tales that are memorable precisely because they have an authentic texture that helps, in O'Connor's formulation, make actual the mysterious position of our lives on earth., Ultimately, these aren't stories that surprise us at the end, but rather ones that surprise us with how those ends are reached. . . . A thought-provoking read, At-Risk offers no easy solutions to the problems of inner city poverty and racial discrimination. In the end, we may not be able to love these children and teenagers enough to change their circumstances, but Gautier ensures that we will, in fact, love them., "Ultimately, these aren't stories that surprise us at the end, but rather ones that surprise us with how those ends are reached. . . . A thought-provoking read, At-Risk offers no easy solutions to the problems of inner city poverty and racial discrimination. In the end, we may not be able to love these children and teenagers enough to change their circumstances, but Gautier ensures that we will, in fact, love them."-Si'n Griffiths, The Iowa Review, "It was no surprise to us that she won such a high-status award. . . . What is more notable is the quality of the stories, which also update the usual Flannery O'Connor winner's content: citified, frisky, adventurous and redolent of social concerns. Gautier's stories do not resemble anyone else's, one reason why we are so proud to have published her."-- Notre Dame Reviews, "Ultimately, these aren't stories that surprise us at the end, but rather ones that surprise us with how those ends are reached. . . . A thought-provoking read, At-Risk offers no easy solutions to the problems of inner city poverty and racial discrimination. In the end, we may not be able to love these children and teenagers enough to change their circumstances, but Gautier ensures that we will, in fact, love them."--Sin Griffiths, The Iowa Review, It was no surprise to us that she won such a high-status award. . . . What is more notable is the quality of the stories, which also update the usual Flannery O'Connor winner's content: citified, frisky, adventurous and redolent of social concerns. Gautier's stories do not resemble anyone else's, one reason why we are so proud to have published her., "In this wonderful collection Amina Gautier writes with exhilarating insight and confidence about the lives of teenagers who are indeed at risk from themselves, their families and their friends. These are urgent and important stories."--Margot Livesey, author of The House on Fortune Street and Eva Moves The Furniture, "These stories have courage, a brutal honesty, and a layered insight that is hard to find. They will stay with you long after the stories are over."- Richard Thomas, The Nervous Breakdown, "Gautier is good at what she does. . . .Her true achievement is her capacity to tell stories of urgency, sensitivity and grace. Her characters are bearers of psychological complexity. . . .all familiar stories in their basic broad strokes, it is her fine sense of detail, her intimate knowledge of the quirks and foibles of her character, and her capacity to write lines with seemingly effortless grace, that make this such a pleasurable and enlightening read."-Kwame Dawes, Prairie Schooner
Series Volume Number
28
Dewey Decimal
813/.6
Synopsis
In Amina Gautier's Brooklyn, some kids make it and some kids don't, but not in simple ways or for stereotypical reasons. Gautier's stories explore the lives of young African Americans who might all be classified as "at-risk," yet who encounter different opportunities and dangers in their particular neighborhoods and schools and who see life through the lens of different family experiences. Gautier's focus is on quiet daily moments, even in extraordinary lives; her characters do not stand as emblems of a subculture but live and breathe as people. In "The Ease of Living," the young teen Jason is sent down south to spend the summer with his grandfather after witnessing the double murder of his two best friends, and he is not happy about it. A season of sneaking into as many movies as possible on one ticket or dunking girls at the pool promises to turn into a summer of shower chairs and the smell of Ben-Gay in the unimaginably backwoods town of Tallahassee. In "Pan Is Dead," two half-siblings watch as the heroin-addicted father of the older one works his way back into their mother's life; in "Dance for Me," a girl on scholarship at a posh Manhattan school teaches white girls to dance in the bathroom in order to be invited to a party. As teenagers in complicated circumstances, each of Gautier's characters is pushed in many directions. To succeed may entail unforgiveable compromises, and to follow their desires may lead to catastrophe. Yet within these stories they exist and can be seen as they are, in the moment of choosing., Gautier's stories explore the lives of young African Americans in Brooklyn who might all be classified as ?at-risk,? yet who encounter different opportunities and dangers in their particular neighborhoods and schools and who see life through the lens of different family experiences.
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