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Eugene O'Neills letzte Stücke: Trennung von Kunst und Autobiographie von Doris...
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eBay-Artikelnr.:186845957489
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “light bend from poor storage, light other wear, appears unread”
- ISBN
- 9780820327099
- Book Title
- Eugene O'Neill's Last Plays: Separating Art from Autobiography
Über dieses Produkt
Product Identifiers
Publisher
University of Georgia Press
ISBN-10
0820327093
ISBN-13
9780820327099
eBay Product ID (ePID)
44120904
Product Key Features
Number of Pages
264 Pages
Publication Name
Eugene O'neill's Last Plays : Separating Art from Autobiography
Language
English
Publication Year
2005
Subject
Drama, Literary, American / General, Subjects & Themes / General
Type
Textbook
Subject Area
Literary Criticism, Biography & Autobiography
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
18.3 Oz
Item Length
9.3 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2004-026982
Reviews
A superb book. Alexander offers a rare example of prodigious learning, original research, and imaginative reconstruction of a complex and fascinating creative process., "[Eugene O'Neill's Last Plays] is welcome because it foregrounds the necessity of reassessing the ways in which biography-in particular about O'Neill-is considered and canonized. . . . Provides persuasive insights . . . Alexander's study provides a window . . . into O'Neill's last, great plays."--Theatre Journal, The crowning pinnacle of Doris Alexander's four decades as a major O'Neill scholar. Her voice, which speaks to both young and old, and to both neophyte and aficionado, remains sterling. Here is an essential work on O'Neill and his dramaturgy, and how could we have lived so long without it!, "The crowning pinnacle of Doris Alexander's four decades as a major O'Neill scholar. Her voice, which speaks to both young and old, and to both neophyte and aficionado, remains sterling. Here is an essential work on O'Neill and his dramaturgy, and how could we have lived so long without it!"--Frederick C. Wilkins, founder of theEugene O'Neill Review, [ Eugene O'Neill's Last Plays ] is welcome because it foregrounds the necessity of reassessing the ways in which biography-in particular about O'Neill-is considered and canonized. . . . Provides persuasive insights . . . Alexander's study provides a window . . . into O'Neill's last, great plays., "[ Eugene O'Neill's Last Plays ] is welcome because it foregrounds the necessity of reassessing the ways in which biography-in particular about O'Neill-is considered and canonized. . . . Provides persuasive insights . . . Alexander's study provides a window . . . into O'Neill's last, great plays."-- Theatre Journal, "[ Eugene O'Neill's Last Plays is welcome because it foregrounds the necessity of reassessing the ways in which biography-in particular about O'Neill-is considered and canonized. . . . Provides persuasive insights . . . Alexander's study provides a window . . . into O'Neill's last, great plays."-- Theatre Journal, "The crowning pinnacle of Doris Alexander's four decades as a major O'Neill scholar. Her voice, which speaks to both young and old, and to both neophyte and aficionado, remains sterling. Here is an essential work on O'Neill and his dramaturgy, and how could we have lived so long without it!"--Frederick C. Wilkins, founder of the Eugene O'Neill Review, "A superb book. Alexander offers a rare example of prodigious learning, original research, and imaginative reconstruction of a complex and fascinating creative process."--Norman Fruman, Professor Emeritus of English, University of Minnesota
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
812/.52
Synopsis
This study draws on new and unprecedented research concerning the lives of Eugene O'Neill, his family, and his circle. It corrects and expands the biographical record on O'Neill, sharpens our understanding of his art, and distinguishes the man and his life more clearly than ever from the creations that were inspired by, and drew on, that life. In his final creative years, 1939 to 1943, O'Neill wrote The Iceman Cometh , Long Day's Journey into Night , and A Moon for the Misbegotten . Because these plays are so intense, intimate, and evocative of the friends and family members who influenced O'Neill's artistic development, biographers and critics have long--and mistakenly--regarded them as accurate sources for insights into the playwright's early years. Drawing upon interviews and a staggering amount of archival research into multiple generations of the O'Neill family, Alexander sets the historical record straight by documenting the actual people and situations on which characters and scenes in O'Neill's last plays are based. Included in her study are such topics as the playwright's attempted suicide, his tuberculosis, and his relationship with his parents. By revealing the distinctions between O'Neill's life and his art, Alexander's findings make possible greater insight into the artistry that shaped these final plays and brought them to life., This study draws on new and unprecedented research concerning the lives of Eugene O'Neill, his family, and his circle. It corrects and expands the biographical record on O'Neill, sharpens our understanding of his art, and distinguishes the man and his life more clearly than ever.
LC Classification Number
PS3529.N5Z5555 2005
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Famine Books
99,6% positive Bewertungen•19 Tsd. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (7'127)
- o***w (4488)- Bewertung vom Käufer.Letzter MonatBestätigter Kaufvery fast service, thanks
- t***u (517)- Bewertung vom Käufer.Letzter MonatBestätigter KaufEverything is in as described shape. A+++++ seller. Thanks!
- b***r (223)- Bewertung vom Käufer.Letzter MonatBestätigter Kaufgood transaction for the SAMS folder, thanks