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Peyote Religious Art: Symbols of Faith and Belief (Folk Art and Artists Seri...

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    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    Release Year
    1999
    Book Title
    Peyote Religious Art: Symbols of Faith and Belief (Folk Art an...
    ISBN
    9781578060962

    Über dieses Produkt

    Product Identifiers

    Publisher
    University Press of Mississippi
    ISBN-10
    1578060966
    ISBN-13
    9781578060962
    eBay Product ID (ePID)
    648395

    Product Key Features

    Number of Pages
    278 Pages
    Publication Name
    Peyote Religious Art : Symbols of Faith and Belief
    Language
    English
    Publication Year
    1999
    Subject
    Ethnic & Tribal, Native American, History / General
    Type
    Textbook
    Author
    Daniel C. Swan
    Subject Area
    Art, Religion
    Format
    Library Binding

    Dimensions

    Item Height
    0.6 in
    Item Weight
    29.1 Oz
    Item Length
    10.3 in
    Item Width
    8.3 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    98-037426
    Dewey Edition
    21
    Illustrated
    Yes
    Dewey Decimal
    704.9/48997
    Synopsis
    "Peyote has given me visions," says Elk Hair, a Delaware Peyotist in Daniel C. Swan's new book Peyote Religious Art (University Press of Mississippi $35.00, cloth). "He [Peyote] gave me visions telling me how to study our existence, how to think right. God taught Peyote to teach his children the good ways, to have good thoughts and clear minds before they leave." Elk Hair's narrative is one of many first-person accounts Swan gathered from practitioners and artisans in the Native American Church, whose holy sacrament is the small, spineless cactus, peyote. Combining 77 full color photographs, 32 black and white illustrations, and many narratives, Swan reveals the convictions, the faith, and the wealth of spiritual artistry surrounding worship in the Native American Church. Controversial and misunderstood, the ritualized use of peyote by American Indians has long been attacked by non-Indian religious and secular authorities. Despite official efforts to eliminate peyotism as far back as the Spanish Inquisition and as recent as the War on Drugs, its status in Native American spiritual life has not diminished. Works by self-taught and informally trained artists make up the diverse traditional and folk arts associated with the peyote religion. Peyote art displays an amazing range of genres, including carving, beadwork, featherwork, metalsmithing, and painting. Swan also explores regalia and accouterments that worshipers cherish and the evolution of symbols across time. Along with previously unpublished first-person narratives by practitioners of the religion and by artists, Peyote Religious Art features art objects from museum collections, works by contemporary artists, and materials from private family collections. Understanding these expressive forms provides invaluable insight into the challenging nature of American Indian life during the twentieth century and into the intertwining of art, religion, and community. Daniel C. Swan is senior curator at the Gilcrease Museum in Tulsa, Oklahoma. He has published numerous articles on the peyote religion among Oklahoma Indians., "Peyote has given me visions," says Elk Hair, a Delaware Peyotist in Daniel C. Swan's new book Peyote Religious Art (University Press of Mississippi $35.00, cloth). "He Peyote] gave me visions telling me how to study our existence, how to think right. God taught Peyote to teach his children the good ways, to have good thoughts and clear minds before they leave." Elk Hair's narrative is one of many first-person accounts Swan gathered from practitioners and artisans in the Native American Church, whose holy sacrament is the small, spineless cactus, peyote. Combining 77 full color photographs, 32 black and white illustrations, and many narratives, Swan reveals the convictions, the faith, and the wealth of spiritual artistry surrounding worship in the Native American Church. Controversial and misunderstood, the ritualized use of peyote by American Indians has long been attacked by non-Indian religious and secular authorities. Despite official efforts to eliminate peyotism as far back as the Spanish Inquisition and as recent as the War on Drugs, its status in Native American spiritual life has not diminished. Works by self-taught and informally trained artists make up the diverse traditional and folk arts associated with the peyote religion. Peyote art displays an amazing range of genres, including carving, beadwork, featherwork, metalsmithing, and painting. Swan also explores regalia and accouterments that worshipers cherish and the evolution of symbols across time. Along with previously unpublished first-person narratives by practitioners of the religion and by artists, Peyote Religious Art features art objects from museum collections, works by contemporary artists, and materials from private family collections. Understanding these expressive forms provides invaluable insight into the challenging nature of American Indian life during the twentieth century and into the intertwining of art, religion, and community. Daniel C. Swan is senior curator at the Gilcrease Museum in Tulsa, Oklahoma. He has published numerous articles on the peyote religion among Oklahoma Indians., An examination of the vibrant traditional and folk arts inspired by the sacramental use of peyote by members of the Native American Church
    LC Classification Number
    E98.R3S95 1999

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