
DIE GEGENWART VON TARNFARBEN: EINFLÜSSE AUF DIE LITERATUR VON Von George Monteiro *Sehr guter Zustand+*
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DIE GEGENWART VON TARNFARBEN: EINFLÜSSE AUF DIE LITERATUR VON Von George Monteiro *Sehr guter Zustand+*
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eBay-Artikelnr.:186957014269
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- ISBN-10
- 0813119529
- Book Title
- The Presence of Camoes: Influences on the Literature of England,
- ISBN
- 9780813119526
Über dieses Produkt
Product Identifiers
Publisher
University Press of Kentucky
ISBN-10
0813119529
ISBN-13
9780813119526
eBay Product ID (ePID)
1029624
Product Key Features
Number of Pages
200 Pages
Language
English
Publication Name
Presence of Camões : Influences on the Literature of England, America and Southern Africa
Publication Year
1996
Subject
European / Spanish & Portuguese, American / General, Poetry, African, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism
Series
Studies in Romance Languages Ser.
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
15.2 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
95-046725
TitleLeading
The
Reviews
"Monteiro's rich readings and assessments of this presence in all the English-language writers he considers make this book an original contribution to intercultural studies.-- Choice" -- Choice, "Monteiro skillfully weaves an immense array of details into essays that are as compelling to read as they are informative." -- College Literature, "Harvard ReviewMonteiro skillfully weaves an immense array of details into essays that are as compelling to read as they are informative." -- College Literature, "Harvard ReviewMonteiro skillfully weaves an immense array of details into essays that are as compelling to read as they are informative.-- College Literature" -- College Literature, Monteiro skillfully weaves an immense array of details into essays that are as compelling to read as they are informative., Monteiro's rich readings and assessments of this presence in all the English-language writers he considers make this book an original contribution to intercultural studies., "Monteiro's rich readings and assessments of this presence in all the English-language writers he considers make this book an original contribution to intercultural studies." -- Choice
Dewey Edition
20
Grade From
College Graduate Student
Series Volume Number
No. 40
Illustrated
Yes
Dewey Decimal
810.9
Table Of Content
Introduction Why do We Have Military Services? Air Force Independence and Air Force Culture Airpower, Morality, and Lawfare Roots of the United States Air Force:The Struggle for the RAF From Army Air Service to Air Force American Airpower in the Era of Limited War War on Terror and the Future of Airpower Drone War Above Us Only Sky The Way Forward
Synopsis
Of the great epic poets in the Western tradition, Luis Vaz de Camões (c. 1524- 1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground, focusing on English-language writers whose vision and expression have been sharpened by their varied responses to Camões. Introduced to English readers in 1655, Camões's work from the beginning appealed strongly to writers. The young Elizabeth Barrett's Camonean poems, for example, inspired Edgar Allan Poe to appropriate elements from Camões. Herman Melville's reading of Camões bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T.W. Higginson, and Emily Dickinson read and championed Camões. And Camões as epicist and love poet is an éminence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Camões's Spirit of the Cape, as both a symbol of a dangerous and mysterious Africa and an emblem of European imperialism. Recognizing the presence of Camões leads Monteiro to provocative rereadings of such texts as Dickinson's "Master" letters, Poe's "Raven," Melville's late poetry, and Bishop's Questions of Travel ., Of the great epic poets in the Western tradition, Luis Vaz de Cam es (c. 1524- 1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground, focusing on English-language writers whose vision and expression have been sharpened by their varied responses to Cam es. Introduced to English readers in 1655, Cam es's work from the beginning appealed strongly to writers. The young Elizabeth Barrett's Camonean poems, for example, inspired Edgar Allan Poe to appropriate elements from Cam es. Herman Melville's reading of Cam es bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T.W. Higginson, and Emily Dickinson read and championed Cam es. AndCam es as epicist and love poet is an minence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Cam es's Spirit of the Cape, as both a symbol of a dangerous and mysterious Africa and an emblem of European imperialism. Recognizing the presence of Cam es leads Monteiro to provocative rereadings of such texts as Dickinson's "Master" letters, Poe's "Raven," Melville's late poetry, and Bishop's Questions of Travel .
LC Classification Number
PS159.P8M66 1996
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