
J.W. Wasserhaus
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J.W. Wasserhaus
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Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr geringfügige Beschädigungen auf, wie z.B. kleinere Schrammen, er hat aber weder Löcher, noch ist er eingerissen. Bei gebundenen Büchern ist der Schutzumschlag möglicherweise nicht mehr vorhanden. Die Bindung weist geringfügige Gebrauchsspuren auf. Die Mehrzahl der Seiten ist unbeschädigt, das heißt, es gibt kaum Knitter oder Einrisse, es wurden nur in geringem Maße Bleistiftunterstreichungen im Text vorgenommen, es gibt keine Textmarkierungen und die Randbereiche sind nicht beschrieben. Alle Seiten sind vollständig vorhanden. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
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Versand:
US $5,00 (ca. CHF 4,11) Standard Shipping.
Standort: Millsboro, Delaware, USA
Lieferung:
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eBay-Artikelnr.:187083022512
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- “lh”
- ISBN
- 9780714842325
Über dieses Produkt
Product Identifiers
Publisher
Phaidon Press, Incorporated
ISBN-10
071484232X
ISBN-13
9780714842325
eBay Product ID (ePID)
26038833305
Product Key Features
Book Title
JW Waterhouse
Number of Pages
240 Pages
Language
English
Topic
Individual Artists / General, European
Publication Year
2002
Features
Revised
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
66.1 Oz
Item Length
11.8 in
Item Width
10.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2003-271588
Reviews
"A fresh and absorbing analysis."--Antiques Trade Gazette "Scholarly and detailed book."--Times Literary Supplement "A must for Pre-Raphaelite fans."--The Argus "This is good social art history in a sumptuous format."--Independent) "Until I read this meticulously researched, cogently argued and handsomely illustrated book, all I knew about Waterhouse could have been written on the back of a postage stamp."--World of Interiors) "While the book places the artist within his era, it is Trippi's sensitive descriptions of the works and his attention to technique and the painted surface that give his method innovation and insight. The handsome colour plates, including double-page spreads of such monumental works as St Cecilia (1895) and Hylas and the Nymphs (1896) as well as the hitherto unreproduced Gather Ye Rosebuds While Ye May (1909), substantiate Trippi's assertion that Waterhouse's complex aesthetic still compels audiences today."--Art Quarterly "Beautifully designed, sumptuously illustrated and reasonably priced... Trippi has produced a book which will appeal to a wide variety of readers."--Colin Cruise, Staffordshire University, The Art Book, "A fresh and absorbing analysis."-- Antiques Trade Gazette "Scholarly and detailed book."-- Times Literary Supplement "A must for Pre-Raphaelite fans."-- The Argus "This is good social art history in a sumptuous format."-- Independent) "Until I read this meticulously researched, cogently argued and handsomely illustrated book, all I knew about Waterhouse could have been written on the back of a postage stamp."-- World of Interiors) "While the book places the artist within his era, it is Trippi's sensitive descriptions of the works and his attention to technique and the painted surface that give his method innovation and insight. The handsome colour plates, including double-page spreads of such monumental works as St Cecilia (1895) and Hylas and the Nymphs (1896) as well as the hitherto unreproduced Gather Ye Rosebuds While Ye May (1909), substantiate Trippi's assertion that Waterhouse's complex aesthetic still compels audiences today."-- Art Quarterly "Beautifully designed, sumptuously illustrated and reasonably priced... Trippi has produced a book which will appeal to a wide variety of readers."-- Colin Cruise, Staffordshire University, The Art Book
Dewey Edition
22
Grade From
Eighth Grade
Grade To
College Graduate Student
Dewey Decimal
759.2
Edition Description
Revised edition
Synopsis
John William Waterhouse is among the most popular Victorian artists and many of his paintings, such as The Lady of Shallot, Hylas and the Nymphs and Ophelia, have become icons of femininity recognized the world over. With their compelling composition, glowing colour and Impressionist-inflected technique, these paintings are admired for their beauty, yet at the same time they have the power to transport the viewer into a romantic world of myth and legend., John William Waterhouse (1849-1917) is one of the most enduringly popular of the Victorian artists, and paintings such as The Lady of Shalott , Hylas and The Nymphs and Ophelia have become icons recognized the world over. With their compelling composition and glowing colour, these works are admired for their beauty and for their power to transport the viewer into a romantic world of myth and legend. At the same time, Waterhouse's wistful heroines also reflect the troubled attitudes of nineteenth-century male artists towards women. In this carefully researched new study, Peter Trippi presents a fresh and absorbing analysis of the artist's seductresses, martyrs and nymphs, and the cultural and historical circumstances in which they were produced. He also draws on new research to provide an accessible biography of the artist. Themes explored include Waterhouse's passion for Italy, literature and the classical world, the role of the Royal Academy in his life, his stylistic influences and studio practice, and his relations with collectors, dealers, critics and curators. Neglected throughout much of the twentieth century, Waterhouse has enjoyed a dramatic revival of fortune. Trippi's monograph provides a timely re-evaluation that combines a close reading of Waterhouse's imagery with a candid appraisal of the milieu in which he worked.
LC Classification Number
ND497.W265
Artikelbeschreibung des Verkäufers
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