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Der lange Flur (Ausleben: Schwule und lesbische Autobiog) von Larson

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Hinweise des Verkäufers
“Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
Narrative Type
Performing Arts
Type
Book
Intended Audience
N/A
ISBN
9780299347246

Über dieses Produkt

Product Identifiers

Publisher
University of Wisconsin Press
ISBN-10
0299347249
ISBN-13
9780299347246
eBay Product ID (ePID)
26063421123

Product Key Features

Book Title
Long Hallway
Number of Pages
182 Pages
Language
English
Topic
Film / Genres / Horror, Sociology / General, Lgbt
Publication Year
2024
Genre
Performing Arts, Social Science, Biography & Autobiography
Author
Richard Scott Larson
Book Series
Living Out: Gay and Lesbian Autobiog Ser.
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
9.6 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2023-041529
Reviews
An exquisite book: atmospheric, metaphysical, transformative. Larson provides an extended meditation on menace, and what it means to walk beside it and not be destroyed by it. I'm enthralled by Larson's willingness to acknowledge how the cruelty of his environment has shaped him, and his compassion and respect for his younger self feels singular., " Halloween , horror, desire, death, and what lurks in the shadows of the suburban Midwest-- The Long Hallway is the book of my dark dreams. With tension, tenderness, and longing in every line, this is a memoir you feel in your skin, a deeply vulnerable and hauntingly powerful meditation on watching and being seen, isolation and escape, and uncovering the truth of our stories, and our families, to see ourselves more clearly."--Melissa Faliveno, author of Tomboyland, "An exquisite book: atmospheric, metaphysical, transformative. Larson provides an extended meditation on menace, and what it means to walk beside it and not be destroyed by it. I'm enthralled by Larson's willingness to acknowledge how the cruelty of his environment has shaped him, and his compassion and respect for his younger self feels singular."-Paul Lisicky, author of Later: My Life at the Edge of the World, Offers a compelling argument for reading the opening of Halloween as a coming-out story. . . . Horror fans will find much to love in Larson's deep fandom and unique perspective on the film, and memoir fans will delight in his unique approach to the form., The Long Hallway is a feat of lyrical memoir, and Larson continually shows a depth of love and care for his journey toward acceptance and the often misunderstood genre's influence on his life., "The Long Hallway is a feat of lyrical memoir, and Larson continually shows a depth of love and care for his journey toward acceptance and the often misunderstood genre's influence on his life."-- Chicago Review of Books, "[A] vivid and cinematic memoir debut. . . . One can draw many lessons from The Long Hallway : that desire is inevitable, looking is dangerous, we become what we fear, and bogeymen are ubiquitous. . . . [Larson's] deftness at showing the prism of interiority, his forensic sense of detail, and his way of writing into the incomprehensible are what make this gem of a memoir the only way out of Haddonfield."-- The Brooklyn Rail, "An exquisite book: atmospheric, metaphysical, transformative. Larson provides an extended meditation on menace, and what it means to walk beside it and not be destroyed by it. I'm enthralled by Larson's willingness to acknowledge how the cruelty of his environment has shaped him, and his compassion and respect for his younger self feels singular."--Paul Lisicky, author of Later: My Life at the Edge of the World, Somewhere in the chasm that runs between our open secrets and our adolescent desires, we become ourselves. This is a book with the power to remind us how quickly young queers become voyeurs in their own lives, always living it double, watching from inside our great secret. I was moved by it because I understood the boy at its center: In a way, he was me, not so much because young Larson and I were really the same, but because in the author's hands, I grew to feel--to hope--that we were., Halloween , horror, desire, death, and what lurks in the shadows of the suburban Midwest-- The Long Hallway is the book of my dark dreams. With tension, tenderness, and longing in every line, this is a memoir you feel in your skin, a deeply vulnerable and hauntingly powerful meditation on watching and being seen, isolation and escape, and uncovering the truth of our stories, and our families, to see ourselves more clearly., [A] vivid and cinematic memoir debut. . . . One can draw many lessons from The Long Hallway : that desire is inevitable, looking is dangerous, we become what we fear, and bogeymen are ubiquitous. . . . [Larson's] deftness at showing the prism of interiority, his forensic sense of detail, and his way of writing into the incomprehensible are what make this gem of a memoir the only way out of Haddonfield., "Somewhere in the chasm that runs between our open secrets and our adolescent desires, we become ourselves. This is a book with the power to remind us how quickly young queers become voyeurs in their own lives, always living it double, watching from inside our great secret. I was moved by it because I understood the boy at its center: In a way, he was me, not so much because young Larson and I were really the same, but because in the author's hands, I grew to feel--to hope--that we were."--K. Austin Collins, film critic
TitleLeading
The
Synopsis
Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenter's 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenter's inscrutable masked villain, as well as Michael's potential victims. In The Long Hallway, Larson ......, Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenter's 1978 classic, Halloween . He developed an intense childhood identification with Michael Myers, Carpenter's inscrutable masked villain, as well as Michael's potential victims. In The Long Hallway , Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet. Larson was only nine years old when he recognized something of his own experience in how Michael Myers hid his true face from the world. This spark of recognition ignited his imagination while he searched for clues to what the future might hold for boys like him, all the while being made to understand his nascent sexuality as deviant and punishable. Like in the movies, his superficially safe suburban childhood was in fact filled with threat: a classmate's murder, his father's alcoholism and death, and his own sexual assault by a much older man. The figurative mask Larson learned to wear could not contain his yearning to be seen and desired. In the aftermath of this violence, his boyhood self came to believe that fear and desire would be forever intertwined. This lyrical memoir expresses a boy's search for identity while navigating the darkness and isolation of a deeply private inner world. With introspection and tenderness, Larson reflects on how little we understand in the moment about the experiences that mark us forever., Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenter's 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenter's inscrutable masked villain, as well as Michael's potential victims. In The Long Hallway, Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet. Larson was only nine years old when he recognized something of his own experience in how Michael Myers hid his true face from the world. This spark of recognition ignited his imagination while he searched for clues to what the future might hold for boys like him, all the while being made to understand his nascent sexuality as deviant and punishable. Like in the movies, his superficially safe suburban childhood was in fact filled with threat: a classmate's murder, his father's alcoholism and death, and his own sexual assault by a much older man. The figurative mask Larson learned to wear could not contain his yearning to be seen and desired. In the aftermath of this violence, his boyhood self came to believe that fear and desire would be forever intertwined. This lyrical memoir expresses a boy's search for identity while navigating the darkness and isolation of a deeply private inner world. With introspection and tenderness, Larson reflects on how little we understand in the moment about the experiences that mark us forever.
LC Classification Number
HQ75.8.L377A3 2024

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