CATHEDRAL OF THE BLACK MADONNA JEAN MARKALE PAPERBACK BOOK 2004 BRAND NEW

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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
Country of Origin
United States
Signed
No
Narrative Type
Nonfiction
Original Language
English
Vintage
No
ISBN
9781594770203
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Inner Traditions International, The Limited
ISBN-10
1594770204
ISBN-13
9781594770203
eBay Product ID (ePID)
30768668

Product Key Features

Book Title
Cathedral of the Black Madonna : the Druids and the Mysteries of Chartres
Number of Pages
312 Pages
Language
English
Topic
Spirituality, Celtic Spirituality, Mysticism, Christian Theology / Mariology, Goddess Worship, Europe / Medieval
Publication Year
2004
Illustrator
Yes
Genre
Body, Mind & Spirit, Religion, History
Author
Jean Markale
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
13.8 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2004-018268
Reviews
Markale's linkage of the ancient Druid theology to the Catholic theology and its Marian devotion is a cogent work of historic research and religious considerations. Forget the 'DaVinci Code' and pick up this book instead., . . . this book will appeal to the serious scholar and the reader passionate about this unique cathedral; it is rich in information and ideas that can continue to be mined with each successive reading., . . . a good case is made for the paranormal background of this architectural wonder and the foundations that lie in the mystic rituals of the Celts and the druids. Cathedral of the Black Madonna is a formidable work. . . .provides ample ground for imagination and speculation as to the inner life of our ancestors.", If you have an interest in ancient cultures, goddess worship, the sacred nature of the cathedrals and those who built them, and the path of Gnosis, there is much to love in this book. . . . Read it, put it away and read it a few months later. You will see something within it that you did not see before., . . . a comprehensive discussion of not just the Black Madonna, but of one of the most amazing cathedrals ever built., Markale's examination traces the appeal of the Black Madonna back to ancient goddess legends and times and provides plenty of insights into Druid mysteries., . . . author Jean Markale takes us far back to the underlying roots that flowered into the cathedral we see today.
Dewey Edition
22
Dewey Decimal
282/.445124
Table Of Content
Part One -- The Sites 1 -- The Entrance to the Labyrinth 2 -- The Vibrating Stones 3 -- Chartres over the Course of History Part Two -- The Virgin's Great Shadow 4 -- The Mother of God 5 -- Worship of the Virgin 6 -- The Black Madonna Part Three -- The Mystery of the Druids 7 -- The Forest of the Carnutes 8 -- Gargantua's Itinerary 9 -- Our Lady of Under Ground 10 -- The Virgin of the Druids Index
Synopsis
Explores the connection between ancient druidic worship of a virgin at Chartres and the veneration of the Black Madonna - Examines the Virgin Mary's origins in the pagan worship of the Mother Goddess - Identifies Mary with the dominant solar goddess of matriarchal societies The great cathedral of Chartres is renowned the world over as a masterpiece of High Gothic architecture and for its remarkable stained glass, considered alchemical glass, and its mystical labyrinth. But the sacred foundations of this sanctuary go back to a time long before Christianity when this site was a clearing where druids worshiped a Virgo Paritura: a virgin about to give birth. This ancient meeting place, where all the druids in Gaul gathered once a year, now houses the magnificent Chartres cathedral dedicated both to the Virgin Mary, Mother of God, and to one of the most venerated Black Madonnas in Europe: Our Lady of the Pillar. Coincidence? Hardly, says Jean Markale, whose exhaustive examination of the site traces Chartres' roots back to prehistoric times and the appeal of the Black Madonna back to the ancient widespread worship of Mother Goddesses such as Cybele and Isis. Markale contends that the mother and child depicted by the Black Madonna are descended from the image worshipped by the druids of the Virgin forever giving birth. This image is not merely a representation of maternal love--albeit of a spiritual nature. It is a theological notion of great refinement: the Virgin gives birth ceaselessly to a world, a God, and a humanity in perpetual becoming., Explores the connection between ancient druidic worship of a virgin at Chartres and the veneration of the Black Madonna * Examines the Virgin Mary's origins in the pagan worship of the Mother Goddess * Identifies Mary with the dominant solar goddess of matriarchal societies The great cathedral of Chartres is renowned the world over as a masterpiece of High Gothic architecture and for its remarkable stained glass, considered alchemical glass, and its mystical labyrinth. But the sacred foundations of this sanctuary go back to a time long before Christianity when this site was a clearing where druids worshiped a Virgo Paritura: a virgin about to give birth. This ancient meeting place, where all the druids in Gaul gathered once a year, now houses the magnificent Chartres cathedral dedicated both to the Virgin Mary, Mother of God, and to one of the most venerated Black Madonnas in Europe: Our Lady of the Pillar. Coincidence? Hardly, says Jean Markale, whose exhaustive examination of the site traces Chartres' roots back to prehistoric times and the appeal of the Black Madonna back to the ancient widespread worship of Mother Goddesses such as Cybele and Isis. Markale contends that the mother and child depicted by the Black Madonna are descended from the image worshipped by the druids of the Virgin forever giving birth. This image is not merely a representation of maternal love--albeit of a spiritual nature. It is a theological notion of great refinement: the Virgin gives birth ceaselessly to a world, a God, and a humanity in perpetual becoming.
LC Classification Number
BT652.F7M37 2004

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