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Gutenberg und die Wirkung des Drucks
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Standort: Provo, Utah, USA
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eBay-Artikelnr.:187239763418
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780754635376
Über dieses Produkt
Product Identifiers
Publisher
Routledge
ISBN-10
0754635376
ISBN-13
9780754635376
eBay Product ID (ePID)
30454622
Product Key Features
Number of Pages
216 Pages
Publication Name
Gutenberg and the Impact of Printing
Language
English
Publication Year
2005
Subject
Comparative Literature, Publishing, Graphic Arts / Typography
Type
Textbook
Subject Area
Literary Criticism, Design, Language Arts & Disciplines
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
21.7 Oz
Item Length
9.5 in
Item Width
6.5 in
Additional Product Features
Intended Audience
College Audience
LCCN
2004-001759
Dewey Edition
22
Illustrated
Yes
Original Language
German
Dewey Decimal
686.2/092 B
Table Of Content
Contents: Foreword; Gutenberg - His Life and Work: The course of Gutenberg's life; Bringing the technical inventions together; The 'work of the books': the 42-line Bible; Jobbing printing in long runs; The 36-line Bible; The Catholicon; Gutenberg's final years; The successor workshop of Fust and Schoeffer. The Spread of Printing: Rome; Venice; Paris; The book in Britain. Printing and Humanism: Renaissance humanism; Editions of classical authors; Early humanism in Germany; Printing in Greek and Hebrew; Vadian and the provision of teaching texts; A few dissenting voices. Popular Instruction in the Vernacular: Popular books; Encyclopaedia; Fables; The Ulm Aesop; Practical books. Broadsides and the 'Latest News': News-sheets; A broadside view of the New World; Emperor Maximilian I; Printing and the Reformation: German Bibles before Luther; Luther's career; The main texts of the Reformers; Pamphlets; Luther's translation principles; Bible translation from 1522 to 1546. Gutenberg Goes Electronic: The on-going media revolution; Print on demand; Manuscripts on screen; Electronic ink. Bibliography; Picture Credits; Index.
Synopsis
From typefounding through typesetting to the printing process itself, this narrative offers a fresh look at the unprecedented success story of the spread of the 'black art' right across Europe in a mere 40 years. Stephan Füssel here analyses the first early printings, placing them in the context of the history of communication and the intellectual climate of a Europe-wide educated elite by about 1500. He foregrounds the tremendous rise in European culture and the history of education experienced as a direct result of this media revolution.In separate chapters Füssel depicts the fast spreading of the art of printing to Italy, France and England, at the same time highlighting the importance of the art of printing for the Roman Catholic Church, the Reformation, the University and the economy. From herbals to a guide for midwives, the present book shows popular instruction at work in the vernacular, as well as the consolidation of knowledge into encyclopedias in the early modern period, and the emergence of new forms of the prose novel and the beginnings of newspapers and periodicals.Finally Stephan Füssel traces the modern resonances of Gutenberg's invention, which persisted in virtually unchanged form for a further 350 years. It underwent decisive technological change through industrialisation and mechanisation in the nineteenth century, and again through digitalisation at the close of the twentieth century. However, as Füssel shows, the mass diffusion of information and the related communications revolution which began with Gutenberg continue unabated., From typefounding through typesetting to the printing process itself, this narrative offers a fresh look at the unprecedented success story of the spread of the 'black art' right across Europe in a mere 40 years. Stephan Füssel here analyses the first early printings, placing them in the context of the history of communication and the intellectual climate of a Europe-wide educated elite by about 1500. He foregrounds the tremendous rise in European culture and the history of education experienced as a direct result of this media revolution. In separate chapters Füssel depicts the fast spreading of the art of printing to Italy, France and England, at the same time highlighting the importance of the art of printing for the Roman Catholic Church, the Reformation, the University and the economy. From herbals to a guide for midwives, the present book shows popular instruction at work in the vernacular, as well as the consolidation of knowledge into encyclopedias in the early modern period, and the emergence of new forms of the prose novel and the beginnings of newspapers and periodicals. Finally Stephan Füssel traces the modern resonances of Gutenberg's invention, which persisted in virtually unchanged form for a further 350 years. It underwent decisive technological change through industrialisation and mechanisation in the nineteenth century, and again through digitalisation at the close of the twentieth century. However, as Füssel shows, the mass diffusion of information and the related communications revolution which began with Gutenberg continue unabated., From typefounding through typesetting to the printing process itself, this narrative offers a fresh look at the unprecedented success story of the spread of the 'black art' right across Europe in a mere 40 years. Stephan F 1/4ssel here analyses the first early printings, placing them in the context of the history of communication and the intellectual climate of a Europe-wide educated elite by about 1500. He foregrounds the tremendous rise in European culture and the history of education experienced as a direct result of this media revolution. In separate chapters F 1/4ssel depicts the fast spreading of the art of printing to Italy, France and England, at the same time highlighting the importance of the art of printing for the Roman Catholic Church, the Reformation, the University and the economy. From herbals to a guide for midwives, the present book shows popular instruction at work in the vernacular, as well as the consolidation of knowledge into encyclopedias in the early modern period, and the emergence of new forms of the prose novel and the beginnings of newspapers and periodicals. Finally Stephan F 1/4ssel traces the modern resonances of Gutenberg's invention, which persisted in virtually unchanged form for a further 350 years. It underwent decisive technological change through industrialisation and mechanisation in the nineteenth century, and again through digitalisation at the close of the twentieth century. However, as F 1/4ssel shows, the mass diffusion of information and the related communications revolution which began with Gutenberg continue unabated., From typefounding through typesetting to the printing process itself, this narrative offers a fresh look at the unprecedented success story of the spread of the black art. Stephan Füssel here foregrounds the tremendous rise European culture and the history of education experienced as a direct result of this media revolution; he depicts the fast spreading of the art of printing to Italy, France and England, highlighting the importance of the art of printing for the Roman Catholic Church, the Reformation, the University and the economy. He shows popular instruction at work in the vernacular, as well as the consolidation of knowledge into encyclopaedias in the early modern period, and the emergence of new forms of the prose novel and the beginnings of newspapers and periodicals. Finally he traces the modern resonances of Gutenberg's invention, which persisted in virtually unchanged form for a further 350 years.
LC Classification Number
Z126.Z7F9613 2004
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