ERINNERUNG, ÜBERGANGSJUSTIZ UND THEATER IN von Noe Montez *Top Zustand*
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ERINNERUNG, ÜBERGANGSJUSTI
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eBay-Artikelnr.:187256686578
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- ISBN-10
- 0809336294
- Book Title
- Memory, Transitional Justice, and Theatre in Postdictatorship
- Genre
- PERFORMING ARTS
- ISBN
- 9780809336296
Über dieses Produkt
Product Identifiers
Publisher
Southern Illinois University Press
ISBN-10
0809336294
ISBN-13
9780809336296
eBay Product ID (ePID)
235972954
Product Key Features
Number of Pages
264 Pages
Language
English
Publication Name
Memory, Transitional Justice, and Theatre in Postdictatorship Argentina
Subject
Theater / General, Drama, Theater / History & Criticism, Theater / Direction & Production, Latin America / South America
Publication Year
2017
Type
Textbook
Subject Area
Literary Criticism, Performing Arts, History
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
14.6 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2017-015367
Reviews
"This book offers an important update to studies on Argentina's postdictatorship theatre, documenting the ways it has registered contested approaches to transitional justice strategies, which themselves embed changing understandings of the role of individual and collective memory."--Tamara L. Underiner, author of Contemporary Theatre in Mayan Mexico: Death-Defying Acts, "...this volume provides an excellent example of how to conduct and interweave an array of investigations into a cohesive and probing commentary on complex sociopolitical contexts. As such, this book deserves a home on the shelves of students and scholars of Argentine theatre, theatre history, and Latin American performance and politics alike." -- Kaitlin M. Murphy, author of Mapping Memory: Visuality, Affect, and Embodied Politics "This book offers an important update to studies on Argentina's postdictatorship theatre, documenting the ways it has registered contested approaches to transitional justice strategies, which themselves embed changing understandings of the role of individual and collective memory."--Tamara L. Underiner, author of Contemporary Theatre in Mayan Mexico: Death-Defying Acts, This book offers an important update to studies on Argentina's postdictatorship theatre, documenting the ways it has registered contested approaches to transitional justice strategies, which themselves embed changing understandings of the role of individual and collective memory."--Tamara L. Underiner, author of Contemporary Theatre in Mayan Mexico: Death-Defying Acts
Illustrated
Yes
Dewey Decimal
792.0982/09049
Table Of Content
List of Illustrations Acknowledgments Introduction: Shaping Memory and Performance in Postdictatorship Argentina 1. Resisting the Menem Administration's Narratives of Reconciliation and Forgetting 2. Teatroxlaidentidad : The Right to Memory and Identity 3. Reparation, Commemoration, and Memory Construction in the Postdictatorship Generation 4. Performing Public Memorialization of the Malvinas War Conclusion: The Next Stages of Theatrical Production, Postdictatorship Memory, and Transitional Justice Notes Bibliography Index
Synopsis
In Memory, Transitional Justice, and Theatre in Postdictatorship Argentina, author Noe Montez considers how theatre, as a site of activism, can produce memory narratives that change the public's reception to governmental policies that address a previous regime's human rights violations. Drawing on contemporary research in transitional justice strategies, memory studies, and theatre history, Montez examines the Argentine theatre's responses to the numerous changes in the country's transitional justice policies - truth and reconciliation hearings, trials, amnesties and pardons, and memorial events and spaces - that have taken place in the last decade of the twentieth century and the first two decades of the twenty-first century. Montez explores how the sociohistorical phenomenon of Argentina's Teatroxlaidentidad - an annual showcase staged with the support of Argentina's Grandmothers of the Plaza de Mayo - acted as a vehicle for drawing attention to the hundreds of children kidnapped from their families during the dictatorship and why memory narratives regarding the Malvinas Islands (also known as the Falklands) range from ideological appropriations of the islands to absurdist commentaries about the failed war that signaled the dictatorship's end, to the islands' heavily contested status today. Plays studied include El Periférico de Objetos's Máquina Hamlet (1995), Mariana Eva Perez's Instrucciones para una collecionista de mariposas (2002), Lola Arias's Mi vida después (2009), and Patricio Abadi's Isla flotante (2015).,br> This book fills an important gap in Latin American theatre history and performance studies, exploring theatrical engagement in postdictatorship Argentina, analyzing plays by artists who have not yet been addressed in English-language articles and books, and exploring the practicalities of staging performances in Latin America., Author Noe Montez considers how theatre, as a site of activism, produces memory narratives that change public reception to a government's transitional justice policies. Drawing on contemporary research in memory studies and transitional justice, Montez examines the Argentine theatre's responses to the country's transitional justice policies--truth and reconciliation hearings, trials, amnesties and pardons, and memorial events and spaces--that have taken place in the last decade of the twentieth century and the first two decades of the twenty-first century. Montez explores how the sociohistorical phenomenon of the Teatroxlaidentidad --an annual showcase staged with the support of Argentina's Grandmothers of the Plaza de Mayo--acted as a vehicle for drawing attention to the hundreds of children kidnapped from their families during the dictatorship and looks at why the memory narratives regarding the Malvinas Islands (also known as the Falklands) range from ideological appropriations of the islands, to absurdist commentaries about the failed war that signaled the dictatorship's end, to the islands' heavily contested status today. Memory, Transitional Justice, and Theatre in Postdictatorship Argentina explores the vibrant role of theatrical engagement in postdictatorship Argentina, analyzes plays by artists long neglected in English-language articles and books, and explores the practicalities of staging performances in Latin America., Considers how theatre can produce memory narratives that change the public's reception to governmental policies that address a previous regime's human rights violations. Drawing on contemporary research in transitional justice strategies, memory studies, and theatre history, Noe Montez examines the Argentine theatre's responses to the numerous changes in the country's transitional justice policies.
LC Classification Number
PN2451.M59 2017
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- d***l (291)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent quality. Good value. Exactly what I was looking for. Some negligible knocks from shipping but this item was shipped overseas from another continent and still arrived in very good condition. Happy customer. Good customer support.
- o***2 (8027)- Bewertung vom Käufer.Letzter MonatBestätigter KaufFANTABULOSA (to quote Kenneth Williams)! Glad to have transacted with you! A+++++++
- 5***v (1109)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThank You