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THE FABRICATION OF LOUIS XIV By Peter Burke **BRAND NEW**
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THE FABRICATION OF LOUIS XIV By Peter Burke **BRAND NEW**
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THE FABRICATION OF LOUIS XIV By Peter Burke **BRAND NEW**

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    Zuletzt aktualisiert am 02. Aug. 2025 14:01:11 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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    Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
    ISBN-10
    0300059434
    Publication Name
    Yale University Press
    Type
    Paperback
    ISBN
    9780300059434
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Yale University Press
    ISBN-10
    0300059434
    ISBN-13
    9780300059434
    eBay Product ID (ePID)
    111073

    Product Key Features

    Book Title
    Fabrication of Louis Xiv
    Number of Pages
    256 Pages
    Language
    English
    Topic
    Royalty, Europe / France, General, American Government / General
    Publication Year
    1994
    Illustrator
    Yes
    Genre
    Political Science, Biography & Autobiography, History
    Author
    Peter Burke
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.8 in
    Item Weight
    14.3 Oz
    Item Length
    9.1 in
    Item Width
    6.1 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    91-011899
    TitleLeading
    The
    Dewey Edition
    20
    Dewey Decimal
    944/.033
    Synopsis
    Louis XIV was a man like any other, but the money and attention lavished on his public image by the French government transformed him into a godlike figure. In this engrossing book, an internationally respected historian gives an account of contemporary representations of Louis XIV and shows how the making of the royal image illuminates the relationship between art and power. Images of Louis XIV included hundreds of oil paintings and engravings, three-hundred-odd medals struck to commemorate the major events of the reign, sculptures, and bronzes, as well as plays, ballets (in which the king himself sometimes appeared on stage), operas, odes, sermons, official newspapers and histories, fireworks, fountains, and tapestries. Drawing on an analysis of these representations as well as on surviving documentary sources, Peter Burke shows the conscious attempt to invent the image of the king and reveals how the supervision of the royal image was entrusted to a commitee, the so-called small academy. This book is not only a fascinating chronological study of the mechanics of the image-making of a king over the course of a seventy-year reign but is also an investigation into the genre of cultural construction. Burke discusses the element of propaganda implicit in image-making, the manipulation of seventeenth-century media of communication (oral, visual, and textual) and their codes (literary and artistic), and the intended audience and its response. He concludes by comparing and contrasting Louis's public image with that of other rulers ranging from Augustus to contemporary American presidents., Louis XIV was a man like any other, but the money and attention lavished on his public image by the French government transformed him into a godlike figure. In this engrossing book, an internationally respected historian gives an account of contemporary representations of Louis XIV and shows how the making of the royal image illuminates the relationship between art and power. Images of Louis XIV included hundreds of oil paintings and engravings, three-hundred-odd medals struck to commemorate the major events of the reign, sculptures, and bronzes, as well as plays, ballets (in which the king himself sometimes appeared on stage), operas, odes, sermons, official newspapers and histories, fireworks, fountains, and tapestries. Drawing on an analysis of these representations as well as on surviving documentary sources, Peter Burke shows the conscious attempt to "invent" the image of the king and reveals how the supervision of the royal image was entrusted to a commitee, the so-called small academy. This book is not only a fascinating chronological study of the mechanics of the image-making of a king over the course of a seventy-year reign but is also an investigation into the genre of cultural construction. Burke discusses the element of propaganda implicit in image-making, the manipulation of seventeenth-century media of communication (oral, visual, and textual) and their codes (literary and artistic), and the intended audience and its response. He concludes by comparing and contrasting Louis's public image with that of other rulers ranging from Augustus to contemporary American presidents.

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