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TODGEWEIHTES HERZ: SEX UND DAS HEILIGE IN WAGNER'S von Roger Scruton *NEU*
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eBay-Artikelnr.:187622092562
Artikelmerkmale
- Artikelzustand
- ISBN-10
- 0199928088
- Publication Name
- Oxford University Press
- Type
- Paperback
- ISBN
- 9780199928088
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199928088
ISBN-13
9780199928088
eBay Product ID (ePID)
143614088
Product Key Features
Book Title
Death-Devoted Heart : Sex and the Sacred in Wagner's Tristan and Isolde
Number of Pages
248 Pages
Language
English
Topic
History & Criticism, Genres & Styles / Opera, Aesthetics
Publication Year
2012
Illustrator
Yes
Genre
Music, Philosophy
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
11.3 Oz
Item Length
5.5 in
Item Width
8.4 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
21
Reviews
"For those who wish to wrestle with religious and philosophical interpretations, Scruton provides ample grist and excellent analysis of the story and music."- The Opera Journal "This is possibly the best book ever written about Tristan und Isolde from the dramatic as well as the musical point of view. Scruton does not leave a historical stone unturned without dusting and exposing it to the sunlight of his extraordinary power of synthesis. And his musical analysis is phenomenal. Even if you do not read music it has plenty to grab your attention. I would buy it just for the chapter on chivalry and courtly love, for instance, in which Scruton's clairy of narration and research put many other writers to shame.... A book the reader does not want to put down."--Eduardo Benarroch "A wide-ranging analysis of Richard Wagner's influential tribute to romantic love, by a noted philosopher and social critic.... Scruton's status as an unusually accomplished polymath is apparent throughout Death-Devoted Heart, as he moves easily from topic to topic, discussing such figures as Geoffrey Chaucer, Arthur Schopenhauer, Plato, Chretien de Troyes, and Claude Levi-Strauss with equal aplomb." -- Magill's Literary Annual 2005 "Roger Scruton's Death-Devoted Heart is an elegant, erudite exploration attempting to make the operagoer 'get' this piece and, by extension, Wagner's intent in all of his Gesamtkunstwerk ventures. Scruton shows us that traditional dismissals of Tristan's brief plot as Wagner's self-therapy in the wake of a frustrated love affair miss the point...Scruton is more interested in our understanding the philosophical substrate...devoting chapters to Wagner's conceptions of love, sacrifice and redemption, and ritual."--Books & Culture "Scruton has prepared his brief with care. Medieval chivalric romance, Kantian ethics, anthropological mythography, and musicological close-work propel his sinuous but lucid argument...Death-Devoted Heart is a breathtaking book."--First Things "If you're going to disagree with Nietzsche, Plato and Schopenhauer, you'd best have your own house in order. Roger Scruton certainly does."--Opera News "Fascinating book, conveying his ideas so effectively he almost makes us hear the music...Scruton is full of engaging subtleties...written with his customary clarity and concision."--The Sunday Telegraph "Impressive new book...this distinguished, characteristically contentious book sets a standard of Wagnerian commentary which it would be a great relief to see other writers attempting to follow."--The Spectator "Roger Scruton's book is a deep and daunting study of the most important single composition in Western music, Richard Wagner's Tristan and Isolde...Scruton's examination is highly original and delves into aspects which have seldom been explored so rigorously."--The Independent "Scruton's new book, Death-Devoted Heart: Sex and the Sacred in Wagner's "Tristan and Isolde," connects the opera in an informative way with sex and religion and shows how many primitive religions associate sex with God. Scruton also examines the drama in this opera in interesting ways and notes how Wagner wanted the medieval setting of this opera to be taken very seriously." The Opera Quarterly, "Chestnut deserves our special thanks for this intelligent, responsible, and sympathetic (although not uncritical) account of a significant and rising movement."--Philip Jenkins,Books & Culture "Devoted to Deathis fascinating, and a continuous revelation."--Inside Higher Ed "For those who wish to wrestle with religious and philosophical interpretations, Scruton provides ample grist and excellent analysis of the story and music."-The Opera Journal "This is possibly the best book ever written aboutTristan und Isoldefrom the dramatic as well as the musical point of view. Scruton does not leave a historical stone unturned without dusting and exposing it to the sunlight of his extraordinary power of synthesis. And his musical analysis is phenomenal. Even if you do not read music it has plenty to grab your attention. I would buy it just for the chapter on chivalry and courtly love, for instance, in which Scruton's clairy of narration and research put many other writers to shame.... A book the reader does not want to put down."--Eduardo Benarroch "A wide-ranging analysis of Richard Wagner's influential tribute to romantic love, by a noted philosopher and social critic.... Scruton's status as an unusually accomplished polymath is apparent throughoutDeath-Devoted Heart, as he moves easily from topic to topic, discussing such figures as Geoffrey Chaucer, Arthur Schopenhauer, Plato, Chretien de Troyes, and Claude Levi-Strauss with equal aplomb." --Magill's Literary Annual 2005 "Roger Scruton'sDeath-Devoted Heartis an elegant, erudite exploration attempting to make the operagoer 'get' this piece and, by extension, Wagner's intent in all of hisGesamtkunstwerkventures. Scruton shows us that traditional dismissals ofTristan's brief plot as Wagner's self-therapy in the wake of a frustrated love affair miss the point...Scruton is more interested in our understanding the philosophical substrate...devoting chapters to Wagner's conceptions of love, sacrifice and redemption, and ritual."--Books & Culture "Scruton has prepared his brief with care. Medieval chivalric romance, Kantian ethics, anthropological mythography, and musicological close-work propel his sinuous but lucid argument...Death-Devoted Heartis a breathtaking book."--First Things "If you're going to disagree with Nietzsche, Plato and Schopenhauer, you'd best have your own house in order. Roger Scruton certainly does."--Opera News "Fascinating book, conveying his ideas so effectively he almost makes us hear the music...Scruton is full of engaging subtleties...written with his customary clarity and concision."--The Sunday Telegraph "Impressive new book...this distinguished, characteristically contentious book sets a standard of Wagnerian commentary which it would be a great relief to see other writers attempting to follow."--The Spectator "Roger Scruton's book is a deep and daunting study of the most important single composition in Western music, Richard Wagner'sTristan and Isolde...Scruton's examination is highly original and delves into aspects which have seldom been explored so rigorously."--The Independent, "For those who wish to wrestle with religious and philosophical interpretations, Scruton provides ample grist and excellent analysis of the story and music."-The Opera Journal "This is possibly the best book ever written aboutTristan und Isoldefrom the dramatic as well as the musical point of view. Scruton does not leave a historical stone unturned without dusting and exposing it to the sunlight of his extraordinary power of synthesis. And his musical analysis is phenomenal. Even if you do not read music it has plenty to grab your attention. I would buy it just for the chapter on chivalry and courtly love, for instance, in which Scruton's clairy of narration and research put many other writers to shame.... A book the reader does not want to put down."--Eduardo Benarroch "A wide-ranging analysis of Richard Wagner's influential tribute to romantic love, by a noted philosopher and social critic.... Scruton's status as an unusually accomplished polymath is apparent throughoutDeath-Devoted Heart, as he moves easily from topic to topic, discussing such figures as Geoffrey Chaucer, Arthur Schopenhauer, Plato, Chretien de Troyes, and Claude Levi-Strauss with equal aplomb." --Magill's Literary Annual 2005 "Roger Scruton'sDeath-Devoted Heartis an elegant, erudite exploration attempting to make the operagoer 'get' this piece and, by extension, Wagner's intent in all of hisGesamtkunstwerkventures. Scruton shows us that traditional dismissals ofTristan's brief plot as Wagner's self-therapy in the wake of a frustrated love affair miss the point...Scruton is more interested in our understanding the philosophical substrate...devoting chapters to Wagner's conceptions of love, sacrifice and redemption, and ritual."--Books & Culture "Scruton has prepared his brief with care. Medieval chivalric romance, Kantian ethics, anthropological mythography, and musicological close-work propel his sinuous but lucid argument...Death-Devoted Heartis a breathtaking book."--First Things "If you're going to disagree with Nietzsche, Plato and Schopenhauer, you'd best have your own house in order. Roger Scruton certainly does."--Opera News "Fascinating book, conveying his ideas so effectively he almost makes us hear the music...Scruton is full of engaging subtleties...written with his customary clarity and concision."--The Sunday Telegraph "Impressive new book...this distinguished, characteristically contentious book sets a standard of Wagnerian commentary which it would be a great relief to see other writers attempting to follow."--The Spectator "Roger Scruton's book is a deep and daunting study of the most important single composition in Western music, Richard Wagner'sTristan and Isolde...Scruton's examination is highly original and delves into aspects which have seldom been explored so rigorously."--The Independent, "For those who wish to wrestle with religious and philosophical interpretations, Scruton provides ample grist and excellent analysis of the story and music."- The Opera Journal"This is possibly the best book ever written about Tristan und Isolde from the dramatic as well as the musical point of view. Scruton does not leave a historical stone unturned without dusting and exposing it to the sunlight of his extraordinary power of synthesis. And his musical analysis is phenomenal. Even if you do not read music it has plenty to grab your attention. I would buy it just for the chapter on chivalry and courtly love, for instance, inwhich Scruton's clairy of narration and research put many other writers to shame.... A book the reader does not want to put down."--Eduardo Benarroch"A wide-ranging analysis of Richard Wagner's influential tribute to romantic love, by a noted philosopher and social critic.... Scruton's status as an unusually accomplished polymath is apparent throughout Death-Devoted Heart, as he moves easily from topic to topic, discussing such figures as Geoffrey Chaucer, Arthur Schopenhauer, Plato, Chretien de Troyes, and Claude Levi-Strauss with equal aplomb." -- Magill's Literary Annual 2005"Roger Scruton's Death-Devoted Heart is an elegant, erudite exploration attempting to make the operagoer 'get' this piece and, by extension, Wagner's intent in all of his Gesamtkunstwerk ventures. Scruton shows us that traditional dismissals of Tristan's brief plot as Wagner's self-therapy in the wake of a frustrated love affair miss the point...Scruton is more interested in our understanding the philosophical substrate...devotingchapters to Wagner's conceptions of love, sacrifice and redemption, and ritual."--Books & Culture"Scruton has prepared his brief with care. Medieval chivalric romance, Kantian ethics, anthropological mythography, and musicological close-work propel his sinuous but lucid argument...Death-Devoted Heart is a breathtaking book."--First Things"If you're going to disagree with Nietzsche, Plato and Schopenhauer, you'd best have your own house in order. Roger Scruton certainly does."--Opera News"Fascinating book, conveying his ideas so effectively he almost makes us hear the music...Scruton is full of engaging subtleties...written with his customary clarity and concision."--The Sunday Telegraph"Impressive new book...this distinguished, characteristically contentious book sets a standard of Wagnerian commentary which it would be a great relief to see other writers attempting to follow."--The Spectator"Roger Scruton's book is a deep and daunting study of the most important single composition in Western music, Richard Wagner's Tristan and Isolde...Scruton's examination is highly original and delves into aspects which have seldom been explored so rigorously."--The Independent"Scruton's new book, Death-Devoted Heart: Sex and the Sacred in Wagner's "Tristan and Isolde," connects the opera in an informative way with sex and religion and shows how many primitive religions associate sex with God. Scruton also examines the drama in this opera in interesting ways and notes how Wagner wanted the medieval setting of this opera to be taken very seriously." The Opera Quarterly, "For those who wish to wrestle with religious and philosophical interpretations, Scruton provides ample grist and excellent analysis of the story and music."- The Opera Journal"This is possibly the best book ever written about Tristan und Isolde from the dramatic as well as the musical point of view. Scruton does not leave a historical stone unturned without dusting and exposing it to the sunlight of his extraordinary power of synthesis. And his musical analysis is phenomenal. Even if you do not read music it has plenty to grab your attention. I would buy it just for the chapter on chivalry and courtly love, for instance, in which Scruton's clairy of narration and research put many other writers to shame.... A book the reader does not want to put down."--Eduardo Benarroch"A wide-ranging analysis of Richard Wagner's influential tribute to romantic love, by a noted philosopher and social critic.... Scruton's status as an unusually accomplished polymath is apparent throughout Death-Devoted Heart, as he moves easily from topic to topic, discussing such figures as Geoffrey Chaucer, Arthur Schopenhauer, Plato, Chretien de Troyes, and Claude Levi-Strauss with equal aplomb." -- Magill's Literary Annual 2005"Roger Scruton's Death-Devoted Heart is an elegant, erudite exploration attempting to make the operagoer 'get' this piece and, by extension, Wagner's intent in all of his Gesamtkunstwerk ventures. Scruton shows us that traditional dismissals of Tristan's brief plot as Wagner's self-therapy in the wake of a frustrated love affair miss the point...Scruton is more interested in our understanding the philosophical substrate...devoting chapters to Wagner's conceptions of love, sacrifice and redemption, and ritual."--Books & Culture"Scruton has prepared his brief with care. Medieval chivalric romance, Kantian ethics, anthropological mythography, and musicological close-work propel his sinuous but lucid argument...Death-Devoted Heart is a breathtaking book."--First Things"If you're going to disagree with Nietzsche, Plato and Schopenhauer, you'd best have your own house in order. Roger Scruton certainly does."--Opera News"Fascinating book, conveying his ideas so effectively he almost makes us hear the music...Scruton is full of engaging subtleties...written with his customary clarity and concision."--The Sunday Telegraph"Impressive new book...this distinguished, characteristically contentious book sets a standard of Wagnerian commentary which it would be a great relief to see other writers attempting to follow."--The Spectator"Roger Scruton's book is a deep and daunting study of the most important single composition in Western music, Richard Wagner's Tristan and Isolde...Scruton's examination is highly original and delves into aspects which have seldom been explored so rigorously."--The Independent"Scruton's new book, Death-Devoted Heart: Sex and the Sacred in Wagner's "Tristan and Isolde," connects the opera in an informative way with sex and religion and shows how many primitive religions associate sex with God. Scruton also examines the drama in this opera in interesting ways and notes how Wagner wanted the medieval setting of this opera to be taken very seriously." The Opera Quarterly
Dewey Decimal
782.1
Table Of Content
1. Wagner and Religion2. The Story of Tristan3. Wagner's Treatment of the Story4. The Music of Tristan5. The Philosophy of Love6. Tragedy and Sacrifice7. Love, Death, and RedemptionEpilogue: From Romance to RitualAppendix: Table of MotivesNotesSelected BibliographyIndex, 1. Wagner and Religion 2. The Story of Tristan 3. Wagner's Treatment of the Story 4. The Music of Tristan 5. The Philosophy of Love 6. Tragedy and Sacrifice 7. Love, Death, and Redemption EPILOGUE From Romance to Ritual APPENDIX Table of Motives NOTES SELECTED BIBLIOGRAPHY INDEX
Synopsis
Death-Devoted Heart explodes the established interpretation of Wagner's Tristan and Isolde, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. Scruton touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. An original and provocative account of Wagner's music drama, Death-Devoted Heart blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century., A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland.Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century., A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle" - a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland.Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century., A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland. Death-Devoted Heart explodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that Tristan and Isolde has profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century.
LC Classification Number
ML410.W14S47 2013
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