MARIE GOSLICH Pioneer Female Photographer, Prints from glass negatives NEW

Greg Johnson Books
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Country of Origin
Germany
Special Attributes
Illustrated
Subjects
Art & Culture
Original Language
German
ISBN
9783862065288
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Druckverlag KETTLER Gmbh
ISBN-10
3862065286
ISBN-13
9783862065288
eBay Product ID (ePID)
237558673

Product Key Features

Book Title
Marie Goslich
Number of Pages
340 Pages
Language
English
Topic
Individual Photographers / Monographs, Photojournalism, General, Photoessays & Documentaries
Publication Year
2017
Illustrator
Yes
Genre
Photography
Author
Richard Reisen, Krystyna Kaufmann
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
23.6 Oz
Item Length
9.7 in
Item Width
6.9 in

Additional Product Features

Intended Audience
Trade
LCCN
2016-509530
Dewey Edition
23
Dewey Decimal
779.092
Synopsis
-Collects numerous 'lost' photos from one of the world's first professional female photographers -Shows the breadth and depth of Goslich's social commentary through art In 2008, a discovery was made that brought the works of Marie Goslich to light. Part of her estate, long thought to have been lost, was rediscovered in a guesthouse in Geltow at the Schwielowsee Lake. Some 400 glass-plate negatives exist today, survivors of the chaos of both world wars. This book makes Goslich's photos available to the public 100 years after their capture, celebrating her as a bold pioneer and a grande dame of German photojournalism and social critique. Born in Frankfurt (Oder) in 1859, Marie Goslich tried her hand at various things before beginning to work as a journalist and editor. Cited in Berlin's residents register, these professional titles alone were remarkable for a woman of her time. To cap it all, she began training as a photographer at the age of 44 in order to be able to provide her articles with pictures. As a result, she is one of the first professional female photographers in the world. With social injustice being her main concern, Goslich wrote and illustrated many articles, some of which were quite radical, to address the causes of suffering and misery. Again and again, her works denounce the gap between rich and poor. They portray traveling people, street vendors, beggars, ragmen and tinkers. All of her pictures betray her empathy towards her subjects, giving her photos a very intimate and rousing effect. Text in English and German., Collects numerous 'lost' photos from one of the world's first professional female photographers Shows the breadth and depth of Goslich's social commentary through art In 2008, a discovery was made that brought the works of Marie Goslich to light. Part of her estate, long thought to have been lost, was rediscovered in a guesthouse in Geltow at the Schwielowsee Lake. Some 400 glass-plate negatives exist today, survivors of the chaos of both world wars. This book makes Goslich's photos available to the public 100 years after their capture, celebrating her as a bold pioneer and a grande dame of German photojournalism and social critique. Born in Frankfurt (Oder) in 1859, Marie Goslich tried her hand at various things before beginning to work as a journalist and editor. Cited in Berlin's residents register, these professional titles alone were remarkable for a woman of her time. To cap it all, she began training as a photographer at the age of 44 in order to be able to provide her articles with pictures. As a result, she is one of the first professional female photographers in the world. With social injustice being her main concern, Goslich wrote and illustrated many articles, some of which were quite radical, to address the causes of suffering and misery. Again and again, her works denounce the gap between rich and poor. They portray traveling people, street vendors, beggars, ragmen and tinkers. All of her pictures betray her empathy towards her subjects, giving her photos a very intimate and rousing effect. Text in English and German.", *Collects numerous 'lost' photos from one of the world's first professional female photographers*Shows the breadth and depth of Goslich's social commentary through artIn 2008, a discovery was made that brought the works of Marie Goslich to light. Part of her estate, long thought to have been lost, was rediscovered in a guesthouse in Geltow at the Schwielowsee Lake. Some 400 glass-plate negatives exist today, survivors of the chaos of both world wars. This book makes Goslich's photos available to the public 100 years after their capture, celebrating her as a bold pioneer and a grande dame of German photojournalism and social critique. Born in Frankfurt (Oder) in 1859, Marie Goslich tried her hand at various things before beginning to work as a journalist and editor. Cited in Berlin's residents register, these professional titles alone were remarkable for a woman of her time. To cap it all, she began training as a photographer at the age of 44 in order to be able to provide her articles with pictures. As a result, she is one of the first professional female photographers in the world. With social injustice being her main concern, Goslich wrote and illustrated many articles, some of which were quite radical, to address the causes of suffering and misery. Again and again, her works denounce the gap between rich and poor. They portray traveling people, street vendors, beggars, ragmen and tinkers. All of her pictures betray her empathy towards her subjects, giving her photos a very intimate and rousing effect. Text in English and German., In 2008, a discovery was made that brought the works of Marie Goslich to light. Part of her estate, long thought to have been lost, was rediscovered in a guesthouse in Geltow at the Schwielowsee lake. Some 400 glass plate negatives exist today, survivors of the chaos of both world wars. This book makes Goslich's photos available to the public 100 years after their capture, celebrating her as a bold pioneer and a grande dame of German photojournalism and social critique. Born in Frankfurt (Oder) in 1859, Marie Goslich tried her hand at various things before beginning to work as a journalist and editor. Cited in Berlin's residents register, these professional titles alone were remarkable for a woman of her time. To cap it all, she began training as a photographer at the age of 44 in order to be able to provide her articles with pictures. As a result, she is one of the first professional female photographers in the world. With social injustice being her main concern, Goslich wrote and illustrated many articles, some of which were quite radical, to address the causes of suffering and misery. Again and again, her works denounce the gap between rich and poor. They portray traveling people, street vendors, beggars, ragmen and tinkers. All of her pictures betray her empathy towards her subjects, giving her photos a very intimate and rousing effect. Text in English and German.
LC Classification Number
TR655

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