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Arbeitsbuch zur Begleitung des kompletten Musikers: Arbeitsbuch 1: Schreiben und Analysieren...
by Laitz, Steven G. | PB | Acceptable
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eBay-Artikelnr.:194022496458
Artikelmerkmale
- Artikelzustand
- Akzeptabel
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 2 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 0199742790
- Subject Area
- Music
- Publication Name
- Workbook to Accompany the Complete Musician BK. 1 : Workbook 1: Writing and Analysis
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 8.4 in
- Subject
- General, Instruction & Study / Theory
- Publication Year
- 2011
- Type
- Workbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.4 in
- Item Weight
- 31.7 Oz
- Item Width
- 10.9 in
- Number of Pages
- 384 Pages
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199742790
ISBN-13
9780199742790
eBay Product ID (ePID)
102927047
Product Key Features
Number of Pages
384 Pages
Publication Name
Workbook to Accompany the Complete Musician BK. 1 : Workbook 1: Writing and Analysis
Language
English
Subject
General, Instruction & Study / Theory
Publication Year
2011
Type
Workbook
Subject Area
Music
Format
Trade Paperback
Dimensions
Item Height
1.4 in
Item Weight
31.7 Oz
Item Length
8.4 in
Item Width
10.9 in
Additional Product Features
Edition Number
3
Intended Audience
College Audience
Dewey Edition
23
Reviews
"The Complete Musician offers a depth of theoretical training and analytical insight that its competitors do not. It has, by far, the best musical examples of any textbook available on the market today. The exercises, which incrementally progress from easier to harder, are highly original and just plain fun to do."--Reginald Bain, University of South Carolina"The integration of composition, analysis, aural recognition, and performance is the best feature of The Complete Musician. It subtly reinforces the idea that a musician needs an understanding of each aspect of the musical universe in order to excel in any of its specialized areas. The Complete Musician trains music students to think like composers, which cannot help but make them better performers."--Ciro Scotto, University of SouthFlorida"The most comprehensive, musically intelligent, and easy-to-use music theory textbook on the market."--Stefan Eckert, University of Northern Colorado"This title ranks among the very best of its kind. . . . If you want a thorough and approachable book that gets behind, or into the head (indeed, heart and soul) of composers whose music you've known; want to know how it works the way it does, and why; want to see the mechanics, an appreciation of which serves only to enhance your sense of admiration for their technique, then The Complete Musician can be recommended wholeheartedly."--Review fromClassical.net, "The Complete Musician offers a depth of theoretical training and analytical insight that its competitors do not. It has, by far, the best musical examples of any textbook available on the market today. The exercises, which incrementally progress from easier to harder, are highly original and just plain fun to do."--Reginald Bain, University of South Carolina "The integration of composition, analysis, aural recognition, and performance is the best feature of The Complete Musician. It subtly reinforces the idea that a musician needs an understanding of each aspect of the musical universe in order to excel in any of its specialized areas. The Complete Musician trains music students to think like composers, which cannot help but make them better performers."--Ciro Scotto, University of South Florida "The most comprehensive, musically intelligent, and easy-to-use music theory textbook on the market."--Stefan Eckert, University of Northern Colorado "This title ranks among the very best of its kind. . . . If you want a thorough and approachable book that gets behind, or into the head (indeed, heart and soul) of composers whose music you've known; want to know how it works the way it does, and why; want to see the mechanics, an appreciation of which serves only to enhance your sense of admiration for their technique, then The Complete Musician can be recommended wholeheartedly."--Review from Classical.net
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
781.2
Edition Description
Workbook
Table Of Content
1. Musical Space and Time2. Harnessing Space and Time: Introduction to Melody and Two-Voice Counterpoint3. Musical Density: Triads, Seventh Chords and Texture4. When Harmony, Melody, and Rhythm Converge5. Tonic and Dominant as Tonal Pillars and Introduction to Voice Leading6. The Impact of Melody, Rhythm, and Meter on Harmony; Introduction to V77. Contrapuntal Expansions of Tonic and Dominant: Six-Three Chords8. More Contrapuntal Expansions: Inversions of V7, and Leading-Tone Seventh Chords9. The Pre-Dominant Function and the Phrase Model10. Accented and Chromatic Dissonances11. Six-Four Chords, the Subdominant, and Summary of Contrapuntal Expansions12. The Pre-Dominant Refines the Phrase Model13. The Submediant: A New Diatonic Harmony, and Further Extensions of the Phrase Model14. The Mediant, the Back-Relating Dominant, and a Synthesis of Diatonic Harmonic Relationships15. The Period16. Other Small Musical Structures: Sentences, Double Periods, and Asymmetrical Periods17. Harmonic Sequences18. Applied Chords19. Tonicization and Modulation20. Binary Form and Variations21. Modal Mixture22. Expansion of Modal Mixture Harmonies: Chromatic Modulation and the German iLied/i23. The Neapolitan Chord (bII)24. The Augmented Sixth Chord25. Ternary Form26. Rondo27. Sonata Form28. New Harmonic Tendencies29. The Rise of Symmetrical Harmony in Tonal Music30. Melodic and Harmonic Symmetry Combine: Chromatic Sequences31. At Tonality's EdgeAppendix 1: Fundamentalsa. The Pitch Realmb. Pulse, Rhythm, and Meterc. Intervalsd. Triads, Inversions, Figured Bass, and Harmonic Analysise. Seventh Chords and Harmonic AnalysisAppendix 2: Invertible Counterpoint, Compound Melody, and Implied HarmoniesAppendix 3: The MotiveAppendix 4: Additional Harmonic Sequence TopicsAppendix 6: Selected Answers to Textbook Exercises
Synopsis
Designed specifically for greater flexibility of use, the two workbooks that accompany The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, Third Edition, feature a new organization. Workbook 1: Writing and Analysis is dedicated exclusively to written and analytical activities. Workbook 2: Skills and Musicianship focuses on musicianship skills. Between the two workbooks--each of which is packaged with a CD--there are more than 2,000 recorded analytical and dictation examples and fifteen hours of recorded music (all music is performed, recorded, and engineered at Eastman). Additional supplementary material is available on the new companion website (www.oup.com/us/laitz). Features of Workbook 1: Writing and Analysis * Accompanied by a CD (packaged FREE with workbook) containing high-quality MP3 recordings of nearly all the music in the workbook (performances range from solo piano to full orchestra) * Presents a variety of written and analytical activities including figured bass, melody harmonization, model composition, and analysis * Includes more-focused and shorter assignments (each chapter is organized into discrete assignments, usually four assignments per chapter) * Contains carefully graduated exercises, ranging from basic, introductory tasks, to more active writing exercises, and finally to creative compositional projects, The two workbooks that accompany The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, Third Edition, feature a new organization. Workbook 1: Writing and Analysis is dedicated exclusively to written and analytical activities. Workbook 2: Skills and Musicianship focuses on musicianship skills., Reorganized for greater flexibility, the two workbooks that accompany The Complete Musician , Third Edition, feature an innovative structure and format. Workbook 1 is dedicated specifically to written and analytical activities. Between the two workbooks, there are nearly 2,000 recorded analytical and dictation examples and almost fifteen hours of recorded music, all of which is included in high-quality MP3 format. * Accompanied by a CD (packaged FREE with the workbook) containing high-quality MP3 recordings of nearly all the music in the workbook * Presents a variety of written and analytical activities including figured bass, melody harmonization, model composition, and analysis * Includes more-focused and shorter assignments (each chapter is organized into discrete assignments, usually four assignments per chapter) * Contains carefully graduated exercises, ranging from basic, introductory tasks, to more active writing exercises, and finally to creative compositional projects, Designed specifically for greater flexibility of use, the two workbooks that accompany The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, Third Edition, feature a new organization. This volume - the Writing and Analysis Workbook - is dedicated exclusively to written and analytical activities. The other volume - the Skills and Musicianship Workbook - focuses on musicianship skills.Between the two workbooks - each of which is packaged with an audio CD - there are more than 2,000 recorded analytical and dictation examples and fifteen hours of recorded music (all music is performed, recorded, and engineered at Eastman). Additional supplementary material is available on the new companion website (www.oup.com/us/laitz).
LC Classification Number
MT6.L136C66 2012
ebay_catalog_id
4
Copyright Date
2012
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