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Farbtheorie: Eine kritische Einführung von Aaron Fine (2021, Handelstaschenbuch)

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Type
Textbook
Publication Name
Color Theory : A Critical Introduction
Custom Bundle
No
Personalized
No
Features
Illustrated
ISBN
9781350027305

Über dieses Produkt

Product Identifiers

Publisher
Bloomsbury Publishing
ISBN-10
1350027308
ISBN-13
9781350027305
eBay Product ID (ePID)
8038488409

Product Key Features

Book Title
Color Theory : a Critical Introduction
Number of Pages
376 Pages
Language
English
Topic
General, Aesthetics, Physics / General, Color Theory
Publication Year
2021
Illustrator
Yes
Genre
Design, Art, Philosophy, Science
Author
Aaron Fine
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
36.8 Oz
Item Length
9.6 in
Item Width
7.4 in

Additional Product Features

Intended Audience
Trade
LCCN
2020-056949
Reviews
Color Theory is a superb book. With impeccable scholarship it spans centuries, regions and disciplines to give the reader a panoptic account of the many guises of colour in society, art and philosophy. Fine's prose is clear and thought-provoking. Readers new to the theory of colour will have no better guide to the subject, and those already familiar will discover many new and intriguing things., If you are curious about learning color theory, I suggest that you experiment with some watercolor. If you are serious about color theory, I suggest you read Aaron Fine's book. This is the intelligent and active approach to the subject. Placed on a spectrum between John Gage's heady and densely academic, historical color books and the excellent 'semester-minded' color texts of the like of Pentak and Zelanski, Fine's book provides toothsome material for the advanced student with opportunities for practical application and testing of theory. While many color texts have slapped a 'global color' chapter at the last of the book, Fine squares the world and its people into the beginning perspectives in chapter 1 and works out from there. This is, I hope, the beginning of a new generation of color writing that embraces a thoughtful, world perspective, Almost everyone sees color - but this might be the only general statement it is possible to make on the subject. When we begin to ask how color is seen and what it is seen to mean, what value colour has and to whom: then any notion of a consensus quickly falls apart. Aaron Fine's rich and wide-ranging study discusses numerous theories of color, some intersecting and overlapping, others divergent and conflicting. This book is an invaluable resource for anyone interested in how different cultures have interpreted the vibrant patterns of reflected light that almost all of us see., "Almost everyone sees color - but this might be the only general statement it is possible to make on the subject. When we begin to ask how color is seen and what it is seen to mean, what value colour has and to whom: then any notion of a consensus quickly falls apart. Aaron Fine's rich and wide-ranging study discusses numerous theories of color, some intersecting and overlapping, others divergent and conflicting. This book is an invaluable resource for anyone interested in how different cultures have interpreted the vibrant patterns of reflected light that almost all of us see." - David Batchelor, artist and writer, UK " Color Theory is a superb book. With impeccable scholarship it spans centuries, regions and disciplines to give the reader a panoptic account of the many guises of colour in society, art and philosophy. Fine's prose is clear and thought-provoking. Readers new to the theory of colour will have no better guide to the subject, and those already familiar will discover many new and intriguing things." - Mazviita Chirimuuta, Senior Lecturer in Philosophy, University of Edinburgh, UK "If you are curious about learning color theory, I suggest that you experiment with some watercolor. If you are serious about color theory, I suggest you read Aaron Fine's book. This is the intelligent and active approach to the subject. Placed on a spectrum between John Gage's heady and densely academic, historical color books and the excellent 'semester-minded' color texts of the like of Pentak and Zelanski, Fine's book provides toothsome material for the advanced student with opportunities for practical application and testing of theory. While many color texts have slapped a 'global color' chapter at the last of the book, Fine squares the world and its people into the beginning perspectives in chapter 1 and works out from there. This is, I hope, the beginning of a new generation of color writing that embraces a thoughtful, world perspective" - Scott Betz, Professor of Art, Winston-Salem State University, USA
Dewey Edition
23
Dewey Decimal
701.85
Table Of Content
List of Images Acknowledgements Introduction 1. Natural Resources and Trade: Color Use in Traditional Cultures 2. Knowing at a Distance: Color Problems in Ancient Greek Thought 3. Stained Glass and Illuminations: European and Islamic Color Theory before Galileo 4. Prisms, Mirrors, and Lenses: The Newtonian Revolution 5. Romanticism and Chromophobia: The Creation of Color Theory in the 19th Century 6. The Science of the Invisible: Color Classification Systems and Spiritual Color 7. High Modern: Color Use at the Bauhaus and in Abstract Expressionism 8. Postmodern: Contemporary Directions in Color Use Glossary About the Author
Synopsis
Giving an overview of the history of color theory from ancient and classical cultures to contemporary contexts, this book explores important critical principles and provides practical guidance on the use of color in art and design. Going beyond a simple recitation of what has historically been said about color, artist and educator Aaron Fine provides an intellectual history, critiquing prevailing Western ideas on the subject and challenging assumptions. He analyses colonialist and gendered attitudes, materialist and romanticist perspectives, spiritualist approaches to color, color in the age of reproduction, and modernist and post-modernist color strategies. Highlighted throughout are examples of the ways in which attitudes towards color have been impacted by the legacy of colonialism and are tied up with race, gender, and class. Topics covered include color models, wheels and charts, color interaction and theories of perception, with over 150 images throughout. By placing under-examined tenets of color theory such as the color wheel and color primaries within the Western industrial context that generated them, Fine helps you to connect color choices to color meanings and apply theory to practice., Color Theory: A Critical Introduction gives an overview of the history of color theory, providing students with practical guidance on the use of color in art and design. Going beyond a simple recitation of what has historically been said about color, this book offers an intellectual history, exploring what those theories say about the various cultures that espouse them. Not only is this critical approach consistent with the practical guidance the book offers, it enables readers to apply theory to practice. By placing basic tenets of color theory such as the color wheel and color primaries within the Western industrial context that generated them, artist and educator Aaron Fine helps readers connect color choices to color meanings. Because the real issue is not "How do I mix this color?" but rather "What color should I mix?" Topics covered include color models (color wheels, charts, etc), color mixing and interaction, theories of perception, materialist and romanticist perspectives, color in the age of reproduction, as well as modernist and post-modernist color strategies. These issues are approached chronologically, beginning with ancient and classical cultures and concluding with contemporary globalism. In each chapter readers will find clearly highlighted key points, illustrations, primary source readings, and exercises.
LC Classification Number
QC494.7.F55 2021

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