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Rhythms of Modern Life : British Prints, 1914-1939 by Clifford Ackley
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Ca.CHF 17,45
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Standort: Valatie, New York, USA
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eBay-Artikelnr.:196302143156
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780878467242
Über dieses Produkt
Product Identifiers
Publisher
Museum of FINE Arts, Boston
ISBN-10
0878467246
ISBN-13
9780878467242
eBay Product ID (ePID)
64178443
Product Key Features
Book Title
Rhythms of Modern Life : British Prints, 1914-1939
Number of Pages
224 Pages
Language
English
Topic
Collections, Catalogs, Exhibitions / Group Shows, History / Modern (Late 19th Century to 1945), Collections, Catalogs, Exhibitions / General, European, Prints
Publication Year
2008
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
38.3 Oz
Item Length
9.8 in
Item Width
8.9 in
Additional Product Features
Intended Audience
Trade
LCCN
2007-927116
Reviews
A valuable look at a movement that constituted 'a unique and vibrant moment in British modernism'...This art for a new, jazzy age was a radical departure from the stylistic stranglehold of Victorianism.
Synopsis
It is little known that interbellum Britain hosted a generation of Modernist artists who absorbed the wealth of Continental avant-garde idioms and adapted them to their own unique ends. Some of this work was done under the rubric of Vorticism, the Neofuturist movement spearheaded by Wyndham Lewis, while other artists were closely associated with London's Grosvenor School of Art (and so came to be known collectively as the Grosvenor School), breaking new ground in the practice of linocut. Rhythms of Modern Life examines the impact of Cubism and Futurism on British printmaking in the years between the First and Second World Wars, focusing in particular on the dynamic imagery of 13 artists, including C.R.W. Nevinson, Paul Nash, Edward Wadsworth and David Bomberg, all early followers of Italian Futurism and British Vorticism, and on the works of Grosvenor School artists Claude Flight, Sybil Andrews, Cyril Power and Lill Tschudi. All of these artists coined styles that addressed the velocity of modern life, espousing industry, speed and an optimism for the century ahead. This book, the first survey of its kind, features more than 100 lithographs, etchings, woodcuts and linocuts, ranging from geometric abstractions to forceful impressions of the first fully mechanized war, Jazz Age images of sporting events, speed trials and other contemporary diversions. Clifford S. Ackley's introduction takes stock of the art historical moment and is followed by discussions of the prints, an overview of the history and technique of the modern linocut and short biographies of the artists., It is little known that interbellum Britain hosted a generation of Modernist artists who absorbed the wealth of Continental avant garde idioms and adapted them to their own unique ends. Some of this work was done under the rubric of Vorticism, the Neofuturist movement spearheaded by Wyndham Lewis, while other artists were closely associated with London's Grosvenor School of Art (and so came to be known collectively as the Grosvenor School), breaking new ground in the practice of linocut. "Rhythms of Modern Life" examines the impact of Cubism and Futurism on British printmaking in the years between the First and Second World Wars, focusing in particular on the dynamic imagery of 13 artists, including C.R.W. Nevinson, Paul Nash, Edward Wadsworth and David Bomberg, all early followers of Italian Futurism and British Vorticism, and on the works of Grosvenor School artists Claude Flight, Sybil Andrews, Cyril Power and Lill Tschudi. All of these artists coined styles that addressed the velocity of modern life, espousing industry, speed and an optimism for the century ahead. This book, the first survey of its kind, features more than 100 lithographs, etchings, woodcuts and linocuts, ranging from geometric abstractions to forceful impressions of the first fully mechanized war, Jazz Age images of sporting events, speed trials and other contemporary diversions. Clifford S. Ackley's introduction takes stock of the art historical moment and is followed by discussions of the prints, an overview of the history and technique of the modern linocut and short biographies of the artists.
LC Classification Number
NE720
Text by
Coppel, Stephen, Rassieur, Thomas, Rippner, Samantha
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