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Sub-Conscious von Field, Chris (CD, 2005)

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Ca.CHF 4,27
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Standort: GA, USA
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eBay-Artikelnr.:196373292689
Zuletzt aktualisiert am 29. Mai. 2024 06:38:03 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Sehr gut: Artikel, der gebraucht wurde, sich aber noch in einem sehr guten Zustand befindet. Die ...
Type
FixedPrice
CD Grading
Very Good
Case Condition
Very Good
Inlay Condition
Very Good
UPC
0641444970520
Artist
Field, Chris
Format
CD
Release Year
2005
Record Label
CD Baby, Cdb
Release Title
Sub-Conscious
Genre
New Age

Über dieses Produkt

Product Identifiers

Record Label
CD Baby, Cdb
UPC
0641444970520
eBay Product ID (ePID)
25046032291

Product Key Features

Format
CD
Release Year
2005
Genre
New Age
Artist
Field, Chris
Release Title
Sub-Conscious

Dimensions

Item Height
0.24 in
Item Weight
0.12 lb
Item Length
5.47 in
Item Width
4.76 in

Additional Product Features

Number of Tracks
8
Number of Discs
1
Tracks
1.1 Floating 1.2 Ave Maria 1.3 Five 1.4 Days 1.5 D;A 1.6 Blue 1.7 Mother 1.8 Sub-Conscious
Notes
EXCELLENT for unwinding the body. Sleep. Stretch. Relax. Unwind. Yoga. Meditate. Contemplate. Levitate. A smooth soft 50 minutes of gentle relaxation and body kindness. Superb. Sub-Conscious is an Editor's Pick in two categories: Neo-Classical and Ambient new age music. Album Review by Tom Wynn \'Sub-Conscious\', the new album from Chris Field, is a surprisingly unique offering from an artist who is new to my ears. I\'m not sure where to begin. How do you explain beautiful complexity? How can you put into words a musical style that you have never heard before? I will start by saying that Sub-Conscious is a powerful and haunting collection of eight stellar tracks, all of which flow together seamlessly and leave the listener moved. Sub-Conscious is a great example of the kind of music you have heard from X-Ray Dog, Immediate Music, and ES Posthumus. On a first listen, it is obvious that Field\'s sound is beautiful and catchy. But the more you listen to it, the more you begin to understand the subtleties of his orchestral arrangements, and the intricacies of the string and vocal melodies, and the odd time signatures which define Field\'s style. You\'ve heard Chris Field\'s music in the trailers for dozens of first rate Hollywood productions, from Steven Spielberg\'s War of the Worlds to Gore Verbinski\'s Pirates of the Caribbean. One of Field\'s most popular works is \'Gothic Power\' which has been featured extensively to advertise The Lord of the Rings trilogy. Field is one of the most experienced and well known movie trailer composers today. Chris Field\'s talent for symphonic orchestration has made him one of today\'s forerunners in cinematic, new age, and world music. Sub-Conscious hypnotically undulates on the borders of many different film styles. Many of the tracks are poignant pieces which seduce the listener. Although the songs on Sub-Conscious could be used in a film, their construction is intentionally build to satisfy an album format. And that is why it succeeds. Christopher Field is a master at understanding musical intangibles. He understands that music is as much about emotional catalysts as it is about theory. Listening to Sub-Conscious, it is obvious that he knows which keys, melodies, arrangements, and voicing pull the listener in a certain emotional direction. On a first listen, you are mostly surprised by the individuality of Field\'s music. The first track, \'Floating\', begins with a lush layer of strings, and then introduces one of the main themes of Chris Field music: the relationship between string ensemble and grand piano. Field\'s introduction of drums to complement the strings and piano is a surprising and innovative move. \'Ave Maria\', the second track, is one of the signature pieces on Sub-Conscious. Alternating between minor and major tonalities, \'Ave Maria\' has elaborate arrangement and powerful vocal melodies. Such vibrant melodic construction is what Field is known for -- whether it is composing and arranging hit music for movie trailers -- or in the production of a solo album. The sense of the mysterious continues through \'Five\', with it's odd time signature, and \'Days\', a cinematically constructed piece that combines electric guitars with B3 organ and string sounds. The album takes a turn for the electronic with \'D&A\', a powerful tune that is driven by an infectious UK-Garage/ drum & bass beat, and a seductive Wurlitzer organ. Never one to bring the listener to complacency, Field again surprises the listener with the simply astounding \'Blue\'. Coming in at 14 minutes and passing through several interludes, this epic track pays homage to George Gershwin with it's use of symphonic blues. Beautiful and lingering, Blue is nothing short of perfection. Rounding out the album is \'Mother\', another signature track, and the ethereal title track, \'Sub-Conscious\'. Chris Field\'s music is for people to whom music is a transitory device to reach another level of consciousness, and the

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Arrived in good shape. If you're a mearl Haggard fan it's one to get.