Nationalism and the Nordic Imagination: Swedish Art of the 1890s, , Facos, Miche
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Nationalism and the Nordic Imagination: Swedish Art of the 1890s, , Facos, Miche
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eBay-Artikelnr.:196916572390
Artikelmerkmale
- Artikelzustand
- Book Title
- Nationalism and the Nordic Imagination: Swedish Art of the 1890s
- ISBN
- 9780520206267
Über dieses Produkt
Product Identifiers
Publisher
University of California Press
ISBN-10
0520206266
ISBN-13
9780520206267
eBay Product ID (ePID)
1015706
Product Key Features
Number of Pages
256 Pages
Publication Name
Nationalism and the Nordic Imagination : Swedish Art of the 1890s
Language
English
Subject
History / Modern (Late 19th Century to 1945), European, History / General
Publication Year
1998
Type
Textbook
Subject Area
Art
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
30.5 Oz
Item Length
1.1 in
Item Width
0.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
97-029346
Illustrated
Yes
Synopsis
This richly illustrated book is a lucid introduction to a largely neglected manifestation of Modernism that came out of fin-de-siegrave;cle Sweden. Michelle Facos presents the first study in English to seriously examine the movement known as Swedish National Romanticism. Her work is especially valuable in showing how the movement's primitivist tendencies were related to, but different from, similar cultural forces in Germany and other parts of Europe at that time. Facos shows how a small group of Swedish artists espoused a politically progressive, culturally conservative form of nationalism. These artists--among them Carl Larsson, Bruno Liljefors, and Hanna Hirsch Pauli--produced a specifically national Swedish art by focusing on indigenous history, legends, and folk tales as well as uniquely Swedish-Nordic values, geography, and ethnography. Their breathtaking images of the Nordic landscape shaped a communal "Folk" identity that accented regionalism, solidarity, and attachment to the past and protested against the perceived dangers of capitalist industrialism and urban expansion. By 1900 Sweden was on its way to realizing a society of social, economic, and political equality, and the National Romantic painters were no longer renegades. Facos's portrayal of their movement will attract readers in the arts, historians, folklorists, cultural anthropologists, and sociologists., This richly illustrated book is a lucid introduction to a largely neglected manifestation of Modernism that came out of fin-de-siècle Sweden. Michelle Facos presents the first study in English to seriously examine the movement known as Swedish National Romanticism. Her work is especially valuable in showing how the movement's primitivist tendencies were related to, but different from, similar cultural forces in Germany and other parts of Europe at that time. Facos shows how a small group of Swedish artists espoused a politically progressive, culturally conservative form of nationalism. These artists-among them Carl Larsson, Bruno Liljefors, and Hanna Hirsch Pauli-produced a specifically national Swedish art by focusing on indigenous history, legends, and folk tales as well as uniquely Swedish-Nordic values, geography, and ethnography. Their breathtaking images of the Nordic landscape shaped a communal "Folk" identity that accented regionalism, solidarity, and attachment to the past and protested against the perceived dangers of capitalist industrialism and urban expansion. By 1900 Sweden was on its way to realizing a society of social, economic, and political equality, and the National Romantic painters were no longer renegades. Facos's portrayal of their movement will attract readers in the arts, historians, folklorists, cultural anthropologists, and sociologists., This richly illustrated book is a lucid introduction to a largely neglected manifestation of Modernism that came out of fin-de-si cle Sweden. Michelle Facos presents the first study in English to seriously examine the movement known as Swedish National Romanticism. Her work is especially valuable in showing how the movement's primitivist tendencies were related to, but different from, similar cultural forces in Germany and other parts of Europe at that time. Facos shows how a small group of Swedish artists espoused a politically progressive, culturally conservative form of nationalism. These artists--among them Carl Larsson, Bruno Liljefors, and Hanna Hirsch Pauli--produced a specifically national Swedish art by focusing on indigenous history, legends, and folk tales as well as uniquely Swedish-Nordic values, geography, and ethnography. Their breathtaking images of the Nordic landscape shaped a communal "Folk" identity that accented regionalism, solidarity, and attachment to the past and protested against the perceived dangers of capitalist industrialism and urban expansion. By 1900 Sweden was on its way to realizing a society of social, economic, and political equality, and the National Romantic painters were no longer renegades. Facos's portrayal of their movement will attract readers in the arts, historians, folklorists, cultural anthropologists, and sociologists., This richly illustrated book is a lucid introduction to a largely neglected manifestation of Modernism that came out of fin-de-siècle Sweden. Michelle Facos presents the first study in English to seriously examine the movement known as Swedish National Romanticism. Her work is especially valuable in showing how the movement's primitivist tendencies were related to, but different from, similar cultural forces in Germany and other parts of Europe at that time. Facos shows how a small group of Swedish artists espoused a politically progressive, culturally conservative form of nationalism. These artists--among them Carl Larsson, Bruno Liljefors, and Hanna Hirsch Pauli--produced a specifically national Swedish art by focusing on indigenous history, legends, and folk tales as well as uniquely Swedish-Nordic values, geography, and ethnography. Their breathtaking images of the Nordic landscape shaped a communal "Folk" identity that accented regionalism, solidarity, and attachment to the past and protested against the perceived dangers of capitalist industrialism and urban expansion. By 1900 Sweden was on its way to realizing a society of social, economic, and political equality, and the National Romantic painters were no longer renegades. Facos's portrayal of their movement will attract readers in the arts, historians, folklorists, cultural anthropologists, and sociologists.
LC Classification Number
97-29346
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