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Französische Symbolistische Lyrik, zweisprachige Ausgabe

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Buch mit deutlichen Gebrauchsspuren. Der Einband kann einige Beschädigungen aufweisen, ist aber in seiner Gesamtheit noch intakt. Die Bindung ist möglicherweise leicht beschädigt, in ihrer Gesamtheit aber noch intakt. In den Randbereichen wurden evtl. Notizen gemacht, der Text kann Unterstreichungen und Markierungen enthalten, es fehlen aber keine Seiten und es ist alles vorhanden, was für die Lesbarkeit oder das Verständnis des Textes notwendig ist. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers. Alle Zustandsdefinitionen ansehenwird in neuem Fenster oder Tab geöffnet
Hinweise des Verkäufers
“Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend ...
Binding
Paperback
Book Title
French Symbolist Poetry, Bilingual Edition
Weight
0 lbs
Product Group
Book
IsTextBook
Yes
ISBN
9780520007840

Über dieses Produkt

Product Identifiers

Publisher
University of California Press
ISBN-10
0520007840
ISBN-13
9780520007840
eBay Product ID (ePID)
391869

Product Key Features

Number of Pages
160 Pages
Publication Name
French Symbolist Poetry
Language
Fre,Eng
Subject
European / French, Anthologies (Multiple Authors), European / General, General
Publication Year
1966
Type
Textbook
Author
C. F. Macintyre
Subject Area
Literary Criticism, Poetry
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
1.1 Oz
Item Length
8 in
Item Width
5.5 in

Additional Product Features

Intended Audience
College Audience
LCCN
58-010289
Dewey Edition
22
Dewey Decimal
841.708
Synopsis
Any attempt to define the Symbolist movement and its influence inevitably loses itself in a welter of detail. One can say that these late nineteenth-century French poets were revolting against fixed forms and inert molds; that they were attempting to express an inner ideal reality rather than the objective world; that they deliberately blurred sense impressions and sought correspondences where none had been observed before; that they have had a profound influence on contemporary avant-garde writing, noticeably in Hart Crane, Ezra Pound, and T.S. Eliot. But in the end one has not said a great deal. Whether viewed as influence or in and for themselves, the Symbolist are a tantalizing group. Paralleling similar movements in art and music, their intensely personal poetry leans more heavily on oblique suggestions and evocation than on overt statement. It sets its perceptions, intuitive and nonrational, squarely against intellectual and scientific thinking--and this with a music that is flexible, intrepid, and subtle, sometimes even dissonant and jazzy. But the poetry itself is the movements best definition. Here in bilingual form, together with an introduction and illuminating notes, are some forty carefully selected poems of that movement. They range from the remote beginnings in Nerval and Bauldelaire, through the humor and irony of Corbiere and Laforgue, to the technical brilliance of Valery, who died as recently as 1945. For those who wish an over-all view of the movement, this is a generous sampling. For those who wish to delve more deeply, there are available excellent and more extensive translations by C.F. MacIntyre of Bauldelaire, Verlaine, Corbiere, Mallarme, and Rilke and by Patricia Terry of Laforgue., Any attempt to define the Symbolist movement and its influence inevitably loses itself in a welter of detail. One can say that these late nineteenth-century French poets were revolting against fixed forms and inert molds; that they were attempting to express an inner ideal reality rather than the objective world; that they deliberately blurred sense impressions and sought correspondences where none had been observed before; that they have had a profound influence on contemporary avant-garde writing, noticeably in Hart Crane, Ezra Pound, and T.S. Eliot. But in the end one has not said a great deal. Whether viewed as influence or in and for themselves, the Symbolist are a tantalizing group. Paralleling similar movements in art and music, their intensely personal poetry leans more heavily on oblique suggestions and evocation than on overt statement. It sets its perceptions, intuitive and nonrational, squarely against intellectual and scientific thinking--and this with a music that is flexible, intrepid, and subtle, sometimes even dissonant and jazzy. But the poetry itself is the movements best definition. Here in bilingual form, together with an introduction and illuminating notes, are some forty carefully selected poems of that movement. They range from the remote beginnings in Nerval and Bauldelaire, through the humor and irony of CorbiÈre and Laforgue, to the technical brilliance of ValÉry, who died as recently as 1945. For those who wish an over-all view of the movement, this is a generous sampling. For those who wish to delve more deeply, there are available excellent and more extensive translations by C.F. MacIntyre of Bauldelaire, Verlaine, CorbiÈre, MallarmÉ, and Rilke and by Patricia Terry of Laforgue., Any attempt to define the Symbolist movement and its influence inevitably loses itself in a welter of detail. One can say that these late nineteenth-century French poets were revolting against fixed forms and inert molds; that they were attempting to express an inner ideal reality rather than the objective world; that they deliberately blurred sense impressions and sought correspondences where none had been observed before; that they have had a profound influence on contemporary avant-garde writing, noticeably in Hart Crane, Ezra Pound, and T.S. Eliot. But in the end one has not said a great deal. Whether viewed as influence or in and for themselves, the Symbolist are a tantalizing group. Paralleling similar movements in art and music, their intensely personal poetry leans more heavily on oblique suggestions and evocation than on overt statement. It sets its perceptions, intuitive and nonrational, squarely against intellectual and scientific thinking--and this with a music that is flexible, intrepid, and subtle, sometimes even dissonant and jazzy. But the poetry itself is the movements best definition. Here in bilingual form, together with an introduction and illuminating notes, are some forty carefully selected poems of that movement. They range from the remote beginnings in Nerval and Bauldelaire, through the humor and irony of Corbire and Laforgue, to the technical brilliance of Valry, who died as recently as 1945. For those who wish an over-all view of the movement, this is a generous sampling. For those who wish to delve more deeply, there are available excellent and more extensive translations by C.F. MacIntyre of Bauldelaire, Verlaine, Corbire, Mallarm, and Rilke and by Patricia Terry of Laforgue.
LC Classification Number
PQ1183.M27

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