Lars von Trier: Interviews (Conversations with Filmmakers Series) -
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Lars von Trier: Interviews (Conversations with Filmmakers Series) -
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- ISBN
- 9781578065325
Über dieses Produkt
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1578065321
ISBN-13
9781578065325
eBay Product ID (ePID)
2399428
Product Key Features
Book Title
Lars Von Trier : Interviews
Number of Pages
278 Pages
Language
English
Topic
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production
Publication Year
2003
Illustrator
Yes
Genre
Performing Arts
Book Series
Conversations with Filmmakers Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
13.6 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2002-015751
Dewey Edition
21
Dewey Decimal
791.43/0233/092
Synopsis
With six entries at the Cannes Film Festival thus far, Lars von Trier has been a Cannes award winner four times. Without question, he is the most intriguing film director to emerge in Denmark since the days of his great mentor in spirit Carl Theodor Dreyer. A relentless visionary, von Trier (b. 1956) has succeeded not only in realizing his projects but also in managing to gather substantial audiences to his films. Breaking the Waves (1996) made him a well-known figure to American audiences, as did Dancer in the Dark (2000), winner of the Palme d'Or at Cannes. His work on the groundbreaking TV series The Kingdom (1994-97) made him a household name in Denmark. He has continued to stir controversy for his polarizing views on the characters and subject matter of his films, as well as for his film technique. Media attention reached its peak when von Trier created Dogme 95, a movement dedicated to the ""Vow of Chastity,"" which strips cinema of its artifice, flash, and polish. Rather than being strident or shrill, however, these collected interviews reveal the Danish filmmaker to be impish, forthright, witty, sometimes infuriating, and deeply committed to the possibilities of cinema. The conversations in this collection trace his development from the structured, image-obsessed formalist of The Element of Crime (1984) and Europa (U.S. title Zentropa, 1991) to the control-shunning game master of the 1990s. Most of these interviews, two previously unpublished, are translated into English for the first time. They begin in 1968, when von Trier was the lead actor in a children's TV series, and end in 2001. Von Trier speaks of his visions, ideals, dislikes, and technical experimentations, of his conception of actors, his childhood, his phobias, and of his views on religion and his ill-fated female protagonists. His style in conversation is relaxed and honest, his mood affirmative and passionate., Film -- Biography With six entries at the Cannes Film Festival thus far, Lars von Trier has been a Cannes award winner four times. Without question, he is the most intriguing film director to emerge in Denmark since the days of his great mentor in spirit Carl Theodor Dreyer. A relentless visionary, von Trier (b. 1956) has succeeded not only in realizing his projects but also in managing to gather substantial audiences to his films. Breaking the Waves (1996) made him a well-known figure to American audiences, as did Dancer in the Dark (2000), winner of the Palme d'Or at Cannes. His work on the groundbreaking TV series The Kingdom (1994-97) made him a household name in Denmark. He has continued to stir controversy for his polarizing views on the characters and subject matter of his films, as well as for his film technique. Media attention reached its peak when von Trier created Dogme 95, a movement dedicated to the "Vow of Chastity," which strips cinema of its artifice, flash, and polish. Rather than being strident or shrill, however, these collected interviews reveal the Danish filmmaker to be impish, forthright, witty, sometimes infuriating, and deeply committed to the possibilities of cinema. The conversations in this collection trace his development from the structured, image-obsessed formalist of The Element of Crime (1984) and Europa (U.S. title Zentropa , 1991) to the control-shunning game master of the 1990s. Most of these interviews, two previously unpublished, are translated into English for the first time. They begin in 1968, when von Trier was the lead actor in a children's TV series, and end in 2001. Von Trier speaks of his visions, ideals, dislikes, and technical experimentations, of his conception of actors, his childhood, his phobias, and of his views on religion and his ill-fated female protagonists. His style in conversation is relaxed and honest, his mood affirmative and passionate., With six entries at the Cannes Film Festival thus far, Lars von Trier has been a Cannes award winner four times. Without question, he is the most intriguing film director to emerge in Denmark since the days of his great mentor in spirit Carl Theodor Dreyer. A relentless visionary, von Trier (b. 1956) has succeeded not only in realizing his projects but also in managing to gather substantial audiences to his films. Breaking the Waves (1996) made him a well-known figure to American audiences, as did Dancer in the Dark (2000), winner of the Palme d'Or at Cannes. His work on the groundbreaking TV series The Kingdom (1994-97) made him a household name in Denmark. He has continued to stir controversy for his polarizing views on the characters and subject matter of his films, as well as for his film technique. Media attention reached its peak when von Trier created Dogme 95, a movement dedicated to the "Vow of Chastity," which strips cinema of its artifice, flash, and polish. Rather than being strident or shrill, however, these collected interviews reveal the Danish filmmaker to be impish, forthright, witty, sometimes infuriating, and deeply committed to the possibilities of cinema. The conversations in this collection trace his development from the structured, image-obsessed formalist of The Element of Crime (1984) and Europa (U.S. title Zentropa , 1991) to the control-shunning game master of the 1990s. Most of these interviews, two previously unpublished, are translated into English for the first time. They begin in 1968, when von Trier was the lead actor in a children's TV series, and end in 2001. Von Trier speaks of his visions, ideals, dislikes, and technical experimentations, of his conception of actors, his childhood, his phobias, and of his views on religion and his ill-fated female protagonists. His style in conversation is relaxed and honest, his mood affirmative and passionate., A collection of interviews with the most intriguing film director to emerge in Denmark since the days of his great mentor in spirit Carl Theodor Dreyer
LC Classification Number
PN1998.3.T747A5 2003
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