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Die Cambridge Einführung in die Erzählung (Cambridge Einführung in die Literatur)
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Die Cambridge Einführung in die Erzählung (Cambridge Einführung in die Literatur)
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Die Cambridge Einführung in die Erzählung (Cambridge Einführung in die Literatur)

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    Book Title
    The Cambridge Introduction to Narrative (Cambridge Introductio
    ISBN
    9781108823357
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Cambridge University Press
    ISBN-10
    1108823351
    ISBN-13
    9781108823357
    eBay Product ID (ePID)
    25050067587

    Product Key Features

    Number of Pages
    294 Pages
    Language
    English
    Publication Name
    Cambridge Introduction to Narrative
    Publication Year
    2020
    Subject
    European / English, Irish, Scottish, Welsh
    Features
    Revised
    Type
    Textbook
    Subject Area
    Literary Criticism
    Author
    H. Porter Abbott
    Series
    Cambridge Introductions to Literature Ser.
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.6 in
    Item Weight
    17 Oz
    Item Length
    8.9 in
    Item Width
    6 in

    Additional Product Features

    Edition Number
    3
    Intended Audience
    College Audience
    LCCN
    2020-024541
    TitleLeading
    The
    Reviews
    Praise for the second edition: 'This second edition of H. Porter Abbott's very widely used (and highly regarded) Introduction is even stronger than the first edition. The new edition includes two additional chapters, one on 'Narrative and Truth' and the other on 'Narrative Worlds,' which incorporate recent research by a range of scholars exploring the relevant issues, and, furthermore, the author has painstakingly reworked the entire volume to ensure accuracy, comprehensiveness, and clarity in its treatment of major trends in the study of narrative ... What was true of the first edition is even more true of the second: this Introduction is not only an appropriate text for classes focusing on narrative - including advanced undergraduate and graduate classes in such (sub)disciplines as literary theory, film theory, communication studies, discourse analysis, women's and gender studies, history, comparative media studies, and critical legal theory - but also an invaluable resource for specialists.' David Herman, editor of The Cambridge Companion to Narrative, editor of The Cambridge Companion to Narrative, editor of The Cambridge Companion to Narrative, editor of The Cambridge Companion to Narrative, Praise for the second edition: 'This second edition of H. Porter Abbott's very widely used (and highly regarded) Introduction is even stronger than the first edition. The new edition includes two additional chapters, one on 'Narrative and Truth' and the other on 'Narrative Worlds,' which incorporate recent research by a range of scholars exploring the relevant issues, and, furthermore, the author has painstakingly reworked the entire volume to ensure accuracy, comprehensiveness, and clarity in its treatment of major trends in the study of narrative ... What was true of the first edition is even more true of the second: this Introduction is not only an appropriate text for classes focusing on narrative - including advanced undergraduate and graduate classes in such (sub)disciplines as literary theory, film theory, communication studies, discourse analysis, women's and gender studies, history, comparative media studies, and critical legal theory - but also an invaluable resource for specialists.' David Herman, editor of The Cambridge Companion to Narrative, editor of The Cambridge Companion to Narrative, Praise for the second edition: 'This second edition of H. Porter Abbott's very widely used (and highly regarded) Introduction is even stronger than the first edition. The new edition includes two additional chapters, one on 'Narrative and Truth' and the other on 'Narrative Worlds,' which incorporate recent research by a range of scholars exploring the relevant issues, and, furthermore, the author has painstakingly reworked the entire volume to ensure accuracy, comprehensiveness, and clarity in its treatment of major trends in the study of narrative ... What was true of the first edition is even more true of the second: this Introduction is not only an appropriate text for classes focusing on narrative - including advanced undergraduate and graduate classes in such (sub)disciplines as literary theory, film theory, communication studies, discourse analysis, women's and gender studies, history, comparative media studies, and critical legal theory - but also an invaluable resource for specialists.' David Herman, editor of The Cambridge Companion to Narrative
    Dewey Edition
    22
    Illustrated
    Yes
    Dewey Decimal
    808
    Table Of Content
    1. Narrative and life; 2. Defining narrative; 3. The borders of narrative; 4. The rhetoric of narrative; 5. Closure; 6. Narration; 7. Interpreting narrative; 8. Three ways to interpret narrative; 9. Adaptation across media; 10. Character and Self in narrative; 11. Narrative and truth; 12. Narrative worlds; 13. Narrative contestation; 14. Narrative negotiation: conflict revisited; 15. Narrative negotiation: closure revisited.
    Edition Description
    Revised edition
    Synopsis
    This text helps readers understand what narrative is, how it is constructed, how it is transmitted, and how it changes when the medium or the cultural context change. It is a key resource for students and scholars across a wide range of fields, including literature and drama, film and media, society and politics, journalism, and autobiography., What is narrative? How does it work and how does it shape our lives? H. Porter Abbott emphasizes that narrative is found not just in literature, film, and theatre, but everywhere in the ordinary course of people's lives. This widely used introduction, now revised and expanded in its third edition, is informed throughout by recent developments in the field and includes one new chapter. The glossary and bibliography have been expanded, and new sections explore unnatural narrative, retrograde narrative, reader-resistant narratives, intermedial narrative, narrativity, and multiple interpretation. With its lucid exposition of concepts, and suggestions for further reading, this book is not only an excellent introduction for courses focused on narrative but also an invaluable resource for students and scholars across a wide range of fields, including literature and drama, film and media, society and politics, journalism, autobiography, history, and still others throughout the arts, humanities, and social sciences.
    LC Classification Number
    PN3383.N35A23 2021

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