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James Weidman - All About Time - Herausragend wie neu Zustand - 

KellyBlueNote
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Standort: Bailey, Colorado, USA
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eBay-Artikelnr.:203799194258
Zuletzt aktualisiert am 21. Dez. 2022 21:08:19 MEZAlle Änderungen ansehenAlle Änderungen ansehen

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CD Grading
Near Mint (NM or M-)
Album Name
All About Time
Case Type
Jewel Case: Standard
Custom Bundle
No
Case Condition
Near Mint (NM or M-)
Inlay Condition
Near Mint (NM or M-)
Modified Item
No
Type
Album
UPC
0796044092933

Über dieses Produkt

Product Identifiers

Producer
James Weidman
Record Label
CD Baby, Cdb
UPC
0796044092933
eBay Product ID (ePID)
26046045171

Product Key Features

Format
CD
Release Year
2004
Genre
Jazz
Artist
Weidman, James
Release Title
All about Time

Dimensions

Item Height
0.40 in
Item Weight
0.22 lb
Item Length
5.60 in
Item Width
4.90 in

Additional Product Features

Number of Discs
1
Number of Tracks
10
Tracks
1.1 Bean and the Boys 1.2 Memories of You 1.3 Mr. Johnston 1.4 Song for Kim 1.5 2K Blues 1.6 Lord Don't Move That Mountain 1.7 Ugly Beauty 1.8 Where Is Love 1.9 Love's in the Making 1.10 Song for Tomorrow
Notes
J A M E S W E I D M A N biography Described by New York Times jazz critic Nate Chinen as 'a pianist with a broad résumé and a graceful style', James Weidman decorates a song like many decorate the favorite room in their house-one carefully-chosen piece at a time. As one of the world's top side man, he has played and recorded with musicians as diverse as Joe Lovano, Steve Coleman, Sonny Stitt, and Jay Hoggard. He has also been the accompanist of choice for some of the world's most celebrated singers, including legendary jazz vocalist Abbey Lincoln and Cassandra Wilson. Clearly, Weidman -- described by jazz critic Ben Ratliff as playing 'smoothly and decorously' behind Lincoln at a recent reunion concert -- is one those rare accompanists to whom singers feel it is safe to give free rein.James is also a gifted teacher, and currently works with aspiring musicians at William Paterson University. With the release of his second solo album, appropriately entitled 'All About Time',Weidman looks set to strut his stuff and take his place among the world's top bandleaders. 'When I first moved here, someone said to me: 'Be careful in New York. They'll typecast you!'' laughs Weidman, whose incredible versatility -- developed over 30 years of working in a myriad of styles -- has made that impossible. 'The more genres you are comfortable with, the deeper your understanding of music,' he asserts. It has helped Weidman to develop his amazing technique and, as he imparts to his students (he is a faculty member at William Paterson, New Jersey), 'the better your technique, the better your communication.' However, the content of the communication is the most important thing. 'You're really telling a story to your audience,' he says. 'It's a shared journey. That's why I called my first solo album People Music, because we are all supposed to share this music.' A native of Youngstown, Ohio, Weidman was born into a musical family and first learned to play jazz from his father (a saxophonist and bandleader) at the age of seven. 'He taught me some of the songs he played in the band,' says Weidman. By the time he was 13 he was playing organ in his father's jazz band. 'We played the chittlin's circuit,' he says. Throughout his years at Youngstown University (he graduated cum laude with a degree in classical and jazz piano), Weidman continued to divide his time between his studies and performing in local jazz bands, gradually becoming one of the best players in town. Moving to New York, the jazz Mecca of the world, was inevitable. 'Someone told me that I could get work there as long as I had an electric piano,' says Weidman, who packed up his Fender and set off for the city. Almost immediately, he found himself playing with jazz greats Cecil Payne, Harold Ousley, Bobby Watson and Pepper Adams, before falling in with Steve Coleman. 'I really wanted to play with Steve because he was doing something new,' says Weidman. 'His compositions force you to think differently and playing his very demanding rhythms and harmonies is really challenging. That was exactly what I wanted. It gave me a freer outlook on music.' Indeed, challenging himself musically continues to be very important to Weidman. 'I used to play with this older cat in Brooklyn and at the end of every gig he would turn to me and say: 'Well, I learned something!'' Weidman has perhaps learned the most with his long term collaborator, highly acclaimed saxophonist TK Blue, who is also Randy Weston's musical director. 'When I first met TK in 1978 we were both writing and our band was like a workshop. It was a great laboratory for both of us in terms of trying out our ideas. And we still constantly challenge each other,' says Weidman. 'But our playing together nowadays is more about intuition than notes,' he says. 'TK is much more than just a fellow musician. He's a spiritual brother. And it takes that learning process to a whole other level,' says Weidman. To hear them together is to be made inte

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