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Standort: Denver, Colorado, USA
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eBay-Artikelnr.:204015793169
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- “Please read the full description below.”
- ISBN
- 9781477310304
- EAN
- 9781477310304
Über dieses Produkt
Product Identifiers
Publisher
University of Texas Press
ISBN-10
1477310304
ISBN-13
9781477310304
eBay Product ID (ePID)
219823581
Product Key Features
Number of Pages
219 Pages
Publication Name
White Shaman Mural : an Enduring Creation Narrative in the Rock Art of the Lower Pecos
Language
English
Publication Year
2016
Subject
Archaeology, Ethnic Studies / Native American Studies, Native American
Type
Textbook
Subject Area
Art, Social Science
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
46.2 Oz
Item Length
11.3 in
Item Width
8.8 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2016-003032
TitleLeading
The
Reviews
The depth and detail of [Boyd's] analysis is extraordinary and adds a much-needed level of twenty-first-century methodology to rock art studies of this region. Boyd employs a relaxed, familiar tone in her writing style, making extremely analytical details easily accessible for readers at most levels.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
976.4/901
Table Of Content
Illustrations Acknowledgments Chapter 1. Archaic Codices Chapter 2. The Painted Landscape Chapter 3. Transcribing and Reading Visual Texts Chapter 4. A Primer: Abiding Themes in Mesoamerican Thought Chapter 5. Pilgrimage to Creation: A Reading of the White Shaman Mural Informed by Huichol Mythology Chapter 6. Return to Creation: A Reading of the White Shaman Mural Informed by Nahua Mythology Chapter 7. The Art of Transcendence Notes Bibliography Index
Synopsis
A landmark in the study of rock art, this extensively illustrated volume reveals that prehistoric hunter-gatherers in southwest Texas painted one of the earliest known pictorial creation narratives in North America., Winner, Society for American Archaeology Book Award, 2017San Antonio Conservation Society Publication Award, 2019 The prehistoric hunter-gatherers of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico, created some of the most spectacularly complex, colorful, extensive, and enduring rock art of the ancient world. Perhaps the greatest of these masterpieces is the White Shaman mural, an intricate painting that spans some twenty-six feet in length and thirteen feet in height on the wall of a shallow cave overlooking the Pecos River. In The White Shaman Mural , Carolyn E. Boyd takes us on a journey of discovery as she builds a convincing case that the mural tells a story of the birth of the sun and the beginning of time--making it possibly the oldest pictorial creation narrative in North America. Unlike previous scholars who have viewed Pecos rock art as random and indecipherable, Boyd demonstrates that the White Shaman mural was intentionally composed as a visual narrative, using a graphic vocabulary of images to communicate multiple levels of meaning and function. Drawing on twenty-five years of archaeological research and analysis, as well as insights from ethnohistory and art history, Boyd identifies patterns in the imagery that equate, in stunning detail, to the mythologies of Uto-Aztecan-speaking peoples, including the ancient Aztec and the present-day Huichol. This paradigm-shifting identification of core Mesoamerican beliefs in the Pecos rock art reveals that a shared ideological universe was already firmly established among foragers living in the Lower Pecos region as long as four thousand years ago., Winner, Society for American Archaeology Book Award, 2017 San Antonio Conservation Society Publication Award, 2019 The prehistoric hunter-gatherers of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico, created some of the most spectacularly complex, colorful, extensive, and enduring rock art of the ancient world. Perhaps the greatest of these masterpieces is the White Shaman mural, an intricate painting that spans some twenty-six feet in length and thirteen feet in height on the wall of a shallow cave overlooking the Pecos River. In The White Shaman Mural , Carolyn E. Boyd takes us on a journey of discovery as she builds a convincing case that the mural tells a story of the birth of the sun and the beginning of time--making it possibly the oldest pictorial creation narrative in North America. Unlike previous scholars who have viewed Pecos rock art as random and indecipherable, Boyd demonstrates that the White Shaman mural was intentionally composed as a visual narrative, using a graphic vocabulary of images to communicate multiple levels of meaning and function. Drawing on twenty-five years of archaeological research and analysis, as well as insights from ethnohistory and art history, Boyd identifies patterns in the imagery that equate, in stunning detail, to the mythologies of Uto-Aztecan-speaking peoples, including the ancient Aztec and the present-day Huichol. This paradigm-shifting identification of core Mesoamerican beliefs in the Pecos rock art reveals that a shared ideological universe was already firmly established among foragers living in the Lower Pecos region as long as four thousand years ago.
LC Classification Number
E78.T4B69 2016
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