Den Süden einfangen: Amerikas am meisten dokumentierte Regionsfotografie vorstellen

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Artikelzustand
Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
Binding
TP
EAN
9781469646459
ISBN
1469646455
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of North Carolina Press
ISBN-10
1469646455
ISBN-13
9781469646459
eBay Product ID (ePID)
248476097

Product Key Features

Number of Pages
352 Pages
Publication Name
Capturing the South : Imagining America's Most Documented Region
Language
English
Publication Year
2018
Subject
United States / 20th Century, United States / State & Local / South (Al, Ar, Fl, Ga, Ky, La, ms, Nc, SC, Tn, VA, WV), General, Research, Photoessays & Documentaries
Type
Textbook
Subject Area
Social Science, Photography, History
Author
Scott L. Matthews
Series
Documentary Arts and Culture, Published in Association with the Center for Documentary Studies at Duke University Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
17 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2018-017918
Reviews
At its core, Matthews' Capturing the South speaks to the asymmetries of documentary power around histories of well-meaning (often self-serving) intentions, cultural exploitation, and subject resistance. . . . Meticulously researched and thoughtfully considered. . . . The energy of Matthews' argument establishes the ethical ambitions of his study in ways that persuasively invite the reader into a consideration about the historical arc and the & 64257;eldwork ethics that arguably render the South the most documented American region.-- Journal of Interdisciplinary History|9781469646459|, At its core, Matthews' Capturing the South speaks to the asymmetries of documentary power around histories of well-meaning (often self-serving) intentions, cultural exploitation, and subject resistance. . . . Meticulously researched and thoughtfully considered. . . . The energy of Matthews' argument establishes the ethical ambitions of his study in ways that persuasively invite the reader into a consideration about the historical arc and the ï¬\x81eldwork ethics that arguably render the South the most documented American region.-- Journal of Interdisciplinary History, "At its core, Matthews' Capturing the South speaks to the asymmetries of documentary power around histories of well-meaning (often self-serving) intentions, cultural exploitation, and subject resistance. . . . Meticulously researched and thoughtfully considered. . . . The energy of Matthews' argument establishes the ethical ambitions of his study in ways that persuasively invite the reader into a consideration about the historical arc and the ï¬\x81eldwork ethics that arguably render the South the most documented American region."-- Journal of Interdisciplinary History, At its core, Matthews' Capturing the South speaks to the asymmetries of documentary power around histories of well-meaning (often self-serving) intentions, cultural exploitation, and subject resistance. . . . Meticulously researched and thoughtfully considered. . . . The energy of Matthews' argument establishes the ethical ambitions of his study in ways that persuasively invite the reader into a consideration about the historical arc and the i¬\x81eldwork ethics that arguably render the South the most documented American region."-- Journal of Interdisciplinary History
Illustrated
Yes
Synopsis
In his expansive history of documentary work in the South during the twentieth century, Scott L. Matthews examines the motivations and methodologies of several pivotal documentarians, including sociologist Howard Odum, photographers Jack Delano and Danny Lyon, and music ethnographer John Cohen. Their work salvaged and celebrated folk cultures threatened by modernization or strived to reveal and reform problems linked to the region's racial caste system and exploitative agricultural economy. Images of alluring primitivism and troubling pathology often blurred together, neutralizing the aims of documentary work carried out in the name of reform during the Progressive era, New Deal, and civil rights movement. Black and white southerners in turn often resisted documentarians' attempts to turn their private lives into public symbols. The accumulation of these influential and, occasionally, controversial documentary images created an enduring, complex, and sometimes self-defeating mythology about the South that persists into the twenty-first century., In his expansive history of documentary work in the South during the twentieth-century, Scott L. Matthews examines the motivations and methodologies of several pivotal documentarians, including sociologist Howard Odum, photographers Jack Delano and Danny Lyon, and music ethnographer John Cohen., In his expansive history of documentary work in the South during the twentieth century, Scott L. Matthews examines the motivations and methodologies of several pivotal documentarians, including sociologist Howard Odum, photographers Jack Delano and Danny Lyon, and music ethnographer John Cohen. Their work salvaged and celebrated folk cultures threatened by modernization or strived to reveal and reform problems linked to the region's racial caste system and exploitative agricultural economy.Images of alluring primitivism and troubling pathology often blurred together, neutralizing the aims of documentary work carried out in the name of reform during the Progressive era, New Deal, and civil rights movement. Black and white southerners in turn often resisted documentarians' attempts to turn their private lives into public symbols. The accumulation of these influential and, occasionally, controversial documentary images created an enduring, complex, and sometimes self-defeating mythology about the South that persists into the twenty-first century.
LC Classification Number
H62.5.U5M383 2018

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