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Art of Louis-Leopold Boilly - Paperback By Siegfried, Susan L. - GOOD
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Art of Louis-Leopold Boilly - Paperback By Siegfried, Susan L. - GOOD
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Art of Louis-Leopold Boilly - Paperback By Siegfried, Susan L. - GOOD

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    Artikelmerkmale

    Artikelzustand
    Akzeptabel: Buch mit deutlichen Gebrauchsspuren. Der Einband kann einige Beschädigungen aufweisen, ...
    Brand
    Unbranded
    MPN
    Does not apply
    ISBN
    9780300066692

    Über dieses Produkt

    Product Identifiers

    Publisher
    Yale University Press
    ISBN-10
    0300066694
    ISBN-13
    9780300066692
    eBay Product ID (ePID)
    61010034

    Product Key Features

    Number of Pages
    214 Pages
    Language
    English
    Publication Name
    Art of Louis-Leopold Boilly : Modern Life in Napoleonic France
    Publication Year
    1995
    Subject
    History / General
    Type
    Textbook
    Subject Area
    Art
    Author
    Susan L. Siegfried
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.1 in
    Item Weight
    40.8 Oz
    Item Length
    1.1 in
    Item Width
    1 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    95-017378
    Dewey Edition
    20
    TitleLeading
    The
    Illustrated
    Yes
    Dewey Decimal
    759.4
    Synopsis
    Boilly has long been recognized as the most significant painter of everyday life in Napoleonic France, one whose portraits and genre scenes provide delightful illustrations of the period. In this book Susan Siegfried argues that Boilly's paintings should be read not just for their documentary detail but also for their wider cultural significance--for the light they shed on social and sexual tensions of the era. According to Siegfried, Boilly viewed the Revolution not as a political event but as a force that redefined social attitudes and behavior. His paintings of street scenes contained a new middle-class imagery of modern life. Boilly avoided the straightforward narratives and focused composition of contemporary history painting, and there was a deliberate ambiguity in his paintings that reflected his own uneasy position within the middle class. His paintings also reveal his distinctive interest in spectatorship and the act of viewing, and Siegfried contends that his work represents a peculiarly modern politics of spectatorship and involves us in a self-conscious dialogue between picturing and viewing. In fact, says Siegfried, Boilly's representation of women and boys as highly eroticized objects raises important issues of gendered viewing. Boilly emerges in this innovative study as an intriguing figure who fashioned new pictorial formulas that appealed to connoisseurs of his era and of ours and whose works illuminate important aspects of life in France after the Revolution. This beautiful book will accompany an exhibit on Boilly to be held at the Kimbell Art Museum, Fort Worth, Texas, and the National Gallery of Art, Washington. Siegfried is the curator of this exhibition., Boilly has long been recognized as the most significant painter of everyday life in Napoleonic France, one whose portraits and genre scenes provide delightful illustrations of the period. In this book Susan Siegfried argues that Boilly's paintings should be read not just for their documentary detail but also for their wider cultural significance-for the light they shed on social and sexual tensions of the era. According to Siegfried, Boilly viewed the Revolution not as a political event but as a force that redefined social attitudes and behavior. His paintings of street scenes contained a new middle-class imagery of modern life. Boilly avoided the straightforward narratives and focused composition of contemporary history painting, and there was a deliberate ambiguity in his paintings that reflected his own uneasy position within the middle class. His paintings also reveal his distinctive interest in spectatorship and the act of viewing, and Siegfried contends that his work represents a peculiarly modern politics of spectatorship and involves us in a self-conscious dialogue between picturing and viewing. In fact, says Siegfried, Boilly's representation of women and boys as highly eroticized objects raises important issues of gendered viewing. Boilly emerges in this innovative study as an intriguing figure who fashioned new pictorial formulas that appealed to connoisseurs of his era and of ours and whose works illuminate important aspects of life in France after the Revolution. This beautiful book will accompany an exhibit on Boilly to be held at the Kimbell Art Museum, Fort Worth, Texas, and the National Gallery of Art, Washington. Siegfried is the curator of this exhibition.

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        Wonderful book
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