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Das Handwerkerhandbuch "Il Libro dell' Arte" von Daniel Thompson (1960, PB)
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Das Handwerkerhandbuch "Il Libro dell' Arte" von Daniel Thompson (1960, PB)
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Das Handwerkerhandbuch "Il Libro dell' Arte" von Daniel Thompson (1960, PB)

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    eBay-Artikelnr.:205192401453
    Zuletzt aktualisiert am 01. Jan. 2025 21:40:01 MEZAlle Änderungen ansehenAlle Änderungen ansehen

    Artikelmerkmale

    Artikelzustand
    Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
    Personalize
    No
    Signed
    No
    Ex Libris
    No
    Personalized
    No
    Original Language
    English
    Country/Region of Manufacture
    United States
    Intended Audience
    Adults
    Inscribed
    No
    Vintage
    No
    ISBN
    9780486200545
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Dover Publications, Incorporated
    ISBN-10
    048620054X
    ISBN-13
    9780486200545
    eBay Product ID (ePID)
    10038294088

    Product Key Features

    Book Title
    Craftsman's Handbook
    Number of Pages
    192 Pages
    Language
    English
    Publication Year
    1954
    Topic
    Techniques / Painting, Techniques / Drawing, Techniques / Oil Painting, Painting, History / General
    Illustrator
    Yes
    Genre
    Art, Crafts & Hobbies
    Author
    Cennio D'andrea Cennini
    Book Series
    Dover Art Instruction Ser.
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.4 in
    Item Weight
    7.2 Oz
    Item Length
    8 in
    Item Width
    5.4 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    54-003194
    Dewey Edition
    22
    Dewey Decimal
    751
    Synopsis
    This is D. V. Thompson's definitive English translation of Il Libro dell'Arte, an intriguing guide to methods of painting, written in fifteenth-century Florence. Embodying the secrets and techniques of the great masters, it served as an art student's introduction to the ways of his craft. Anyone who has ever looked at a medieval painting and marveled at the brilliance of color and quality of surface that have endured for 500 years should find this fascinating reading. It describes such lost arts as gilding stone, making mosaics of crushed eggshell, fashioning saints' diadems, coloring parchment, making goat glue, and regulating your life in the interests of decorum -- which meant shunning women, the greatest cause of unsteady hands in artists. You are told how to make green drapery, black for monks' robes, trees and plants, oils, beards in fresco, and the proper proportions of a man's body. ("I will not tell you about the irrational animals because you will never discover any system of proportion in them.") So practical are the details that readers might be tempted to experiment with the methods given here for their own amusement and curiosity. Today artists are no longer interested in specific directions on keeping miniver tails from becoming moth-eaten. The Craftsman's Handbook, in which these are ordinary parts of the artist's work, appears quaint and na ve to us. And that is much of its charm. But when we remember the magnificent mosaics, paintings, and frescoes these methods produced, the book takes on an even greater value as a touchstone to another age. "Recommended to the student of art." -- Craft Horizons. "Obviously of great merit." -- Art Material Trade News. "Delightful flavor." -- New York Herald Tribune. Recommended in Harvard List of Great Books on Art, Shaw's List of Books for College Libraries., Fifteenth-century handbook, written by a working artist of the day, reveals techniques of the masters in drawing, oil painting, frescoes, panel painting, gilding, casting, more. Direct link to artists of Middle Ages., "Obviously of great merit." -- Art Material Trade News. Fifteenth-century handbook, written by a working artist of the day, reveals secrets and techniques of the masters in drawing, oil painting, frescoes, panel painting, gilding, casting, more. Direct link to artists of the Middle Ages. Translation and Introduction by D. V. Thompson. "Delightful flavor..." -- N.Y. Herald Tribune., This is D. V. Thompson's definitive English translation of Il Libro dell'Arte, an intriguing guide to methods of painting, written in fifteenth-century Florence. Embodying the secrets and techniques of the great masters, it served as an art student's introduction to the ways of his craft. Anyone who has ever looked at a medieval painting and marveled at the brilliance of color and quality of surface that have endured for 500 years should find this fascinating reading. It describes such lost arts as gilding stone, making mosaics of crushed eggshell, fashioning saints' diadems, coloring parchment, making goat glue, and regulating your life in the interests of decorum -- which meant shunning women, the greatest cause of unsteady hands in artists. You are told how to make green drapery, black for monks' robes, trees and plants, oils, beards in fresco, and the proper proportions of a man's body. ("I will not tell you about the irrational animals because you will never discover any system of proportion in them.") So practical are the details that readers might be tempted to experiment with the methods given here for their own amusement and curiosity. Today artists are no longer interested in specific directions on keeping miniver tails from becoming moth-eaten. The Craftsman's Handbook, in which these are ordinary parts of the artist's work, appears quaint and naïve to us. And that is much of its charm. But when we remember the magnificent mosaics, paintings, and frescoes these methods produced, the book takes on an even greater value as a touchstone to another age. "Recommended to the student of art." -- Craft Horizons. "Obviously of great merit." -- Art Material Trade News. "Delightful flavor." -- New York Herald Tribune. Recommended in Harvard List of Great Books on Art, Shaw's List of Books for College Libraries.
    LC Classification Number
    ND1130.C38

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    gregghierholzer1

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