
Das Handwerkerhandbuch "Il Libro dell' Arte" von Daniel Thompson (1960, PB)
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Das Handwerkerhand buch "Il Libro dell' Arte" von Daniel Thompson (1960, PB)
US $10,00
Ca.CHF 7,96
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Standort: Paso Robles, California, USA
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eBay-Artikelnr.:205192401453
Artikelmerkmale
- Artikelzustand
- Personalize
- No
- Signed
- No
- Ex Libris
- No
- Personalized
- No
- Original Language
- English
- Country/Region of Manufacture
- United States
- Intended Audience
- Adults
- Inscribed
- No
- Vintage
- No
- ISBN
- 9780486200545
Über dieses Produkt
Product Identifiers
Publisher
Dover Publications, Incorporated
ISBN-10
048620054X
ISBN-13
9780486200545
eBay Product ID (ePID)
10038294088
Product Key Features
Book Title
Craftsman's Handbook
Number of Pages
192 Pages
Language
English
Publication Year
1954
Topic
Techniques / Painting, Techniques / Drawing, Techniques / Oil Painting, Painting, History / General
Illustrator
Yes
Genre
Art, Crafts & Hobbies
Book Series
Dover Art Instruction Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
7.2 Oz
Item Length
8 in
Item Width
5.4 in
Additional Product Features
Intended Audience
Trade
LCCN
54-003194
Dewey Edition
22
Dewey Decimal
751
Synopsis
This is D. V. Thompson's definitive English translation of Il Libro dell'Arte, an intriguing guide to methods of painting, written in fifteenth-century Florence. Embodying the secrets and techniques of the great masters, it served as an art student's introduction to the ways of his craft. Anyone who has ever looked at a medieval painting and marveled at the brilliance of color and quality of surface that have endured for 500 years should find this fascinating reading. It describes such lost arts as gilding stone, making mosaics of crushed eggshell, fashioning saints' diadems, coloring parchment, making goat glue, and regulating your life in the interests of decorum -- which meant shunning women, the greatest cause of unsteady hands in artists. You are told how to make green drapery, black for monks' robes, trees and plants, oils, beards in fresco, and the proper proportions of a man's body. ("I will not tell you about the irrational animals because you will never discover any system of proportion in them.") So practical are the details that readers might be tempted to experiment with the methods given here for their own amusement and curiosity. Today artists are no longer interested in specific directions on keeping miniver tails from becoming moth-eaten. The Craftsman's Handbook, in which these are ordinary parts of the artist's work, appears quaint and na ve to us. And that is much of its charm. But when we remember the magnificent mosaics, paintings, and frescoes these methods produced, the book takes on an even greater value as a touchstone to another age. "Recommended to the student of art." -- Craft Horizons. "Obviously of great merit." -- Art Material Trade News. "Delightful flavor." -- New York Herald Tribune. Recommended in Harvard List of Great Books on Art, Shaw's List of Books for College Libraries., Fifteenth-century handbook, written by a working artist of the day, reveals techniques of the masters in drawing, oil painting, frescoes, panel painting, gilding, casting, more. Direct link to artists of Middle Ages., "Obviously of great merit." -- Art Material Trade News. Fifteenth-century handbook, written by a working artist of the day, reveals secrets and techniques of the masters in drawing, oil painting, frescoes, panel painting, gilding, casting, more. Direct link to artists of the Middle Ages. Translation and Introduction by D. V. Thompson. "Delightful flavor..." -- N.Y. Herald Tribune., This is D. V. Thompson's definitive English translation of Il Libro dell'Arte, an intriguing guide to methods of painting, written in fifteenth-century Florence. Embodying the secrets and techniques of the great masters, it served as an art student's introduction to the ways of his craft. Anyone who has ever looked at a medieval painting and marveled at the brilliance of color and quality of surface that have endured for 500 years should find this fascinating reading. It describes such lost arts as gilding stone, making mosaics of crushed eggshell, fashioning saints' diadems, coloring parchment, making goat glue, and regulating your life in the interests of decorum -- which meant shunning women, the greatest cause of unsteady hands in artists. You are told how to make green drapery, black for monks' robes, trees and plants, oils, beards in fresco, and the proper proportions of a man's body. ("I will not tell you about the irrational animals because you will never discover any system of proportion in them.") So practical are the details that readers might be tempted to experiment with the methods given here for their own amusement and curiosity. Today artists are no longer interested in specific directions on keeping miniver tails from becoming moth-eaten. The Craftsman's Handbook, in which these are ordinary parts of the artist's work, appears quaint and naïve to us. And that is much of its charm. But when we remember the magnificent mosaics, paintings, and frescoes these methods produced, the book takes on an even greater value as a touchstone to another age. "Recommended to the student of art." -- Craft Horizons. "Obviously of great merit." -- Art Material Trade News. "Delightful flavor." -- New York Herald Tribune. Recommended in Harvard List of Great Books on Art, Shaw's List of Books for College Libraries.
LC Classification Number
ND1130.C38
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