Zu Hause bei Gustav Stickley: Kunsthandwerk aus der Stephen Gray-Sammlung
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Zu Hause bei Gustav Stickley: Kunsthandwerk aus der Stephen Gray-Sammlung
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Standort: Vernon-Rockville, Connecticut, USA
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eBay-Artikelnr.:205637409491
Artikelmerkmale
- Artikelzustand
- Pages
- 119
- Publication Date
- 2008-10-01
- ISBN
- 9780918333247
Über dieses Produkt
Product Identifiers
Publisher
Wadsworth Atheneum
ISBN-10
0918333245
ISBN-13
9780918333247
eBay Product ID (ePID)
66903986
Product Key Features
Book Title
At Home with Gustav Stickley : Arts and Crafts from the Stephen Gray Collection
Number of Pages
120 Pages
Language
English
Publication Year
2008
Topic
Collections, Catalogs, Exhibitions / Permanent Collections, Individual Architects & Firms / General, General, Decorative Arts
Illustrator
Yes
Genre
Design, Art, Architecture, Antiques & Collectibles
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
33.7 Oz
Item Length
11 in
Item Width
9.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2008-035503
Dewey Edition
22
Dewey Decimal
745.092
Synopsis
During his first years as an Arts and Crafts furniture maker, from about mid-1900 to early 1904, Gustav Stickley and his designers created the most significant cabinetwork his firm would ever produce. For the most part made of quarter-sawn American oak, this furniture was substantial, subtly proportioned, essentially rectilinear, and built using traditional joinery-for instance, tenon and key, dovetail, pinned through tenons-and employing hand-wrought copper or iron hardware. These structural elements were both functional and symbolic, literally holding the furniture together while also expressing its moral aesthetic: though a factory product, every piece was solidly, honestly made.Stephen Gray is among those few who, early on, recognized both the inherent beauty of Arts and Crafts furniture and the value of the Craftsman Ideal. His collection includes many of the rarest forms and has few equals, but in two regards, it is almost singular: Stephen Gray lives with this major collection and has embraced the Craftsman Ideal in a beautiful, simple, personal, regionally sensitive manner. He lives in a nineteenth-century country house and has integrated an important collection with the ideas of decorating, lifestyle, and sensitivity to environment that were central to the Craftsman enterprise. Through Stephen Gray's collection, it is possible to explore the disparate values of the Arts and Crafts Movement, the Arts and Crafts interior, and the tensions inherent in the pursuit of an aesthetically simple Ideal life. This lavishly illustrated book features Stickley's furniture, including many photographs of Stickley designs in use, and it also includes some fine examples of art pottery, lighting fixtures, tiles, and color woodblock prints. The essays by David Cathers on Stickley's early work and Tommy McPherson, who compares Stephen Gray's living room to Stickley's own living room at Craftsman Farms, put Stickley's work into perspective. The introduction by Stephen Gray touches on collecting and living with Stickley., During his first years as an Arts and Crafts furniture maker, from about mid-1900 to early 1904, Gustav Stickley and his designers created the most significant cabinetwork his firm would ever produce. For the most part made of quarter-sawn American oak, this furniture was substantial, subtly proportioned, essentially rectilinear, and built using traditional joinery--for instance, tenon and key, dovetail, pinned through tenons--and employing hand-wrought copper or iron hardware. These structural elements were both functional and symbolic, literally holding the furniture together while also expressing its moral aesthetic: though a factory product, every piece was solidly, honestly made. Stephen Gray is among those few who, early on, recognized both the inherent beauty of Arts and Crafts furniture and the value of the Craftsman Ideal. His collection includes many of the rarest forms and has few equals, but in two regards, it is almost singular: Stephen Gray lives with this major collection and has embraced the Craftsman Ideal in a beautiful, simple, personal, regionally sensitive manner. He lives in a nineteenth-century country house and has integrated an important collection with the ideas of decorating, lifestyle, and sensitivity to environment that were central to the Craftsman enterprise. Through Stephen Gray's collection, it is possible to explore the disparate values of the Arts and Crafts Movement, the Arts and Crafts interior, and the tensions inherent in the pursuit of an aesthetically simple Ideal life. This lavishly illustrated book features Stickley's furniture, including many photographs of Stickley designs in use, and it also includes some fine examples of art pottery, lighting fixtures, tiles, and color woodblock prints. The essays by David Cathers on Stickley's early work and Tommy McPherson, who compares Stephen Gray's living room to Stickley's own living room at Craftsman Farms, put Stickley's work into perspective. The introduction by Stephen Gray touches on collecting and living with Stickley.
LC Classification Number
NK2439.S8A4 2009
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lemonsandapples
99,7% positive Bewertungen•23 Tsd. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (7'952)
- l***2 (769)- Bewertung vom Käufer.Letzter MonatBestätigter KaufA+++++ seller! Packaged very well and arrived quickly.
- o***o (3251)- Bewertung vom Käufer.Letzter MonatBestätigter KaufPleasure to deal with!
- m***l (2219)- Bewertung vom Käufer.Letzter MonatBestätigter KaufCute packed well unique piece