
Nichols und May: Interviews (Serie Gespräche mit Filmemachern), , 9781496831
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Nichols und May: Interviews (Serie Gespräche mit Filmemachern), , 9781496831
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- Artikelzustand
- ISBN
- 9781496831040
Über dieses Produkt
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1496831047
ISBN-13
9781496831040
eBay Product ID (ePID)
26050097980
Product Key Features
Book Title
Nichols and May : Interviews
Number of Pages
328 Pages
Language
English
Publication Year
2020
Topic
Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / Direction & Production
Genre
Performing Arts, Biography & Autobiography
Book Series
Conversations with Filmmakers Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
16.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2020-028765
Reviews
The books that make up the University Press of Mississippi's Conversations with Filmmakers Series are essential for any cinephile. . . . If you read books like this as I do, with a pencil or highlighter in hand, you will be underlining like mad at not only bon mots, but revelations on the themes of acting, directing and writing., Nichols and May: Interviews provides what feels like an unprecedented opportunity to make sense of Mike Nichols and Elaine May in their own words. Rather than an in-depth biography of two comedic greats, we get all these varying pieces and tidbits spanning the decades, moods, and movements of their careers from beginning to end.
Dewey Edition
23
Dewey Decimal
791.4302330922
Synopsis
In the late 1950s, Mike Nichols (1931-2014) and Elaine May (b. 1932) soared to superstar status as a sketch comedy duo in live shows and television. After their 1962 breakup, both went on to long and distinguished careers in other areas of show business - mostly separately, but sporadically together again. In Nichols and May: Interviews , twenty-seven interviews and profiles ranging over more than five decades tell their stories in their own words. Nichols quickly became an A-list stage and film director, while May, like many women in her field, often found herself thwarted in her attempts to make her distinctive voice heard in projects she could control herself. Yet, in recent years, Nichols's work as a filmmaker has been perhaps unfairly devalued, while May's accomplishments, particularly as a screenwriter and director, have become more appreciated, leading to her present widespread acceptance as a groundbreaking female artist and a creative genius of and for our time. Nichols gave numerous interviews during his career, and editor Robert E. Kapsis culled hundreds of potential selections to include in this volume the most revealing and those that focus on his filmmaking career. May, however, was a reluctant interview subject at best. She often subverted the whole interview process, producing instead a hilarious parody or even a comedy sketch - with or without the cooperation of the sometimes-oblivious interviewer. With its contrasting selection of interviews conventional and oddball, this volume is an important contribution to the study of the careers of Nichols and May., Twenty-seven interviews and profiles ranging over more than five decades that tell Mike Nichols's and Elaine May's stories in their own words, In the late 1950s, Mike Nichols (1931-2014) and Elaine May (b. 1932) soared to superstar status as a sketch comedy duo in live shows and television. After their 1962 breakup, both went on to long and distinguished careers in other areas of show business--mostly separately, but sporadically together again. In Nichols and May: Interviews , twenty-seven interviews and profiles ranging over more than five decades tell their stories in their own words. Nichols quickly became an A-list stage and film director, while May, like many women in her field, often found herself thwarted in her attempts to make her distinctive voice heard in projects she could control herself. Yet, in recent years, Nichols's work as a filmmaker has been perhaps unfairly devalued, while May's accomplishments, particularly as a screenwriter and director, have become more appreciated, leading to her present widespread acceptance as a groundbreaking female artist and a creative genius of and for our time. Nichols gave numerous interviews during his career, and editor Robert E. Kapsis culled hundreds of potential selections to include in this volume the most revealing and those that focus on his filmmaking career. May, however, was a reluctant interview subject at best. She often subverted the whole interview process, producing instead a hilarious parody or even a comedy sketch--with or without the cooperation of the sometimes-oblivious interviewer. With its contrasting selection of interviews conventional and oddball, this volume is an important contribution to the study of the careers of Nichols and May., In the late 1950s, Mike Nichols (1931?2014) and Elaine May (b. 1932) soared to superstar status as a sketch comedy duo in live shows and television. After their 1962 breakup, both went on to long and distinguished careers in other areas of show business?mostly separately, but sporadically together again. In Nichols and May: Interviews , twenty-seven interviews and profiles ranging over more than five decades tell their stories in their own words. Nichols quickly became an A-list stage and film director, while May, like many women in her field, often found herself thwarted in her attempts to make her distinctive voice heard in projects she could control herself. Yet, in recent years, Nichols?s work as a filmmaker has been perhaps unfairly devalued, while May?s accomplishments, particularly as a screenwriter and director, have become more appreciated, leading to her present widespread acceptance as a groundbreaking female artist and a creative genius of and for our time. Nichols gave numerous interviews during his career, and editor Robert E. Kapsis culled hundreds of potential selections to include in this volume the most revealing and those that focus on his filmmaking career. May, however, was a reluctant interview subject at best. She often subverted the whole interview process, producing instead a hilarious parody or even a comedy sketch?with or without the cooperation of the sometimes-oblivious interviewer. With its contrasting selection of interviews conventional and oddball, this volume is an important contribution to the study of the careers of Nichols and May.
LC Classification Number
PN1998.2.N53A5 2020
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