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DICK HYMAN - Dick Hyman & Ken Peplowski Live At The Kitano - CD - **neuwertig**

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Item is in Like New/ near Mint condition. Complete with all the included original artwork. Disc will ... Mehr erfahrenÜber den Artikelzustand
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“Item is in Like New/ near Mint condition. Complete with all the included original artwork. Disc ...
UPC
702783439328
EAN
702783439328
Type
CD Baby
Artist
Hyman, Dick
Format
CD
Release Year
2013
Record Label
Cdb, CD Baby
Release Title
Dick Hyman & Ken Peplowski Live at the Kitano
Genre
Jazz

Über dieses Produkt

Product Identifiers

Record Label
Cdb, CD Baby
UPC
0702783439328
eBay Product ID (ePID)
7046045118

Product Key Features

Release Year
2013
Format
CD
Genre
Jazz
Artist
Hyman, Dick
Release Title
Dick Hyman & Ken Peplowski Live at the Kitano

Dimensions

Item Height
0.41 in
Item Weight
0.19 lb
Item Length
5.64 in
Item Width
4.92 in

Additional Product Features

Number of Tracks
9
Number of Discs
1
Tracks
1.1 The Blue Rom 1.2 Gone with the Wind 1.3 I Mean You! 1.4 Yellow Dog Blues 1.5 Lucky to Be Me 1.6 The World Is Waiting for the Sunrise 1.7 Ugly Beauty 1.8 My Ship 1.9 Lover, Come Back to Me/Quicksilver
Notes
"Whatever it is that we do, something I've never heard before happens when Ken and I improvise together. It's a joy for me, even if a sort of mystery, and I look forward to each occasion. This recording documents a weekend we played at the Kitano Hotel in New York in 2012.... [O]ver the past 25 years or so we've often been featured together, usually with a rhythm section. Playing unaccompanied duets, however, is different. You have to know and trust your partner when you're both improvising, you must prepare to be surprised, and you need to have a big supply of material in common in your head and your hands. Ken and I seem to have arrived at this point together in our parallel careers, and for me it's a great pleasure." -Dick Hyman Dick Hyman & Ken Peplowski ...Live at the Kitano highlights the musical mastery of two jazz greats who have an astounding ability to communicate with each other. Whether delivering show tunes, standards, or the blues, Hyman and Peplowski's shared improvisational sense leads to countless breathtaking moments as the duo listens and reacts to each other. Exclaimed All About Jazz about the album's lead track, "'The Blue Room'... steadily builds a lively monument to their joint taste, technique, and telepathy." Dick Hyman & Ken Peplowski ...Live at the Kitano follows the duo's 2009 release, E Pluribus Duo. 'Both men have deep respect for the tradition(s) of this music, but neither one looks at jazz as a museum piece; they both recognize that it's a living and breathing art form that's open to endless interpretation and variation, and they take full advantage of this fact here.... Hyman and Peplowski, who've played together with rhythm section backing on various occasions over the past quarter century, came to The Kitano to do it up duo-style for a weekend in 2012; what they delivered-and captured on record-is a gift to the world.' -- All About Jazz 'Dick Hyman and Ken Peplowski Live At The Kitano may well be the finest duo recording released since the classic Stan Getz & Albert Dailey Blue Note recording Poetry from the mid 1980's... It doesn't get much better than this.' -- Critical Jazz.com 'It's a rip-roaring conjugation of standards that, in their hands, has lost none of the joy they instilled in jazz musicians going back before the Depression... Irrepressible musicians for whom all delight is joyfully contagious.' -- Buffalo News 'this disc is one of those rare encapsulations of a relationship that seems to extend beyond the professional and well into the spiritual.' -- Something Else Reviews The CD features the following tracks: 1. The Blue Room (Lorenz Hart-Richard Rodgers-1926) is a standard song long used as a premise by jazz players. Hyman and Peplowski develop it as a fantasia involving an impressionistic, out-of-tempo opening and free flights of improvisation. 2. Gone With the Wind (Herbert Magidson-Allie Wrubel-1937) was decidedly not the theme music of the film that followed the immensely popular novel, but Dick Hyman remembers it as one of the first Art Tatum recordings he was dazzled by growing up in the '30s. 3. I Mean You! (Coleman Hawkins-Thelonious Monk-1946) was co-written by a stylistically unlikely pair of jazz pioneers for a joint album. Hawkins was known in his lengthy career for embracing the goals of his younger colleagues and associating with great professional success with Monk and others founders of bebop. 4. Yellow Dog Blues (W.C. Handy-1914) celebrates Mississippi's "Yellow Dog"-officially known as the Yazoo Delta Railroad. "Dog," or "short-dog," was railroad slang for a local or branch line. (Source: EarlyBlues.com) Peplowski and Hyman treat the venerable blues as a loping boogie-woogie vehicle. 5. Lucky to Be Me (Betty Comden-Adolph Green-Leonard Bernstein-1944) has entered the ranks of standards as one of the superior ballads, since it's introduction in the Broadway score "On the Town." 6. The World is Waiting for the Sunrise (Eugene Lockhart-Ernest Seitz-1919

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