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I've Seen the Future and I'm Not Going : The Art Scene and Downto
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I've Seen the Future and I'm Not Going : The Art Scene and Downto
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I've Seen the Future and I'm Not Going : The Art Scene and Downto

Free US Delivery | ISBN:1524747041
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Former library book; may include library markings. Used book that is in clean, average condition ... Mehr erfahrenÜber den Artikelzustand
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    Hinweise des Verkäufers
    “Former library book; may include library markings. Used book that is in clean, average condition ...
    Special Attributes
    EX-LIBRARY
    Publication Name
    Knopf Doubleday Publishing Group
    ISBN
    9781524747046

    Über dieses Produkt

    Product Identifiers

    Publisher
    Knopf Doubleday Publishing Group
    ISBN-10
    1524747041
    ISBN-13
    9781524747046
    eBay Product ID (ePID)
    20038418405

    Product Key Features

    Book Title
    I've Seen the Future and I'm Not Going : the Art Scene and Downtown New York in the 1980s
    Number of Pages
    304 Pages
    Language
    English
    Topic
    Personal Memoirs, General, Diseases / Aids & Hiv, Artists, Architects, Photographers, Lgbt
    Publication Year
    2019
    Illustrator
    Yes
    Genre
    Health & Fitness, Biography & Autobiography
    Author
    Peter Mcgough
    Format
    Hardcover

    Dimensions

    Item Height
    1.2 in
    Item Weight
    23.5 Oz
    Item Length
    9.5 in
    Item Width
    6.6 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2018-060306
    Reviews
    "Peter McGough has written the most authentic, tragic, and inspiring memoir of the 1980s at scene ever: a tale not merely of death and rebirth but of re-death and re-rebirth. It's beautifully wrought with amazing detail, names named, twists and turns, and recollections of twentieth-century New York City, worthy of a nineteenth-century novelist." --Isaac Mizrahi, author of I.M.: A Memoir "A rags-to-riches story of some of the most uncompromising artists you've ever encountered--a gay couple full of charm and heroism. This is essential reading for every aspiring creative nonconformist." --Edmund White, author of City Boy: My Life in New York During the 1960s and '70s "A Manhattan feast of artists, eccentrics, oddballs, users, queens, collectors, grifters, and saints. The witty, wily McGough captures the highs and lows of New York City in its gritty, everything-goes prime while painting the story of a young misfit artist in search of himself." --Christopher Bollen, author of The Destroyers "McGough has painted a profoundly honest and affecting portrait of the downtown New York art world in the 1980s, when the excitement of creative and sexual freedom was shadowed by the agony and destruction of AIDS." --Bob Colacello, author of Holy Terror: Andy Warhol Close Up
    Synopsis
    Brilliantly funny, frank, and shattering, this is the bittersweet memoir by Peter McGough of his life with artist David McDermott. Set in New York's Lower East Side of the 1980s and mid-1990s, it is also a devastatingly candid look at the extreme naiveté and dysfunction that would destroy both their lives. Escaping the trauma of growing up gay in Syracuse and being bullied at school, McGough attended art school in New York, dropped out, and took out jobs in clubs, where he met McDermott. Dazzled by McDermott, whom he found fascinating and worldly, McGough agreed to collaborate with him not only on their art but also in McDermott's very entertaining Victorian lifestyle. McGough evokes the rank and seedy East Village of that time, where he encountered Keith Haring, Rene Ricard, Kenny Scharf, Jean-Michel Basquiat, Andy Warhol, and Jacqueline and Julian Schnabel, among many others. Nights were spent at the Ninth Circle, Danceteria, and Studio 54; going to openings at the FUN Gallery; or visiting friends in the Chelsea Hotel. By the mid-1980s, McDermott & McGough were hugely successful, showing at three Whitney Biennials, represented by the best galleries here and abroad, and known for their painting, photography and "time experiment" interiors. Then, overnight, it was all gone. And one day in the mid-1990s, McGough would find that he, like so many of his friends, had been diagnosed with AIDS. I've Seen the Future and I'm Not Going is a compelling memoir for our time, told with humor and compassion, about how lives can become completely entwined even in failure and what it costs to reemerge, phoenix-like, and carry on., Brilliantly funny, frank, and shattering, this is the bittersweet memoir by Peter McGough of his life with artist David McDermott. Set in New York's Lower East Side of the 1980s and mid-1990s, it is also a devastatingly candid look at the extreme naivet and dysfunction that would destroy both their lives. Escaping the trauma of growing up gay in Syracuse and being bullied at school, McGough attended art school in New York, dropped out, and took out jobs in clubs, where he met McDermott. Dazzled by McDermott, whom he found fascinating and worldly, McGough agreed to collaborate with him not only on their art but also in McDermott's very entertaining Victorian lifestyle. McGough evokes the rank and seedy East Village of that time, where he encountered Keith Haring, Rene Ricard, Kenny Scharf, Jean-Michel Basquiat, Andy Warhol, and Jacqueline and Julian Schnabel, among many others. Nights were spent at the Ninth Circle, Danceteria, and Studio 54; going to openings at the FUN Gallery; or visiting friends in the Chelsea Hotel. By the mid-1980s, McDermott & McGough were hugely successful, showing at three Whitney Biennials, represented by the best galleries here and abroad, and known for their painting, photography and "time experiment" interiors. Then, overnight, it was all gone. And one day in the mid-1990s, McGough would find that he, like so many of his friends, had been diagnosed with AIDS. I've Seen the Future and I'm Not Going is a compelling memoir for our time, told with humor and compassion, about how lives can become completely entwined even in failure and what it costs to reemerge, phoenix-like, and carry on., McGough--half of the team of McDermott & McGough, artists known for their painting, photography, sculpture, and film--writes about the trauma of growing up gay in 1950s suburbia; about the East Village art scene of the 1980s; and about his meeting David McDermott who would profoundly change his life by insisting they dress, live, and work like men in the Victorian era.orian era.
    LC Classification Number
    N6537.M39656A2 2019

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