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MEXICAN COSTUMBRISMO: RACE, SOCIETY, AND IDENTITY IN By Mey-yen Moriuchi **NEW**
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MEXICAN COSTUMBRISMO: RACE, SOCIETY, AND IDENTITY IN By Mey-yen Moriuchi **NEW**
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    ISBN-10
    027107907X
    Book Title
    Mexican Costumbrismo: Race, Society, and Identity in
    ISBN
    9780271079073
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Pennsylvania STATE University Press
    ISBN-10
    027107907X
    ISBN-13
    9780271079073
    eBay Product ID (ePID)
    18038276280

    Product Key Features

    Number of Pages
    180 Pages
    Language
    English
    Publication Name
    Mexican Costumbrismo : Race, Society, and Identity in Nineteenth-Century Art
    Subject
    Caribbean & Latin American, Subjects & Themes / Portraits, History / General
    Publication Year
    2018
    Type
    Textbook
    Author
    Mey-Yen Moriuchi
    Subject Area
    Literary Criticism, Art
    Format
    Hardcover

    Dimensions

    Item Height
    0.8 in
    Item Weight
    36.1 Oz
    Item Length
    10.3 in
    Item Width
    8.3 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    2017-030927
    Reviews
    " Mexican Costumbrismo represents a considerable step forward in the bibliography on Mexican (and, by extension, Latin American) art of the nineteenth century. Moriuchi's firm grasp of the art, social, and literary history of Mexico in the transitional era from colony to republic serves to create a nuanced, richly documented, and stimulating panorama of daily life and its imagery in a variety of visual genres. Moriuchi intelligently argues that seemingly straightforward scenes of 'picturesque' customs are often allusions to far more complicated sets of social circumstances." -Edward J. Sullivan, author of From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism, "This thoughtful, fine-tuned study peels apart the layers of costumbrista painting, literature, and photography to reveal their centrality to discourses of nationhood and national identity in Mexico in its unstable first century of independence. Keenly sensitive to the ways in which race, class, and gender were both represented and misrepresented by costumbrismo's artists and consumers, Moriuchi's book demonstrates the complexity and relevance of a genre that well merits fresh attention." --Pamela A. Patton,author of Art of Estrangement: Redefining Jews in Reconquest Spain, "Mey-Yen Moriuchi's book is a noteworthy contribution that expands our understanding of a significant genre of art production in nineteenth-century Mexico and wider Latin America. Its comprehensive approach makes it a valuable resource for specialists as well as for scholars and students unfamiliar with nineteenth-century Mexican art." -Ray Hernández-Durán, CAA.Reviews, "Mey-Yen Moriuchi's book is a noteworthy contribution that expands our understanding of a significant genre of art production in nineteenth-century Mexico and wider Latin America. Its comprehensive approach makes it a valuable resource for specialists as well as for scholars and students unfamiliar with nineteenth-century Mexican art." --Ray Hernández-Durán, CAA.Reviews, "Mey-Yen Moriuchi's book is a noteworthy contribution that expands our understanding of a significant genre of art production in nineteenth-century Mexico and wider Latin America. Its comprehensive approach makes it a valuable resource for specialists as well as for scholars and students unfamiliar with nineteenth-century Mexican art." --Ray Hernández-Durán CAA.Reviews, "Mexican Costumbrismo represents a considerable step forward in the bibliography on Mexican (and, by extension, Latin American) art of the nineteenth century. Moriuchi's firm grasp of the art, social, and literary history of Mexico in the transitional era from colony to republic serves to create a nuanced, richly documented, and stimulating panorama of daily life and its imagery in a variety of visual genres. Moriuchi intelligently argues that seemingly straightforward scenes of 'picturesque' customs are often allusions to far more complicated sets of social circumstances." --Edward J. Sullivan, author of From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism, "Rooted in casta imagery of eighteenth-century New Spain as well as the works of nineteenth-century foreign traveler-artists in Mexico, Moriuchi's study demonstrates that such visualizations of racial and social diversity informed the twentieth-century concept of mexicanidad in the art produced by Mexican modernists. For students and scholars, this book significantly advances the scholarship on the visual cultures of Mexico." --Magali Carrera, author of Imagining Identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings, "This meticulous study of images of everyday social customs in nineteenth-century painting, literature, and photography in Mexico makes an outstanding contribution to the field of art history. Moriuchi's analysis enriches our understanding of the relation between the aesthetic and the political during Mexico's tumultuous and pivotal period of nation formation. Her conclusions have important implications as well for the art historical study of the preceding colonial era and of twentieth-century Mexican modernism." --Adriana Zavala, author of Becoming Modern, Becoming Tradition: Women, Gender, and Representation in Mexican Art, " Mexican Costumbrismo represents a considerable step forward in the bibliography on Mexican (and, by extension, Latin American) art of the nineteenth century. Moriuchi's firm grasp of the art, social, and literary history of Mexico in the transitional era from colony to republic serves to create a nuanced, richly documented, and stimulating panorama of daily life and its imagery in a variety of visual genres. Moriuchi intelligently argues that seemingly straightforward scenes of 'picturesque' customs are often allusions to far more complicated sets of social circumstances." --Edward J. Sullivan,author of From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism, "This meticulous study of images of everyday social customs in nineteenth-century painting, literature, and photography in Mexico makes an outstanding contribution to the field of art history. Moriuchi's analysis enriches our understanding of the relation between the aesthetic and the political during Mexico's tumultuous and pivotal period of nation formation. Her conclusions have important implications as well for the art-historical study of the preceding colonial era and of twentieth-century Mexican modernism." --Adriana Zavala,author of Becoming Modern, Becoming Tradition: Women, Gender, and Representation in Mexican Art, "Rooted in casta imagery of eighteenth-century New Spain as well as the works of nineteenth-century foreign traveler-artists in Mexico, Moriuchi's study demonstrates that such visualizations of racial and social diversity informed the twentieth-century concept of mexicanidad in the art produced by Mexican modernists. For students and scholars, this book significantly advances the scholarship on the visual cultures of Mexico." --Magali Carrera,author of Imagining Identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings, "Mexican Costumbrismo represents a considerable step forward in the bibliography on Mexican (and, by extension, Latin American) art of the nineteenth century. Moriuchi's firm grasp of the art, social, and literary history of Mexico in the transitional era from colony to republic serves to create a nuanced, richly documented, and stimulating panorama of daily life and its imagery in a variety of visual genres. Moriuchi intelligently argues that seemingly straightforward scenes of 'picturesque' customs are often allusions to far more complicated sets of social circumstances." -Edward J. Sullivan, author of From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism, "This meticulous study of images of everyday social customs in nineteenth-century painting, literature, and photography in Mexico makes an outstanding contribution to the field of art history. Moriuchi's analysis enriches our understanding of the relation between the aesthetic and the political during Mexico's tumultuous and pivotal period of nation formation. Her conclusions have important implications as well for the art-historical study of the preceding colonial era and of twentieth-century Mexican modernism." --Adriana Zavala, author of Becoming Modern, Becoming Tradition: Women, Gender, and Representation in Mexican Art, "This meticulous study of images of everyday social customs in nineteenth-century painting, literature, and photography in Mexico makes an outstanding contribution to the field of art history. Moriuchi's analysis enriches our understanding of the relation between the aesthetic and the political during Mexico's tumultuous and pivotal period of nation formation. Her conclusions have important implications as well for the art-historical study of the preceding colonial era and of twentieth-century Mexican modernism." -Adriana Zavala, author of Becoming Modern, Becoming Tradition: Women, Gender, and Representation in Mexican Art, "This thoughtful, fine-tuned study peels apart the layers of costumbrista painting, literature, and photography to reveal their centrality to discourses of nationhood and national identity in Mexico in its unstable first century of independence. Keenly sensitive to the ways in which race, class, and gender were both represented and misrepresented by costumbrismo's artists and consumers, Moriuchi's book demonstrates the complexity and relevance of a genre that well merits fresh attention." --Pamela A. Patton, author of Art of Estrangement: Redefining Jews in Reconquest Spain, " Mexican Costumbrismo represents a considerable step forward in the bibliography on Mexican (and, by extension, Latin American) art of the nineteenth century. Moriuchi's firm grasp of the art, social, and literary history of Mexico in the transitional era from colony to republic serves to create a nuanced, richly documented, and stimulating panorama of daily life and its imagery in a variety of visual genres. Moriuchi intelligently argues that seemingly straightforward scenes of 'picturesque' customs are often allusions to far more complicated sets of social circumstances." --Edward J. Sullivan, author of From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism, "This thoughtful, fine-tuned study peels apart the layers of costumbrista painting, literature, and photography to reveal their centrality to discourses of nationhood and national identity in Mexico in its unstable first century of independence. Keenly sensitive to the ways in which race, class, and gender were both represented and misrepresented by costumbrismo's artists and consumers, Moriuchi's book demonstrates the complexity and relevance of a genre that well merits fresh attention." -Pamela A. Patton, author of Art of Estrangement: Redefining Jews in Reconquest Spain, "Rooted in casta imagery of eighteenth-century New Spain as well as the works of nineteenth-century foreign traveler-artists in Mexico, Moriuchi's study demonstrates that such visualizations of racial and social diversity informed the twentieth-century concept of mexicanidad in the art produced by Mexican modernists. For students and scholars, this book significantly advances the scholarship on the visual cultures of Mexico." -Magali Carrera, author of Imagining Identity in New Spain: Race, Lineage, and the Colonial Body in Portraiture and Casta Paintings
    Dewey Edition
    23
    Illustrated
    Yes
    Dewey Decimal
    709.72/09034
    Table Of Content
    Contents List of Illustrations Acknowledgments Introduction 1. Racialized Social Spaces in Casta and Costumbrista Painting 2. Traveler-Artists' Visions of Mexico 3. Literary Costumbrismo: Celebration and Satire of los tipos populares 4. Local Perspectives: Mexican Costumbrista Artists 5. Costumbrista Photography Conclusion Notes Bibliography Index
    Synopsis
    Focuses on costumbrismo, a cultural trend in Latin America and Spain toward representing local customs, types, and scenes of everyday life in the visual arts and literature, to examine the shifting terms of Mexican identity in the nineteenth century., The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo. In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the quotidian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity. Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi's study is a provocative art-historical examination of costumbrismo's lasting impact on Mexican identity and history. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
    LC Classification Number
    N6554.M67 2018

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