Visualizing the Revolution: Politics and Pictorial Arts in Late Eighteenth-Cent,

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“Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
Book Title
Visualizing the Revolution: Politics and Pictorial Arts in Late,
Topic
Criticism
Narrative Type
Criticism
Genre
N/A
Intended Audience
N/A
ISBN
9781861893123
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Reaktion Books, The Limited
ISBN-10
1861893124
ISBN-13
9781861893123
eBay Product ID (ePID)
57028191

Product Key Features

Number of Pages
240 Pages
Language
English
Publication Name
Visualizing the Revolution : Politics and Pictorial Arts in Late Eighteenth-Century France
Subject
Art & Politics, Europe / France, European
Publication Year
2008
Type
Textbook
Subject Area
Art, History
Author
Rolf Reichardt, Hubertus Kohle
Series
Picturing History Ser.
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
30.4 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
Reviews
"A new contribution and approach . . . this publication is a useful step in understanding not only the changes in printmaking at the end of the eighteenth century, but also the complex discourse surrounding it." - Print Quarterly, To truly 'visualize the Revolution,' as the authors of this fascinating book maintain, requires a study of the images found in caricatures and pamphlets of the penny press. . . . The amassing of this unfamiliar trove, the decipherment of often-arcane examples, and the analysis of their relation to the revolutionary discourse are the  major contributions of this study., '"The book navigates admirably between the dynamics of the Revolution and the vast array of objects that ''visualized'' them. Historians and art historians alike of eighteenth-century France will no doubt receive the volume as a welcome contribution to the field and, perhaps most of all, as a pedagogical resource. Moreover, readers more accustomed to French and Anglo-American scholarship on the Revolution than to the German lirterature in the field will likely appreciate the book''s fresh perspective on its subject.", To truly "visualize the Revolution," as the authors of this fascinating book maintain, requires a study of the images found in the caricatures and pamphlets of the penny press. Indeed, Reichardt and Kohle argue that such quotidian illustrations, often made days after the event, are a more authentic reflection of the revolution's artistic culture than studio painting, which, owing to the rush of circumstances, often remained unfinished . . . The amassing of this unfamiliar trove, the decipherment of often-arcane examples, and the analysis of their relation to revolutionary discourse are the major contributions of this study. Highly recommended., "To truly ''visualize the Revolution,'' as the authors of this fascinating book maintain, requires a study of the images found in caricatures and pamphlets of the penny press. . . . The amassing of this unfamiliar trove, the decipherment of often-arcane examples, and the analysis of their relation to the revolutionary discourse are the major contributions of this study."- Choice, To truly 'visualize the Revolution,' as the authors of this fascinating book maintain, requires a study of the images found in caricatures and pamphlets of the penny press. . . . The amassing of this unfamiliar trove, the decipherment of often-arcane examples, and the analysis of their relation to the revolutionary discourse are the major contributions of this study., "This book builds on the last thirty years of research into revolutionary imagery, to which Reichardt has already made substantial contributions, and offers the most original and though-provoking analysis yet seen of revolutionary prints. Although the authors put prints alongside paintings, sculpture, and architecture and emphasize the interrelationship of all these media, they rightly give prints pride of place as the genre that witnessed an explosion of creativity during the French Revolution."--Journal of Modern History, the book navigates admirably between the dynamics of the Revolution and the vast array of objects that "visualized" them. Historians and art historians alike of eighteenth-century France will no doubt receive the volume as a welcome contribution to the field and, perhaps most of all, as a pedagogical resource., "A new contribution and approach . . . this publication is a useful step in understanding not only the changes in printmaking at the end of the eighteenth century, but also the complex discourse surrounding it." Print Quarterly, '"The book navigates admirably between the dynamics of the Revolution and the vast array of objects that 'visualized' them. Historians and art historians alike of eighteenth-century France will no doubt receive the volume as a welcome contribution to the field and, perhaps most of all, as a pedagogical resource. Moreover, readers more accustomed to French and Anglo-American scholarship on the Revolution than to the German lirterature in the field will likely appreciate the book's fresh perspective on its subject.", a new contribution and approach . . . this publication is a useful step in understanding not only the changes in printmaking at the end of the eighteenth century, but also the complex discourse surrounding it., "To truly ''visualize the Revolution,'' as the authors of this fascinating book maintain, requires a study of the images found in caricatures and pamphlets of the penny press. . . . The amassing of this unfamiliar trove, the decipherment of often-arcane examples, and the analysis of their relation to the revolutionary discourse are the major contributions of this study."-Choice, This book builds on the last thirty years of research into revolutionary imagery, to which Reichardt has already made substantial contributions, and offers the most original and though-provoking analysis yet seen of revolutionary prints. Although the authors put prints alongside paintings, sculpture, and architecture and emphasize the interrelationship of all these media, they rightly give prints pride of place as the genre that witnessed an explosion of creativity during the French Revolution., "A new contribution and approach . . . this publication is a useful step in understanding not only the changes in printmaking at the end of the eighteenth century, but also the complex discourse surrounding it." Print Quarterly, "This book builds on the last thirty years of research into revolutionary imagery, to which Reichardt has already made substantial contributions, and offers the most original and though-provoking analysis yet seen of revolutionary prints. Although the authors put prints alongside paintings, sculpture, and architecture and emphasize the interrelationship of all these media, they rightly give prints pride of place as the genre that witnessed an explosion of creativity during the French Revolution."-- Journal of Modern History
Illustrated
Yes
Synopsis
The French Revolution was marked by a wealth of imagery and visual symbolism that inspired the masses to fight for freedom. Visualizing the Revolution surveys the rich and multifaceted visual culture of the French Revolution, exploring its creation and how it conveyed the new revolutionary sensibilities of the era. Unlike most studies on art of the French Revolution, Visualizing the Revolution embraces a wide range of artistic genres--including prints, architecture, painting, and sculpture--and also draws upon archival documents to investigate the period's aesthetic concerns. The authors break new ground in methodology and interpretative practice as they tease out the web of connections between these various historical artifacts and argue for the central place of the arts in the transmission of ideas and the political manipulation of the populace. The book translates the provocatively new visual language revealed in these artworks and writings and shows how its emphasis on metaphor, allegory, and symbolism transformed French mass visual culture. An innovative and lushly illustrated study, Visualizing the Revolution is a worthy new contribution to scholarship on the French Revolution and the history of French art., This title is translated by Corinne Attwood. The French Revolution was marked by a wealth of imagery and visual symbolism that inspired the masses to fight for freedom. "Visualizing the Revolution" surveys the rich and multifaceted visual culture of this time, exploring its creation and how it conveyed the new revolutionary sensibilities of the era. Unlike most studies of art of the French Revolution, "Visualizing the Revolution" embraces a wide range of artistic genres including prints, architecture, painting and sculpture and also draws on archival documents and other historical literature to investigate the period's aesthetic concerns. Reichardt and Kohle break new ground in methodology and interpretative practice as they trace the intricate web of connections between these various historical artifacts and argue for the central place of the arts in the transmission of ideas and the political manipulation of the populace both educated and illiterate. "Visualizing the Revolution" translates the provocatively new visual language revealed in these artworks and writings and reveals how its emphasis on metaphor, allegory and symbolism transformed French mass visual culture.An innovative and well-illustrated study, "Visualizing the Revolution" is a valuable new contribution to scholarship on the French Revolution and the history of French art., The French Revolution was marked by a wealth of imagery and visual symbolism that inspired the masses to fight for freedom. This book surveys the rich and multifaceted visual culture of this time, exploring its creation and how it conveyed the new revolutionary sensibilities of the era.
LC Classification Number
N6846

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