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Participation: Documents of Contemporary Art - Claire Bishop - Paperback
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- ISBN
- 9780262524643
Über dieses Produkt
Product Identifiers
Publisher
MIT Press
ISBN-10
0262524643
ISBN-13
9780262524643
eBay Product ID (ePID)
63726371
Product Key Features
Number of Pages
240 Pages
Language
English
Publication Name
Participation
Subject
Sculpture & Installation, Conceptual, Authorship, History / Contemporary (1945-), Decorative Arts
Publication Year
2006
Type
Textbook
Subject Area
Design, Art, Language Arts & Disciplines
Series
Whitechapel: Documents of Contemporary Art Ser.
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
18 Oz
Item Length
8.3 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-044940
Dewey Edition
22
Reviews
"The current focus on relational aesthetics seems to have been largely detrimental to a more complex, nuanced and art-historically informed discussion on participatory practices. Claire Bishop's thoughtful anthology will hopefully begin to remedy this situation. Her book provides the theoretical and historical tools that are essential to perform a closer reading of participatory practices, current and past. Precisely organized and carefully selected, this anthology will surely be consulted widely, both by professionals and students. To its usefulness and clarity, Bishop's book adds a concern for a geographically expanded field of inquiry, so that her version of history is gladly one that does not disregard the evidence as much recent writing unfortunately still does when it comes from outside the well-trodden paths of the Western canon." -Carlos Basualdo, Curator of Contemporary Art, Philadelphia Museum of Art
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
700.1
Synopsis
Art that seeks to produce situations in which relations are formed among viewers is placed in historical and theoretical context in key writings by critics and artists. The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context. Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter B rger, Jen-Luc Nancy, Edoaurd Glissant, and F lix Guattari, as well as the first translation into English of Jacques Ranci re's influential Problems and Transformations in Critical Art. The book also includes central writings by such artists as Lygia Clark and H lio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist. Copublished with Whitechapel Art Gallery, London, Art that seeks to produce situations in which relations are formed among viewers is placed in historical and theoretical context in key writings by critics and artists. The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context. Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter B rger, Jen-Luc Nancy, Edoaurd Glissant, and F lix Guattari, as well as the first translation into English of Jacques Ranci re's influential "Problems and Transformations in Critical Art." The book also includes central writings by such artists as Lygia Clark and H lio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist. Copublished with Whitechapel Art Gallery, London, Art that seeks to produce situations in which relations are formed among viewers is placed in historical and theoretical context in key writings by critics and artists., Art that seeks to produce situations in which relations are formed among viewers is placed in historical and theoretical context in key writings by critics and artists. The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context. Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter B rger, Jen-Luc Nancy, Edoaurd Glissant, and Felix Guattari, as well as the first translation into English of Jacques Ranci re's influential "Problems and Transformations in Critical Art." The book also includes central writings by such artists as Lygia Clark and Helio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist. Copublished with Whitechapel Art Gallery, London
LC Classification Number
NX456.5.I57P37 2006
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