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Culture / Power / History: A Reader in Contemporary Social Theory by Linda Alco
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eBay-Artikelnr.:233596322382
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780691021027
Über dieses Produkt
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691021023
ISBN-13
9780691021027
eBay Product ID (ePID)
714269
Product Key Features
Number of Pages
640 Pages
Language
English
Publication Name
Culture/Power/History : a Reader in Contemporary Social Theory
Subject
General, Anthropology / Cultural & Social, Anthropology / General, Sociology / Social Theory
Publication Year
1993
Type
Textbook
Subject Area
Social Science
Series
Princeton Studies in Culture/Power/History Ser.
Format
Trade Paperback
Dimensions
Item Height
1.5 in
Item Weight
34.1 Oz
Item Length
9.2 in
Item Width
6.5 in
Additional Product Features
Intended Audience
College Audience
LCCN
93-001795
Reviews
"This collection of important essays, with a thoughtful and, in places, moving . . . introduction to the current questions and conversations-and dilemmas-of social-cultural history is now the best volume we have on the topic." -- International Labor and Working-Class History, This collection of important essays, with a thoughtful and, in places, moving . . . introduction to the current questions and conversations-and dilemmas-of social-cultural history is now the best volume we have on the topic., This collection of important essays, with a thoughtful and, in places, moving . . . introduction to the current questions and conversations-and dilemmas-of social-cultural history is now the best volume we have on the topic. -- International Labor and Working-Class History, "This collection of important essays, with a thoughtful and, in places, moving . . . introduction to the current questions and conversations-and dilemmas-of social-cultural history is now the best volume we have on the topic."-- International Labor and Working-Class History
Dewey Edition
20
Series Volume Number
12
Illustrated
Yes
Dewey Decimal
306
Table Of Content
Preface Permissions Acknowledgments Introduction 3 Ch. 1 Teddy Bear Patriarchy: Taxidermy in the Garden of Eden, New York City, 1908-1936 49 Ch. 2 Cultural Feminism versus Post-Structuralism: The Identity Crisis in Feminist Theory 96 Ch. 3 The Exhibitionary Complex 123 Ch. 4 Structures, Habitus, Power: Basis for a Theory of Symbolic Power 155 Ch. 5 Two Lectures 200 Ch. 6 After the Masses 222 Ch. 7 Family, Education, Photography 236 Ch. 8 Authority, (White) Power and the (Black) Critic; It's All Greek to Me 247 Ch. 9 Women, Class and Sexual Differences in the 1830s and 1840s: Some Reflections on the Writing of a Feminist History 269 Ch. 10 Nations, Publics, and Political Cultures: Placing Habermas in the Nineteenth Century 297 Ch. 11 The Prose of Counter-Insurgency 336 Ch. 12 Theory in Anthropology since the Sixties 372 Ch. 13 Cosmologies of Capitalism: The Trans-Pacific Sector of "The World System" 412 Ch. 14 Living to Tell: Madonna's Resurrection of the Fleshly 459 Ch. 15 Ritual and Resistance: Subversion as a Social Fact 483 Ch. 16 The Circulation of Social Energy 504 Ch. 17 Cultural Studies: Two Paradigms 520 Ch. 18 The Born-Again Telescandals 539 Ch. 19 Secrets of Success in Postmodern Society 557 Ch. 20 Selections from Marxism and Literature 585 Notes on the Contributors 609 Index 613
Synopsis
The intellectual radicalism of the 1960s spawned a new set of questions about the role and nature of "the political" in social life, questions that have since revolutionized nearly every field of thought, from literary criticism through anthropology to the philosophy of science. Michel Foucault in particular made us aware that whatever our functionally defined "roles" in society, we are constantly negotiating questions of authority and the control of the definitions of reality. Such insights have led theorists to challenge concepts that have long formed the very underpinnings of their disciplines. By exploring some of the most debated of these concepts--"culture," "power," and "history"--this reader offers an enriching perspective on social theory in the contemporary moment. Organized around these three concepts, Culture/ Power/History brings together both classic and new essays that address Foucault's "new economy of power relations" in a number of different, contestatory directions.Representing innovative work from various disciplines and sites of study, from taxidermy to Madonna, the book seeks to affirm the creative possibilities available in a time marked by growing uncertainty about established disciplinary forms of knowledge and by the increasing fluidity of the boundaries between them.The book is introduced by a major synthetic essay by the editors, which calls attention to the most significant issues enlivening theoretical discourse today. The editors seek not only to encourage scholars to reflect anew on the course of social theory, but also to orient newcomers to this area of inquiry. The essays are contributed by Linda Alcoff ("Cultural Feminism versus Post-Structuralism"), Sally Alexander ("Women, Class, and Sexual Differences in the 1830s and 1840s"), Tony Bennett ("The Exhibitionary Complex"), Pierre Bourdieu ("Structures, Habitus, Power"), Nicholas B. Dirks ("Ritual and Resistance"), Geoff Eley ("Nations, Publics, and Political Cultures"), Michel Foucault (Two Lectures), Henry Louis Gates, Jr.("Authority, [White] Power and the [Black] Critic"), Stephen Greenblatt ("The Circulation of Social Energy"), Ranajit Guha ("The Prose of Counter-Insurgency"), Stuart Hall ("Cultural Studies: Two Paradigms"), Susan Harding ("The Born-Again Telescandals"), Donna Haraway ("Teddy Bear Patriarchy"), Dick Hebdige ("After the Masses"), Susan McClary ("Living to Tell: Madonna's Resurrection of the Fleshly"), Sherry B. Ortner ("Theory in Anthropology since the Sixties"), Marshall Sahlins ("Cosmologies of Capitalism"), Elizabeth G. Traube ("Secrets of Success in Postmodern Society"), Raymond Williams (selections from Marxism and Literature), and Judith Williamson ("Family, Education, Photography")., The intellectual radicalism of the 1960s spawned a new set of questions about the role and nature of "the political" in social life, questions that have since revolutionized nearly every field of thought, from literary criticism through anthropology to the philosophy of science. Michel Foucault in particular made us aware that whatever our functionally defined "roles" in society, we are constantly negotiating questions of authority and the control of the definitions of reality. Such insights have led theorists to challenge concepts that have long formed the very underpinnings of their disciplines. By exploring some of the most debated of these concepts--"culture," "power," and "history"--this reader offers an enriching perspective on social theory in the contemporary moment. Organized around these three concepts, Culture/ Power/History brings together both classic and new essays that address Foucault's "new economy of power relations" in a number of different, contestatory directions. Representing innovative work from various disciplines and sites of study, from taxidermy to Madonna, the book seeks to affirm the creative possibilities available in a time marked by growing uncertainty about established disciplinary forms of knowledge and by the increasing fluidity of the boundaries between them. The book is introduced by a major synthetic essay by the editors, which calls attention to the most significant issues enlivening theoretical discourse today. The editors seek not only to encourage scholars to reflect anew on the course of social theory, but also to orient newcomers to this area of inquiry. The essays are contributed by Linda Alcoff ("Cultural Feminism versus Post-Structuralism"), Sally Alexander ("Women, Class, and Sexual Differences in the 1830s and 1840s"), Tony Bennett ("The Exhibitionary Complex"), Pierre Bourdieu ("Structures, Habitus, Power"), Nicholas B. Dirks ("Ritual and Resistance"), Geoff Eley ("Nations, Publics, and Political Cultures"), Michel Foucault (Two Lectures), Henry Louis Gates, Jr. ("Authority, White] Power and the Black] Critic"), Stephen Greenblatt ("The Circulation of Social Energy"), Ranajit Guha ("The Prose of Counter-Insurgency"), Stuart Hall ("Cultural Studies: Two Paradigms"), Susan Harding ("The Born-Again Telescandals"), Donna Haraway ("Teddy Bear Patriarchy"), Dick Hebdige ("After the Masses"), Susan McClary ("Living to Tell: Madonna's Resurrection of the Fleshly"), Sherry B. Ortner ("Theory in Anthropology since the Sixties"), Marshall Sahlins ("Cosmologies of Capitalism"), Elizabeth G. Traube ("Secrets of Success in Postmodern Society"), Raymond Williams (selections from Marxism and Literature ), and Judith Williamson ("Family, Education, Photography")., Offers a perspective on social theory in the contemporary moment. This readers includes essays that address Foucault's "new economy of power relations" in a number of different, contestatory directions., The intellectual radicalism of the 1960s spawned a new set of questions about the role and nature of "the political" in social life, questions that have since revolutionized nearly every field of thought, from literary criticism through anthropology to the philosophy of science. Michel Foucault in particular made us aware that whatever our functionally defined "roles" in society, we are constantly negotiating questions of authority and the control of the definitions of reality. Such insights have led theorists to challenge concepts that have long formed the very underpinnings of their disciplines. By exploring some of the most debated of these concepts--"culture," "power," and "history"--this reader offers an enriching perspective on social theory in the contemporary moment. Organized around these three concepts, Culture/ Power/History brings together both classic and new essays that address Foucault's "new economy of power relations" in a number of different, contestatory directions. Representing innovative work from various disciplines and sites of study, from taxidermy to Madonna, the book seeks to affirm the creative possibilities available in a time marked by growing uncertainty about established disciplinary forms of knowledge and by the increasing fluidity of the boundaries between them. The book is introduced by a major synthetic essay by the editors, which calls attention to the most significant issues enlivening theoretical discourse today. The editors seek not only to encourage scholars to reflect anew on the course of social theory, but also to orient newcomers to this area of inquiry. The essays are contributed by Linda Alcoff ("Cultural Feminism versus Post-Structuralism"), Sally Alexander ("Women, Class, and Sexual Differences in the 1830s and 1840s"), Tony Bennett ("The Exhibitionary Complex"), Pierre Bourdieu ("Structures, Habitus, Power"), Nicholas B. Dirks ("Ritual and Resistance"), Geoff Eley ("Nations, Publics, and Political Cultures"), Michel Foucault (Two Lectures), Henry Louis Gates, Jr. ("Authority, [White] Power and the [Black] Critic"), Stephen Greenblatt ("The Circulation of Social Energy"), Ranajit Guha ("The Prose of Counter-Insurgency"), Stuart Hall ("Cultural Studies: Two Paradigms"), Susan Harding ("The Born-Again Telescandals"), Donna Haraway ("Teddy Bear Patriarchy"), Dick Hebdige ("After the Masses"), Susan McClary ("Living to Tell: Madonna's Resurrection of the Fleshly"), Sherry B. Ortner ("Theory in Anthropology since the Sixties"), Marshall Sahlins ("Cosmologies of Capitalism"), Elizabeth G. Traube ("Secrets of Success in Postmodern Society"), Raymond Williams (selections from Marxism and Literature ), and Judith Williamson ("Family, Education, Photography").
LC Classification Number
HM101.C937 1994
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