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Die Chrysanthempap
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- Sofort-KaufenDie Chrysanthempapiere: Das rosa Notizbuch von Madame Chrysantheme und anderen Doc
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eBay-Artikelnr.:233962592704
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780824834371
Über dieses Produkt
Product Identifiers
Publisher
University of Hawaii Press
ISBN-10
0824834372
ISBN-13
9780824834371
eBay Product ID (ePID)
77893598
Product Key Features
Book Title
Chrysantheme Papers : The Pink Notebook of Madame Chrysantheme and Other Documents of French Japonisme
Number of Pages
176 Pages
Language
English
Publication Year
2010
Topic
European / French, Asia / Japan, Asian / Japanese, Literary
Illustrator
Yes
Genre
Literary Criticism, Fiction, Literary Collections, History
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
8 Oz
Item Length
8.4 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2009-046316
TitleLeading
The
Synopsis
Pierre Loti's novel Madame Chrysanth me (1888) enjoyed great popularity during the author's lifetime, served as a source of Puccini's opera Madama Butterfly, and remains in print to this day as a classic in Western literature. Loti's story, cast in the form of his fictionalized diary, describes the affair between a French naval officer and Chrysanth me, a temporary bride purchased in Nagasaki. More broadly, Loti's novel helped define the terms in which Occidentals perceived Japan as delicate, feminine, and, to use one of Loti's favorite words, preposterous--in short, ripe for exploitation. The Pink Notebook of Madame Chrysanth me (1893) sought, according to a newspaper reviewer at the time, to avenge Japan for the adjectives that Pierre Loti has inflicted on it. Written by F lix R gamey, a talented illustrator with firsthand knowledge of Japan, The Pink Notebook retells Loti's story but this time as the diary of Chrysanth me. The book, presented here in English for the first time and together with the original French text and illustrations by R gamey and others, is certainly surprising in its late nineteenth-century context. Its retelling of a classic tale from the position of a character marginalized by her sex and race provocatively anticipates certain aspects of postmodern literature. Translator Christopher Reed's rich and satisfying introduction compares Loti and R gamey in relation to attitudes toward Japan held by notable Japonistes Vincent van Gogh, Lafcadio Hearn, Edmond de Goncourt, and Philippe Burty. Reed provides further intellectual context by including new translations of excerpts from Loti's novel as well as a portion of the travel journal of R gamey's travel companion, the renowned collector Emile Guimet. Reed's emphasis on competing Western ideas about Japan challenges conventional scholarly generalizations concerning Japanism in this era. This elegant translation of The Pink Notebook and Japoniste documents will delight both general and specialized readers, particularly those interested in the ambiguities in the dynamics of nationalism, gender, identification, and exploitation that, since the nineteenth century, have characterized the West's relationship to Japan., Pierre Loti's novel Madame Chrysanthème (1888) enjoyed great popularity during the author's lifetime, served as a source of Puccini's opera Madama Butterfly, and remains in print to this day as a classic in Western literature. Loti's story, cast in the form of his fictionalized diary, describes the affair between a French naval officer and Chrysanthème, a temporary "bride" purchased in Nagasaki. More broadly, Loti's novel helped define the terms in which Occidentals perceived Japan as delicate, feminine, and, to use one of Loti's favorite words, "preposterous"--in short, ripe for exploitation. The Pink Notebook of Madame Chrysanthème (1893) sought, according to a newspaper reviewer at the time, "to avenge Japan for the adjectives that Pierre Loti has inflicted on it." Written by Félix Régamey, a talented illustrator with firsthand knowledge of Japan, The Pink Notebook retells Loti's story but this time as the diary of Chrysanthème. The book, presented here in English for the first time and together with the original French text and illustrations by Régamey and others, is certainly surprising in its late nineteenth-century context. Its retelling of a classic tale from the position of a character marginalized by her sex and race provocatively anticipates certain aspects of postmodern literature. Translator Christopher Reed's rich and satisfying introduction compares Loti and Régamey in relation to attitudes toward Japan held by notable Japonistes Vincent van Gogh, Lafcadio Hearn, Edmond de Goncourt, and Philippe Burty. Reed provides further intellectual context by including new translations of excerpts from Loti's novel as well as a portion of the travel journal of Régamey's travel companion, the renowned collector Emile Guimet. Reed's emphasis on competing Western ideas about Japan challenges conventional scholarly generalizations concerning Japanism in this era. This elegant translation of The Pink Notebook and Japoniste documents will delight both general and specialized readers, particularly those interested in the ambiguities in the dynamics of nationalism, gender, identification, and exploitation that, since the nineteenth century, have characterized the West's relationship to Japan.
LC Classification Number
PQ1139.J36C57 2010
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