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La Panadería: 1994-2002
US $24,50
Ca.CHF 19,50
Artikelzustand:
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Versand:
US $5,97 (ca. CHF 4,75) USPS Media MailTM.
Standort: Cathedral City, California, USA
Lieferung:
Lieferung zwischen Sa, 25. Okt und Mi, 29. Okt nach 94104 bei heutigem Zahlungseingang
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eBay-Artikelnr.:235333932323
Artikelmerkmale
- Artikelzustand
- Binding
- Paperback
- Product Group
- Book
- Weight
- 4 lbs
- IsTextBook
- No
- ISBN
- 9788475066493
Über dieses Produkt
Product Identifiers
Publisher
Turner Publicaciones S.L.
ISBN-10
8475066496
ISBN-13
9788475066493
eBay Product ID (ePID)
30775316
Product Key Features
Book Title
Panadería: 1994-2002
Number of Pages
350 Pages
Language
English
Topic
Caribbean & Latin American, Collections, Catalogs, Exhibitions / General
Publication Year
2004
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
65.8 Oz
Item Length
12.1 in
Item Width
9.9 in
Additional Product Features
Intended Audience
Trade
TitleLeading
La
Grade From
College Freshman
Number of Volumes
1 vol.
Grade To
UP
Synopsis
Throughout eight years of existence, La Panaderia served Mexico City as a vibrant non-profit space for exhibitions, residencies, and cultural events involving local and international artists. This retrospective catalogue exists as a collective testimony on the artistic productions and exhibitions that resulted from the space, which was founded in 1994 in a former bakery by local artists Yoshua Okon and Miguel Calderon. Here young artists were invited to exhibit video, photography, installation, and performance based works, but the space was also characterized by parties and concerts, reflecting a lifestyle and a social dynamic that opposed a rigid set of paradigms which dictated how art should be. "La Panaderia: 1994-2002 presents a selection of 60 exhibitions by foreign and Mexican contemporary artists via photographic documentation, brief descriptive texts, and ephemera such as invitations. Critical texts consider the relevance of the space, while anecdotes from artists and visitors pay testimony to it. Artists represented here include Carlos Amorales, Chris Johanson, Emily Jacir, Francis Alyuml; s, Gelatin, Kirsten Stoltmann, Las ultrasonicas, Minerva Cuevas, Semefo, Shepard Fairy, and Uri Tzaig. The book is accompanied by a CD with music by Silverio., Throughout eight years of existence, La Panader a served Mexico City as a vibrant non-profit space for exhibitions, residencies, and cultural events involving local and international artists. This retrospective catalogue exists as a collective testimony on the artistic productions and exhibitions that resulted from the space, which was founded in 1994 in a former bakery by local artists Yoshua Okon and Miguel Calder n. La Panader a emphasized, by way of its inherent nature, the integration of eclectic marginal practices. Young artists were invited to exhibit video, photography, installation and performance-based works, but the space was also characterized by parties and concerts, reflecting a lifestyle and a social dynamic that opposed a rigid set of paradigms which dictated how art should be. La Panader a: 1994-2002 is a visual and theoretical digest representative of the national and international art scene, presenting a selection of 60 exhibitions by foreign and Mexican contemporary artists via photographic documentation, a brief descriptive text, and ephemera such as invitations. Six critical texts consider the relevance of the space, while anecdotes from artists and the visiting public pay testimony to it. Dozens of artists are represented here, including Carlos Amorales, Chris Johanson, Emily Jacir, Francis Alys, Gelatin, Kirsten Stoltmann, Las ultras nicas, Luis Felipe Ortega, Miguel Calder n, Minerva Cuevas, Semefo, Shepard Fairey and Uri Tzaig. The book is accompanied by a CD with music by Silverio., Throughout eight years of existence, La Panadería served Mexico City as a vibrant non-profit space for exhibitions, residencies, and cultural events involving local and international artists. This retrospective catalogue exists as a collective testimony on the artistic productions and exhibitions that resulted from the space, which was founded in 1994 in a former bakery by local artists Yoshua Okon and Miguel Calderón. La Panadería emphasized, by way of its inherent nature, the integration of eclectic marginal practices. Young artists were invited to exhibit video, photography, installation and performance-based works, but the space was also characterized by parties and concerts, reflecting a lifestyle and a social dynamic that opposed a rigid set of paradigms which dictated how art should be. La Panadería: 1994-2002 is a visual and theoretical digest representative of the national and international art scene, presenting a selection of 60 exhibitions by foreign and Mexican contemporary artists via photographic documentation, a brief descriptive text, and ephemera such as invitations. Six critical texts consider the relevance of the space, while anecdotes from artists and the visiting public pay testimony to it. Dozens of artists are represented here, including Carlos Amorales, Chris Johanson, Emily Jacir, Francis Alÿs, Gelatin, Kirsten Stoltmann, Las ultrasónicas, Luis Felipe Ortega, Miguel Calderón, Minerva Cuevas, Semefo, Shepard Fairey and Uri Tzaig. The book is accompanied by a CD with music by Silverio., Throughout eight years of existence, La Panadera served Mexico City as a vibrant non-profit space for exhibitions, residencies, and cultural events involving local and international artists. This retrospective catalogue exists as a collective testimony on the artistic productions and exhibitions that resulted from the space, which was founded in 1994 in a former bakery by local artists Yoshua Okon and Miguel Caldern. La Panadera emphasized, by way of its inherent nature, the integration of eclectic marginal practices. Young artists were invited to exhibit video, photography, installation and performance-based works, but the space was also characterized by parties and concerts, reflecting a lifestyle and a social dynamic that opposed a rigid set of paradigms which dictated how art should be. La Panadera: 1994-2002 is a visual and theoretical digest representative of the national and international art scene, presenting a selection of 60 exhibitions by foreign and Mexican contemporary artists via photographic documentation, a brief descriptive text, and ephemera such as invitations. Six critical texts consider the relevance of the space, while anecdotes from artists and the visiting public pay testimony to it. Dozens of artists are represented here, including Carlos Amorales, Chris Johanson, Emily Jacir, Francis Als, Gelatin, Kirsten Stoltmann, Las ultrasnicas, Luis Felipe Ortega, Miguel Caldern, Minerva Cuevas, Semefo, Shepard Fairey and Uri Tzaig. The book is accompanied by a CD with music by Silverio.
Text by
Medina, Cuauhtémoc
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