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Hijikata Tatsumi und Butoh, Tanzen in einem Pool aus grauer Körnung von Bruce Baird HC

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Zuletzt aktualisiert am 04. Jun. 2025 07:45:23 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
ISBN-13
9781137579027
ISBN
9781137579027

Über dieses Produkt

Product Identifiers

Publisher
Palgrave Macmillan
ISBN-10
1137579021
ISBN-13
9781137579027
eBay Product ID (ePID)
217020981

Product Key Features

Number of Pages
Xvii, 293 Pages
Language
English
Publication Name
Hijikata Tatsumi and Butoh : Dancing in a Pool of Gray Grits
Publication Year
2012
Subject
Theater / History & Criticism, General, Entertainment & Performing Arts, Customs & Traditions
Type
Textbook
Author
Bruce Baird
Subject Area
Art, Performing Arts, Social Science, Biography & Autobiography
Series
Palgrave Studies in Theatre and Performance History Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
16.9 Oz
Item Length
9.2 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
Dewey Edition
23
Reviews
"Baird's book is a stunningly thorough and provocative gem. ... Hijikata Tatsumi and Butoh will be of interest to those working in theater and dance history, in performance studies, and in ethno-historical and anthropological studies of modern and postmodern Japan." (Michelle Dent, The Journal of Asian Studies, Vol. 75 (1), February, 2016) "The book is a veritable treasure trove of information and reflects the many years it took to complete the project . . . it is also a book which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - Tokyo Notice Board "A meticulously researched description and analysis of Hijikata's most significant choreographic and textual productions . . . Hijikata Tatsumi and Butoh is a major contribution to the Anglophone literature on butoh, particularly through its extensive referencing and explication of archival materials and texts not available outside of Japan. For scholars of postwar avant-garde Japanese arts, Baird's work brings dance fully into the conversation, particularly with literature and visual art. For butoh dancers, this book is significant for the way Baird challenges the mystification and mythologizing that has grown up around Hijikata (and was indeed often generated by Hijikata himself) . . . Baird presents his readers with the many socially constructed layers of Hijikata that influenced and were reflected in his productions (e.g., the Tohoku of his childhood, Tokyo in the 1960s and 1970s, Japanese and European surrealists and avant-garde artists), while leaving open the possibility of other interpretations. This openness to interpretation is Hijikata Tatsumi and Butoh's greatest gift." - Asian Theater Journal "Baird's Hijikata Tatsumi and Butoh offers English-language readers the single most rigorous treatment of Hijikata's work to date, with a meticulous examination of Hijikata's major works from the late 1950s to the 1970s." - Monumenta Nipponica "The book is a veritable treasure trove of information . . . which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - SFAQ: San Francisco Arts Quarterly, "The newly published paperback edition of Bruce Baird's ... is perfectly timed to ride the current wave of interest in butoh. ... Baird provides detailed descriptions of all of Hijikata's dances, including quotations from primary sources and records, and with photographs throughout." (William Andrews, The Japan Times, japantimes.com, May, 2016) "The book is a veritable treasure trove of information and reflects the many years it took to complete the project . . . it is also a book which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - Tokyo Notice Board  "A meticulously researched description and analysis of Hijikata's most significant choreographic and textual productions . . . Hijikata Tatsumi and Butoh is a major contribution to the Anglophone literature on butoh, particularly through its extensive referencing and explication of archival materials and texts not available outside of Japan. For scholars of postwar avant-garde Japanese arts, Baird's work brings dance fully into the conversation, particularly with literature and visual art. For butoh dancers, this book is significant for the way Baird challenges the mystification and mythologizing that has grown up around Hijikata (and was indeed often generated by Hijikata himself) . . . Baird presents his readers with the many socially constructed layers of Hijikata that influenced and were reflected in his productions (e.g., the Tohoku of his childhood, Tokyo in the 1960s and 1970s, Japanese and European surrealists and avant-garde artists), while leaving open the possibility of other interpretations. This openness to interpretation is Hijikata Tatsumi and Butoh's greatest gift." - Asian Theater Journal "Baird's Hijikata Tatsumi and Butoh offers English-language readers the single most rigorous treatment of Hijikata's work to date, with a meticulous examination of Hijikata's major works from the late 1950s to the 1970s." - Monumenta Nipponica "The book is a veritable treasure trove of information . . . which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - SFAQ: San Francisco Arts Quarterly, "The book is a veritable treasure trove of information and reflects the many years it took to complete the project . . . it is also a book which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - Tokyo Notice Board "A meticulously researched description and analysis of Hijikata's most significant choreographic and textual productions . . . Hijikata Tatsumi and Butoh is a major contribution to the Anglophone literature on butoh, particularly through its extensive referencing and explication of archival materials and texts not available outside of Japan. For scholars of postwar avant-garde Japanese arts, Baird's work brings dance fully into the conversation, particularly with literature and visual art. For butoh dancers, this book is significant for the way Baird challenges the mystification and mythologizing that has grown up around Hijikata (and was indeed often generated by Hijikata himself) . . . Baird presents his readers with the many socially constructed layers of Hijikata that influenced and were reflected in his productions (e.g., the Tohoku of his childhood, Tokyo in the 1960s and 1970s, Japanese and European surrealists and avant-garde artists), while leaving open the possibility of other interpretations. This openness to interpretation is Hijikata Tatsumi and Butoh's greatest gift." - Asian Theater Journal "Baird's Hijikata Tatsumi and Butoh offers English-language readers the single most rigorous treatment of Hijikata's work to date, with a meticulous examination of Hijikata's major works from the late 1950s to the 1970s." - Monumenta Nipponica "The book is a veritable treasure trove of information . . . which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - SFAQ: San Francisco Arts Quarterly, "The book is a veritable treasure trove of information and reflects the many years it took to complete the project . . . it is also a book which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - Tokyo Notice Board "A meticulously researched description and analysis of Hijikata's most significant choreographic and textual productions . . . Hijikata Tatsumi and Butoh is a major contribution to the Anglophone literature on butoh, particularly through its extensive referencing and explication of archival materials and texts not available outside of Japan. For scholars of postwar avant-garde Japanese arts, Baird's work brings dance fully into the conversation, particularly with literature and visual art. For butoh dancers, this book is significant for the way Baird challenges the mystification and mythologizing that has grown up around Hijikata (and was indeed often generated by Hijikata himself) . . . Baird presents his readers with the many socially constructed layers of Hijikata that influenced and were reflected in his productions (e.g., the Tohoku of his childhood, Tokyo in the 1960s and 1970s, Japanese and European surrealists and avant-garde artists), while leaving open the possibility of other interpretations. This openness to interpretation is Hijikata Tatsumi and Butoh's greatest gift." - Asian Theater Journal "Baird's Hijikata Tatsumi and Butoh offers English-language readers the single most rigorous treatment of Hijikata's work to date, with a meticulous examination of Hijikata's major works from the late 1950s to the 1970s." - Monumenta Nipponica"The book is a veritable treasure trove of information . . . which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - SFAQ: San Francisco Arts Quarterly, "The book is a veritable treasure trove of information and reflects the many years it took to complete the project . . . it is also a book which rewards the curious reader who wants to learn about postwar Japan from a different perspective." - Tokyo Notice Board   "A meticulously researched description and analysis of Hijikata's most significant choreographic and textual productions . . . Hijikata Tatsumi and Butoh is a major contribution to the Anglophone literature on butoh , particularly through its extensive referencing and explication of archival materials and texts not available outside of Japan. For scholars of postwar avant-garde Japanese arts, Baird's work brings dance fully into the conversation, particularly with literature and visual art. For butoh dancers, this book is significant for the way Baird challenges the mystification and mythologizing that has grown up around Hijikata (and was indeed often generated by Hijikata himself) . . . Baird presents his readers with the many socially constructed layers of Hijikata that influenced and were reflected in his productions (e.g., the Tohoku of his childhood, Tokyo in the 1960s and 1970s, Japanese and European surrealists and avant-garde artists), while leaving open the possibility of other interpretations. This openness to interpretation is Hijikata Tatsumi and Butoh 's greatest gift." - Asian Theater Journal
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
792.82092 B
Table Of Content
Introduction: And, And, And Outline of the Book Forbidden Eros and Evading Force: Hijikata's Early Years A Story of Dances that Sustain Enigma Pivoting Panels and Slashing Space: Rebellion and Identity My Mother Tied Me on Her Back: Story of Smallpox The Possibility Body: Embodying the Other, Negotiating the World Metaphorical Miscegenation in Memoirs: Hijikata Tatsumi in the Information Age Epilogue: The Emaciated Body in the World
Synopsis
Hijikata Tatsumi's explosive 1959 debut Forbidden Colors sparked a new genre of performance in Japan - butoh: an art form of contrasts, by turns shocking and serene. Since then, though interest has grown exponentially, and people all over the world are drawn to butoh's ability to enact paradox and contradiction, audiences are less knowledgeable about the contributions and innovations of the founder of butoh. Hijikata Tatsumi and Butoh traces the rollicking history of the creation and initial maturation of butoh, and locates Hijikata's performances within the intellectual, cultural, and economic ferment of Japan from the sixties to the eighties., Presents the performance art "butoh" as an evolving artistic bodily response to the Japanese society of the 1960s-1980s - a society characterized by conflict and proliferating information.
LC Classification Number
PN2100-2193

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