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eBay-Artikelnr.:236150954567
Artikelmerkmale
- Artikelzustand
- Release Year
- 2012
- Book Title
- In Search of a New Image of Thought: Gilles Deleuze and Philos...
- ISBN
- 9780816678037
Über dieses Produkt
Product Identifiers
Publisher
University of Minnesota Press
ISBN-10
0816678030
ISBN-13
9780816678037
eBay Product ID (ePID)
117237220
Product Key Features
Number of Pages
256 Pages
Language
English
Publication Name
In Search of a New Image of Thought : Gilles Deleuze and Philosophical Expressionism
Subject
Individual Philosophers, General
Publication Year
2012
Type
Textbook
Subject Area
Philosophy
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
12.5 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2012-019265
Reviews
" In Search of a New Image of Thought is an important and exciting study. As Gregg Lambert points out, the notion of the 'image of thought' is of crucial importance in Deleuze's conception of philosophy; Lambert's approach to the concept via literary examples is ingenious, and as he builds his argument, the viability of that approach becomes increasingly persuasive. Lambert's readings of Deleuze's works are penetrating." -Ronald Bogue, author of Deleuze's Way: Essays in Transverse Ethics and Aesthetics, " In Search of a New Image of Thought is an important and exciting study. As Gregg Lambert points out, the notion of the 'image of thought' is of crucial importance in Deleuze's conception of philosophy; Lambert's approach to the concept via literary examples is ingenious, and as he builds his argument, the viability of that approach becomes increasingly persuasive. Lambert's readings of Deleuze's works are penetrating." --Ronald Bogue, author of Deleuze's Way: Essays in Transverse Ethics and Aesthetics
Dewey Edition
23
Dewey Decimal
194
Table Of Content
Contents Preface and Acknowledgments Introduction: What Is an Image of Thought? 1. The Image of Thought in Proust, or the First Literary Machine (ca. 1964) 2. Notes from a Thought Experiment: What Is a Rhizome? (ca. 1976) 3. The Image of Thought in Kafka, or the Second Literary Machine (ca. 1975) 4. A Minor Question of Literature, or the Bachelor-Machine (ca. 1975) 5. A Question of Style in the Philosophy of Difference: The "Bartleby-Formula" (c. 1989) 6. The Image of Thought in Modern Cinema: The Brain-Machine (ca. 1985) Conclusion: We Will Speak of the Brain . . . Notes Index
Synopsis
Gregg Lambert demonstrates that since the publication of Proust and Signs in 1964 Gilles Deleuze's search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst F lix Guattari. Lambert, like Deleuze, calls this "the image of thought." Lambert's exploration begins with Deleuze's earliest exposition of the Proustian image of thought and then follows the "tangled history" of the image that runs through subsequent works, such as Kafka: Toward a Minor Literature , The Rhizome (which serves as an introduction to Deleuze's A Thousand Plateaus ), and several later writings from the 1980s collected in Essays Critical and Clinical. Lambert shows how this topic underlies Deleuze's studies of modern cinema, where the image of thought is predominant in the analysis of the cinematic image-particularly in The Time-Image . Lambert finds it to be the fundamental concern of the brain proposed by Deleuze in the conclusion of What Is Philosophy? By connecting the various appearances of the image of thought that permeate Deleuze's entire corpus, Lambert reveals how thinking first assumes an image, how the images of thought become identified with the problem of expression early in the works, and how this issue turns into a primary motive for the more experimental works of philosophy written with Guattari. The study traces a distinctly modern relationship between philosophy and non-philosophy (literature and cinema especially) that has developed into a hallmark of the term "Deleuzian." However, Lambert argues, this aspect of the philosopher's vision has not been fully appreciated in terms of its significance for philosophy: "not only 'for today' but, to quote Nietzsche, meaning also 'for tomorrow, and for the day after tomorrow.'", Gregg Lambert demonstrates that since the publication of Proust and Signs in 1964 Gilles Deleuze's search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst Félix Guattari. Lambert, like Deleuze, calls this "the image of thought." Lambert's exploration begins with Deleuze's earliest exposition of the Proustian image of thought and then follows the "tangled history" of the image that runs through subsequent works, such as Kafka: Toward a Minor Literature , The Rhizome (which serves as an introduction to Deleuze's A Thousand Plateaus ), and several later writings from the 1980s collected in Essays Critical and Clinical. Lambert shows how this topic underlies Deleuze's studies of modern cinema, where the image of thought is predominant in the analysis of the cinematic image--particularly in The Time-Image . Lambert finds it to be the fundamental concern of the brain proposed by Deleuze in the conclusion of What Is Philosophy? By connecting the various appearances of the image of thought that permeate Deleuze's entire corpus, Lambert reveals how thinking first assumes an image, how the images of thought become identified with the problem of expression early in the works, and how this issue turns into a primary motive for the more experimental works of philosophy written with Guattari. The study traces a distinctly modern relationship between philosophy and non-philosophy (literature and cinema especially) that has developed into a hallmark of the term "Deleuzian." However, Lambert argues, this aspect of the philosopher's vision has not been fully appreciated in terms of its significance for philosophy: "not only 'for today' but, to quote Nietzsche, meaning also 'for tomorrow, and for the day after tomorrow.'", Gregg Lambert demonstrates that since the publication of Proust andSigns in 1964 Gilles Deleuze's search for a new means of philosophicalexpression became a central theme of all his oeuvre, including thosewritten with psychoanalyst Félix Guattari. Lambert, like Deleuze, callsthis "the image of thought."
LC Classification Number
B2430.D454L34 2012
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