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Fassbinder Tausende Spiegel [Semiotext[e] / Native Agents]
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Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr geringfügige Beschädigungen auf, wie z.B. kleinere Schrammen, er hat aber weder Löcher, noch ist er eingerissen. Bei gebundenen Büchern ist der Schutzumschlag möglicherweise nicht mehr vorhanden. Die Bindung weist geringfügige Gebrauchsspuren auf. Die Mehrzahl der Seiten ist unbeschädigt, das heißt, es gibt kaum Knitter oder Einrisse, es wurden nur in geringem Maße Bleistiftunterstreichungen im Text vorgenommen, es gibt keine Textmarkierungen und die Randbereiche sind nicht beschrieben. Alle Seiten sind vollständig vorhanden. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
- Sofort-KaufenFassbinder Tausende Spiegel [Semiotext[e] / Native Agents]
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Standort: South San Francisco, California, USA
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Artikelmerkmale
- Artikelzustand
- ISBN
- 9781635901887
Über dieses Produkt
Product Identifiers
Publisher
Semiotexte The Limited
ISBN-10
163590188X
ISBN-13
9781635901887
eBay Product ID (ePID)
18057268148
Product Key Features
Book Title
Fassbinder Thousands of Mirrors
Number of Pages
200 Pages
Language
English
Publication Year
2023
Topic
European / German, Entertainment & Performing Arts, Film / History & Criticism
Genre
Literary Criticism, Performing Arts, Biography & Autobiography
Book Series
Semiotext (E) / Native Agents Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
8.2 Oz
Item Length
8 in
Item Width
5.4 in
Additional Product Features
Intended Audience
Trade
Reviews
"A book about a film-maker but also, hauntingly, about the way our tastes and passions change over time." --Betsy Reed, The Guardian "Sneakily brilliant ... Thousands of Mirrors is wise and chatty, keenly observed and casual." --Christine Smallwood, 4Columns "A painfully self-interrogating book, at the centre of which is the "monstrous" figure of Fassbinder, a centrifuge of absurd, gargantuan appetites, impossible productivity, heartbreaking melancholy, ever present paranoia, bleak cruelty, volcanic tantrums and rare, dissembling sweetness." --John Douglas Miller, Frieze Magazine, "A book about a film-maker but also, hauntingly, about the way our tastes and passions change over time." --Betsy Reed, The Guardian "Sneakily brilliant ... Thousands of Mirrors is wise and chatty, keenly observed and casual." --Christine Smallwood, 4Columns "A painfully self-interrogating book, at the centre of which is the "monstrous" figure of Fassbinder, a centrifuge of absurd, gargantuan appetites, impossible productivity, heartbreaking melancholy, ever present paranoia, bleak cruelty, volcanic tantrums and rare, dissembling sweetness." --John Douglas Miller, Frieze Magazine "Unfolding as a sequence of 450 numbered fragments, the book intersperses insightful observations about Fassbinder's life and work with Penman's own first-person reflections on art, autobiography, and the culture of the 1970s." --Art in America "Ian Penman's Fassbinder Thousands of Mirrors Is a Love Letter to Postwar Counterculture." --Jacobin "An essential companion to the films of Rainer Werner Fassbinder." --the Los Angeles Review of Books "Ian Penman's Fassbinder Thousands of Mirrors is in large part a book about dreams, and about interrupting them. Fassbinder belonged to a generation of left-wing artists, musicians and filmmakers whose aim was to shake their audience out of a slumber. You could, borrowing a term from Trotskyism, call these artists 'entryists'. Though rooted in the avant-garde, they weren't content with creating works for unshockable cognoscenti. They believed that if they could smuggle their ideas into the mainstream, the result would be an 'explosion in the heart of the commodity', as the late Mark Stewart put it, a disruption of the unthinking common sense of an affluent capitalist society. The sleepwalking masses would be jolted into an awareness of the true poverty of their lives, and into the political action necessary to change it." --The London Review of Books "Fassbinder Thousands of Mirrors , by the British critic Ian Penman, offers the alternative: an erotics--of cinema, of memory, of the gradual wreck of history. The sensuality of Penman's book is inseparable from the music of his prose." -- The Baffler " A Thousand Mirrors is only two hundred pages long, written in a short burst to emulate the filmmaker's shoot-first-ask-questions-later process. Aiming for the revelatory velocity that let Fassbinder turn out three or four features a year. Yet this meditation on Fassbinder's scorched-earth life and aesthetics had been germinating for four decades: an obituary for an unwritten obituary...Shock corridors: It's a trance, a fugue state of mind. Drifting through personal back alleys and intellectual boulevards à la the wanderings of Walter Benjamin and Geoff Dyer. A maze of epigrams, aphorisms ("Aren't all masks death masks?"), anecdotes, and numbered fragments. An exquisitely companionable guidebook-inventory of a vast, intimate mental space Penman dubs the Fassbundesrepublik... Fassbinder's worlds--on-screen, on set, and in "real life"--were built on power plays and naked abjection. Septic histories and ugly memories. Reservoirs of tears overrun with crocodiles. Formalist gestures and throwaway conceits. Mirrors, mirrors everywhere: The book redoubles the reflections, a party in Penman's head where Fassbinder corrals Douglas Sirk, Brecht, Godard, Artaud, Samuel Fuller, Gerhard Richter, Jean Genet, and Jean Genie. "Broken English" on the stereo. Let's play a game of truth or despair ... " --Artforum, "A book about a film-maker but also, hauntingly, about the way our tastes and passions change over time." --Betsy Reed, The Guardian
Dewey Edition
23
Dewey Decimal
791.430232092
Synopsis
A kaleidoscopic study of Rainer Werner Fassbinder. Melodrama, biography, cold war thriller, drug memoir, essay in fragments, and mystery, Thousands of Mirrors is cult critic Ian Penman's long-awaited first full-length book: a kaleidoscopic study of Rainer Werner Fassbinder. Written over a short period "in the spirit" of RWF, who would often get films made in a matter of weeks or months, Thousands of Mirrors presents the filmmaker as Penman's equivalent of what Baudelaire was to Benjamin: an urban poet in the turbulent, seeds-sown, messy era just before everything changed. Beautifully written and extraordinarily compelling, echoing the fragmentary works of Roland Barthes and Emil Cioran, Eduardo Galeano and Alexander Kluge, this story has everything: sex, drugs, art, the city, cinema, and revolution.
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