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Black behind the Ears: Dominican Racial Identity from Museums to Beauty Shops, C
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Black behind the Ears: Dominican Racial Identity from Museums to Beauty Shops, C

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    Book Title
    Black behind the Ears: Dominican Racial Identity from Museums to
    ISBN
    9780822340379
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Duke University Press
    ISBN-10
    0822340372
    ISBN-13
    9780822340379
    eBay Product ID (ePID)
    60658512

    Product Key Features

    Number of Pages
    360 Pages
    Language
    English
    Publication Name
    Black Behind the Ears : Dominican Racial Identity from Museums to Beauty Shops
    Publication Year
    2007
    Subject
    Ethnic Studies / Hispanic American Studies, Ethnic Studies / General, Black Studies (Global), Anthropology / Cultural & Social, Caribbean & West Indies / General, Ethnic Studies / African American Studies
    Type
    Textbook
    Author
    Ginetta E. B. Candelario
    Subject Area
    Social Science, History
    Format
    Perfect

    Dimensions

    Item Height
    0.9 in
    Item Weight
    17.8 Oz
    Item Length
    9 in
    Item Width
    6.1 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    2007-017114
    Reviews
    “Based on first-rate ethnographic and historical research, Black behind the Ears provides fresh and original insights into the construction and representation of racial identities in the Dominican Republic and the United States. It is the most comprehensive, focused, and balanced treatment to date of Dominican racial and gender ideologies in the United States.â€�-Jorge Duany, author of The Puerto Rican Nation on the Move: Identities on the Island and in the United States, " Black behind the Ears makes important contributions to our understanding of the Dominican experience. In this book, Ginetta E. B. Candelario shows processes of identity formation among Dominicans in different historical and geographical contexts, and she looks at the nuanced relationship between ethnic and racial identities. In my opinion, this is one of the best books written on the subject of racial, ethnic, and national identity formation in general."--Jos Itzigsohn, author of Developing Poverty: The State, Labor Market Regulation, and the Informal Economy in Costa Rica and the Dominican Republic, "Based on first-rate ethnographic and historical research, Black behind the Ears provides fresh and original insights into the construction and representation of racial identities in the Dominican Republic and the United States. It is the most comprehensive, focused, and balanced treatment to date of Dominican racial and gender ideologies in the United States."--Jorge Duany, author of The Puerto Rican Nation on the Move: Identities on the Island and in the United States, "Ginetta E. B. Candelario's Black behind the Ears argues compellingly that any serious effort to understand Dominican ideas and practices of race in the ancestral homeland as well as in the diaspora requires a large conceptual framework, a triangular geography of knowledge, and a cultural history formed by Dominican nation-building projects, the difficult plight of the Haitian Republic in the midst of a negrophobic world, the impact of U.S. racial thought, and the Latin American glorification of the Hispanic heritage. Candelario's book remarkably dares to bring apparently disparate discursive sites to interact convincingly and engagingly in her analysis. The author renders facile readings of the Dominican chapter of the black experience in the Americas as exceptional or pathological simply unsustainable. She shows instead that it invites White Americans, African Americans, and other Latinos to revisit long-held assumptions about racial categories, ethnic identity, nationality, and the ideologies behind taking the 'visible' for 'real' in matters of race."-Silvio Torres-Saillant, coauthor of The Dominican Americans, " Black behind the Ears makes important contributions to our understanding of the Dominican experience. In this book, Ginetta E. B. Candelario shows processes of identity formation among Dominicans in different historical and geographical contexts, and she looks at the nuanced relationship between ethnic and racial identities. In my opinion, this is one of the best books written on the subject of racial, ethnic, and national identity formation in general."-José Itzigsohn, author of Developing Poverty: The State, Labor Market Regulation, and the Informal Economy in Costa Rica and the Dominican Republic, “Ginetta E. B. Candelario’s Black behind the Ears argues compellingly that any serious effort to understand Dominican ideas and practices of race in the ancestral homeland as well as in the diaspora requires a large conceptual framework, a triangular geography of knowledge, and a cultural history formed by Dominican nation-building projects, the difficult plight of the Haitian Republic in the midst of a negrophobic world, the impact of U.S. racial thought, and the Latin American glorification of the Hispanic heritage. Candelario’s book remarkably dares to bring apparently disparate discursive sites to interact convincingly and engagingly in her analysis. The author renders facile readings of the Dominican chapter of the black experience in the Americas as exceptional or pathological simply unsustainable. She shows instead that it invites White Americans, African Americans, and other Latinos to revisit long-held assumptions about racial categories, ethnic identity, nationality, and the ideologies behind taking the ‘visible’ for ‘real’ in matters of race.â€�-Silvio Torres-Saillant, coauthor of The Dominican Americans, "Based on first-rate ethnographic and historical research, Black behind the Ears provides fresh and original insights into the construction and representation of racial identities in the Dominican Republic and the United States. It is the most comprehensive, focused, and balanced treatment to date of Dominican racial and gender ideologies in the United States."--Jorge Duany, author of The Puerto Rican Nation on the Move: Identities on the Island and in the United States "Black behind the Ears makes important contributions to our understanding of the Dominican experience. In this book, Ginetta E. B. Candelario shows processes of identity formation among Dominicans in different historical and geographical contexts, and she looks at the nuanced relationship between ethnic and racial identities. In my opinion, this is one of the best books written on the subject of racial, ethnic, and national identity formation in general."--Jos Itzigsohn, author of Developing Poverty: The State, Labor Market Regulation, and the Informal Economy in Costa Rica and the Dominican Republic "In Black behind the Ears Ginetta E. B. Candelario argues compellingly that any serious effort to understand Dominican ideas and practices of race in the ancestral homeland as well as in the diaspora requires a large conceptual framework, a triangular geography of knowledge, and a cultural history formed by Dominican nation-building projects, the difficult plight of the Haitian Republic in the midst of a negrophobic world, the impact of U.S. racial thought, and the Latin American glorification of the Hispanic heritage. Readings that construe the Dominican chapter of the black experience in the Americas as pathological or exceptional are rendered untenable by Candelario's important work."--Silvio Torres-Saillant, author of An Intellectual History of the Caribbean, "Ginetta E. B. Candelario's Black behind the Ears argues compellingly that any serious effort to understand Dominican ideas and practices of race in the ancestral homeland as well as in the diaspora requires a large conceptual framework, a triangular geography of knowledge, and a cultural history formed by Dominican nation-building projects, the difficult plight of the Haitian Republic in the midst of a negrophobic world, the impact of U.S. racial thought, and the Latin American glorification of the Hispanic heritage. Candelario's book remarkably dares to bring apparently disparate discursive sites to interact convincingly and engagingly in her analysis. The author renders facile readings of the Dominican chapter of the black experience in the Americas as exceptional or pathological simply unsustainable. She shows instead that it invites White Americans, African Americans, and other Latinos to revisit long-held assumptions about racial categories, ethnic identity, nationality, and the ideologies behind taking the 'visible' for 'real' in matters of race."--Silvio Torres-Saillant, coauthor of The Dominican Americans, With this book we are taken deeper into the complicated world of Latinidad--both in its abstract cogitations and its grounded, experienced reality. . . . Candelario's book is an important contribution to the field of Latino studies., " Black behind the Ears makes important contributions to our understanding of the Dominican experience. In this book, Ginetta E. B. Candelario shows processes of identity formation among Dominicans in different historical and geographical contexts, and she looks at the nuanced relationship between ethnic and racial identities. In my opinion, this is one of the best books written on the subject of racial, ethnic, and national identity formation in general."--José Itzigsohn, author of Developing Poverty: The State, Labor Market Regulation, and the Informal Economy in Costa Rica and the Dominican Republic, “ Black behind the Ears makes important contributions to our understanding of the Dominican experience. In this book, Ginetta E. B. Candelario shows processes of identity formation among Dominicans in different historical and geographical contexts, and she looks at the nuanced relationship between ethnic and racial identities. In my opinion, this is one of the best books written on the subject of racial, ethnic, and national identity formation in general.â€�-Jos Itzigsohn, author of Developing Poverty: The State, Labor Market Regulation, and the Informal Economy in Costa Rica and the Dominican Republic, "Based on first-rate ethnographic and historical research, Black behind the Ears provides fresh and original insights into the construction and representation of racial identities in the Dominican Republic and the United States. It is the most comprehensive, focused, and balanced treatment to date of Dominican racial and gender ideologies in the United States."-Jorge Duany, author of The Puerto Rican Nation on the Move: Identities on the Island and in the United States, "Based on first-rate ethnographic and historical research, Black behind the Ears provides fresh and original insights into the construction and representation of racial identities in the Dominican Republic and the United States. It is the most comprehensive, focused, and balanced treatment to date of Dominican racial and gender ideologies in the United States."-Jorge Duany, author of The Puerto Rican Nation on the Move: Identities on the Island and in the United States"Black behind the Ears makes important contributions to our understanding of the Dominican experience. In this book, Ginetta E. B. Candelario shows processes of identity formation among Dominicans in different historical and geographical contexts, and she looks at the nuanced relationship between ethnic and racial identities. In my opinion, this is one of the best books written on the subject of racial, ethnic, and national identity formation in general."-José Itzigsohn, author of Developing Poverty: The State, Labor Market Regulation, and the Informal Economy in Costa Rica and the Dominican Republic"In Black behind the Ears Ginetta E. B. Candelario argues compellingly that any serious effort to understand Dominican ideas and practices of race in the ancestral homeland as well as in the diaspora requires a large conceptual framework, a triangular geography of knowledge, and a cultural history formed by Dominican nation-building projects, the difficult plight of the Haitian Republic in the midst of a negrophobic world, the impact of U.S. racial thought, and the Latin American glorification of the Hispanic heritage. Readings that construe the Dominican chapter of the black experience in the Americas as pathological or exceptional are rendered untenable by Candelario's important work."-Silvio Torres-Saillant, author of An Intellectual History of the Caribbean
    Dewey Edition
    22
    Illustrated
    Yes
    Dewey Decimal
    305.896/07293
    Table Of Content
    Figures and Tables ix Acknowledgments xi Introduction. "We Declare That We Are Indians": Dominican Identity Displays and Discourses in Travel Writing, Museums, Beauty Shops, and Bodies 1 1. "It Is Said That Haiti Is Getting Blacker and Blacker": Traveling Narratives of Dominican Identity 35 2. "The Africans have No [Public] History": The Museo del Hombre Dominicano and Indigenous Displays of Dominican Identity 83 3. "I Could Go the African American Route": Dominicans in the Black Mosaic of Washington, D.C. 129 4. "They Are Taken into Account for Their Opinions": Making Community and Displaying Identity at a Dominican Beauty Shop in New York City 177 5. "Black Women are Confusing, but the Hair Lets You Know": Perceiving the Boundaries of Dominicanidad 223 Conclusion: "Black Behind the Ears, and Up Front, Too": Ideological Code Switching and Ambiguity in Dominican Identities 256 Notes 265 References 297 Index 323
    Synopsis
    "Black behind the Ears" is an innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States. For much of the Dominican Republic's history, the national body has been defined as "not black," even as black ancestry has been grudgingly acknowledged. Rejecting simplistic explanations, Ginetta E. B. Candelario suggests that it is not a desire for whiteness that guides Dominican identity discourses and displays. Instead, it is an ideal norm of what it means to be both indigenous to the Republic ("indios") and "Hispanic." Both indigeneity and Hispanicity have operated as vehicles for asserting Dominican sovereignty in the context of the historically triangulated dynamics of Spanish colonialism, Haitian unification efforts, and U.S. imperialism. Candelario shows how the legacy of that history is manifest in contemporary Dominican identity discourses and displays, whether in the national historiography, the national museum's exhibits, or ideas about women's beauty. Dominican beauty culture is crucial to efforts to identify as "indios" because, as an easily altered bodily feature, hair texture trumps skin color, facial features, and ancestry in defining Dominicans as indios. Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic, and on interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo. She also analyzes museum archives and displays in the Museo del Hombre Dominicano and the Smithsonian Institution as well as nineteenth- and early-twentieth-centuryEuropean and American travel narratives., Black behind the Ears is an innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States. For much of the Dominican Republic's history, the national body has been defined as "not black," even as black ancestry has been grudgingly acknowledged. Rejecting simplistic explanations, Ginetta E. B. Candelario suggests that it is not a desire for whiteness that guides Dominican identity discourses and displays. Instead, it is an ideal norm of what it means to be both indigenous to the Republic ( indios ) and "Hispanic." Both indigeneity and Hispanicity have operated as vehicles for asserting Dominican sovereignty in the context of the historically triangulated dynamics of Spanish colonialism, Haitian unification efforts, and U.S. imperialism. Candelario shows how the legacy of that history is manifest in contemporary Dominican identity discourses and displays, whether in the national historiography, the national museum's exhibits, or ideas about women's beauty. Dominican beauty culture is crucial to efforts to identify as "indios" because, as an easily altered bodily feature, hair texture trumps skin color, facial features, and ancestry in defining Dominicans as indios. Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic, and on interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo. She also analyzes museum archives and displays in the Museo del Hombre Dominicano and the Smithsonian Institution as well as nineteenth- and early-twentieth-century European and American travel narratives., An innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States., Black behind the Ears is an innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States. For much of the Dominican Republics history, the national body has been defined as not black, even as black ancestry has been grudgingly acknowledged. Dominicans tend to understand and represent themselves as racially Indian and culturally Hispanic. Scholars have proposed Negrophobia, anti-Haitianism, and indigenism as reasons for Dominicans apparent denial of their own blackness. Rejecting these explanations as simplistic, Ginetta E. B. Candelario suggests that it is not a desire for whiteness that guides Dominican identity discourses and displays. Instead, it is an ideal norm of what it means to be and look Hispanic. Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic; interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo; and historical documents, literary texts, archival photographs, and newspaper accounts. Her analysis encompasses portrayals of Dominicans in nineteenth and early-twentieth-century European and American travel narratives, displays in the Museo del Hombre Dominicano and the Smithsonian Institution, and the visible role that women play as symbols and reproducers of Dominican identity. Candelario shows that most Dominican immigrants privilege hair texture over skin color, facial features, and ancestry in defining race.
    LC Classification Number
    F1941.B55C36 2007

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