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Musik und kulturelle Rechte, Taschenbuch von Weintraub, Andrew N. WIE NEU

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Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
Topic
Music
ISBN
9780252076626

Über dieses Produkt

Product Identifiers

Publisher
University of Illinois Press
ISBN-10
0252076621
ISBN-13
9780252076626
eBay Product ID (ePID)
72642095

Product Key Features

Number of Pages
328 Pages
Publication Name
Music and Cultural Rights
Language
English
Subject
Philosophy & Social Aspects, Intellectual Property / General, Ethnomusicology, Public Policy / Cultural Policy, Human Rights, Anthropology / Cultural & Social
Publication Year
2009
Type
Textbook
Subject Area
Music, Law, Political Science, Social Science
Author
Nimrod Baranovitch
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
17.6 Oz
Item Length
8.9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2009-026689
Dewey Edition
22
Reviews
    "Illuminating and thought provoking.  Music and Cultural Rights will challenge musicians, music scholars, and music educators to reexamine their preconceived notions of culture, music's purpose within culture, and the social responsibilities that come when using this music."-- Music Educators Journal, "The best perspective to date on the issues of music and cultural rights. This anthology speaks to the many scholars who believe that engaged scholarship is the way of the future."--Beverley Diamond, author of Native American Music in Eastern North America: Experiencing Music, Expressing Culture, "Illuminating and thought provoking. Music and Cultural Rights will challenge musicians, music scholars, and music educators to reexamine their preconceived notions of culture, music's purpose within culture, and the social responsibilities that come when using this music."-- Music Educators Journal, "A volume on music and cultural rights is both timely and welcome, particularly one that relies upon diverse ethnographic studies as this one does. An innovative interdisciplinary contribution to ethnomusicology."--Rosemary J. Coombe, Senior Canada Research Chair in Law, Communication and Culture, York University
Illustrated
Yes
Dewey Decimal
306.4/842
Table Of Content
Preface: Bell Yung; Acknowledgements; Introduction: Andrew N. Weintraub; 1. Agency and Voice, The Philippines at the 1998 Smithsonian Folklife Festival: Ricardo D. Trimillos; 2. Use and Ownership, Folk Music in the People's Republic of China: Helen Rees; 3. Access and Control, A Key to Reclaiming the Right to Construct Hawaiian History: Amy Ku'uleialoha Stillman; 4. National Patrimony and Cultural Policy, The Case of the Afroperuvian Cajon: Javier Leon; 5. Historical Legacy and the Contemporary World, UNESCO and China's Qin Music in the 21st Century: Bell Yung; 6. Representation and Intracultural Dynamics, Romani Musicians and Cultural Rights Discourse in Ukraine: Adriana Helbig; 7. Representing Tibet in the Global Cultural Market, The Case of the Chinese-Tibetan Musician Han Hong: Nimrod Baranovitch; 8. Music and Human Rights, AfroReggae and the Youth from the Favelas as Responses to Violence in Brazil: Silvia Ramos/Ana Maria Ochoa; 9. In Search of a Cross-Cultural Legal Framework, Indigenous Musics as Worldwide Commodity: Felicia Sandler; Bibliography; Glossary of Chinese Characters for Chapters By Baranovitch, Rees, and Yung; Notes on Contributors; Index Preface: Bell Yung; Acknowledgements; Introduction: Andrew N. Weintraub; 1. Agency and Voice, The Philippines at the 1998 Smithsonian Folklife Festival: Ricardo D. Trimillos; 2. Use and Ownership, Folk Music in the People's Republic of China: Helen Rees; 3. Access and Control, A Key to Reclaiming the Right to Construct Hawaiian History: Amy Ku'uleialoha Stillman; 4. National Patrimony and Cultural Policy, The Case of the Afroperuvian Cajon: Javier Leon; 5. Historical Legacy and the Contemporary World, UNESCO and China's Qin Music in the 21st Century: Bell Yung; 6. Representation and Intracultural Dynamics, Romani Musicians and Cultural Rights Discourse in Ukraine: Adriana Helbig; 7. Representing Tibet in the Global Cultural Market, The Case of the Chinese-Tibetan Musician Han Hong: Nimrod Baranovitch; 8. Music and Human Rights, AfroReggae and the Youth from the Favelas as Responses to Violence in Brazil: Silvia Ramos/Ana Maria Ochoa; 9. In Search of a Cross-Cultural Legal Framework, Indigenous Musics as Worldwide Commodity: Felicia Sandler; Bibliography; Glossary of Chinese Characters for Chapters By Baranovitch, Rees, and Yung; Notes on Contributors; Index
Synopsis
Framing timely and pressing questions concerning music and cultural rights, this collection illustrates the ways in which music--as a cultural practice, a commercial product, and an aesthetic form--has become enmeshed in debates about human rights, international law, and struggles for social justice. The essays in this volume examine how interpretations of cultural rights vary across societies; how definitions of rights have evolved; and how rights have been invoked in relation to social struggles over cultural access, use, representation, and ownership. The individual case studies, many of them based on ethnographic field research, demonstrate how musical aspects of cultural rights play out in specific cultural contexts, including the Philippines, China, Hawaii, Peru, Ukraine, and Brazil. Contributors are Nimrod Baranovitch, Adriana Helbig, Javier F. Leon, Ana María Ochoa, Silvia Ramos, Helen Rees, Felicia Sandler, Amy Ku'uleialoha Stillman, Ricardo D. Trimillos, Andrew N. Weintraub, and Bell Yung., Framing timely and pressing questions concerning music and cultural rights, this collection illustrates the ways in which music--as a cultural practice, a commercial product, and an aesthetic form--has become enmeshed in debates about human rights, international law, and struggles for social justice. The essays in this volume examine how interpretations of cultural rights vary across societies; how definitions of rights have evolved; and how rights have been invoked in relation to social struggles over cultural access, use, representation, and ownership. The individual case studies, many of them based on ethnographic field research, demonstrate how musical aspects of cultural rights play out in specific cultural contexts, including the Philippines, China, Hawaii, Peru, Ukraine, and Brazil. Contributors are Nimrod Baranovitch, Adriana Helbig, Javier F. Leon, Ana Maria Ochoa, Silvia Ramos, Helen Rees, Felicia Sandler, Amy Ku'uleialoha Stillman, Ricardo D. Trimillos, Andrew N. Weintraub, and Bell Yung. ", Framing timely and pressing questions concerning music and cultural rights, this collection illustrates the ways in which music--as a cultural practice, a commercial product, and an aesthetic form--has become enmeshed in debates about human rights, international law, and struggles for social justice. The essays in this volume examine how interpretations of cultural rights vary across societies; how definitions of rights have evolved; and how rights have been invoked in relation to social struggles over cultural access, use, representation, and ownership. The individual case studies, many of them based on ethnographic field research, demonstrate how musical aspects of cultural rights play out in specific cultural contexts, including the Philippines, China, Hawaii, Peru, Ukraine, and Brazil.Contributors are Nimrod Baranovitch, Adriana Helbig, Javier F. León, Ana María Ochoa, Silvia Ramos, Helen Rees, Felicia Sandler, Amy Ku'uleialoha Stillman, Ricardo D. Trimillos, Andrew N. Weintraub, and Bell Yung.Supported by the Human Rights Division under the Peace and Social Justice Program of the Ford Foundation
LC Classification Number
ML3799.M75 2009

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