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Beute Die Schlacht um die gestohlenen Schätze der antiken Welt von Sharon Waxman

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ISBN
9780805090888

Über dieses Produkt

Product Identifiers

Publisher
Holt & Company, Henry
ISBN-10
0805090886
ISBN-13
9780805090888
eBay Product ID (ePID)
72740918

Product Key Features

Book Title
Loot : the Battle over the Stolen Treasures of the Ancient World
Number of Pages
432 Pages
Language
English
Topic
Archaeology, Public Policy / Cultural Policy, History / Ancient & Classical
Publication Year
2009
Illustrator
Yes
Genre
Art, Political Science, Social Science
Author
Sharon Waxman
Format
Trade Paperback

Dimensions

Item Height
1 in
Item Weight
19.7 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
Reviews
A measured, detailed and accessible history of cultural custody cases, bringing the ages-old quandary up to date., Loot ... is a timely account of how the world of antiquities arrived at the situation it is in today ... an engaging and informative read., A journalistic tour de force -- an exhaustively researched, even-handed compendium of the disputes roiling museums and source countries., Skillfully blending history and reportage . . . Waxman's account is animated by interviews with museum curators, accused smugglers and government officials, putting a human spin on the complex cultural politics before arriving at a middle ground that strives for international collaboration in preserving a broad global heritage., "Sharon Waxman has written a compelling page turner about the world of antiquities and art-world skulduggery. She manages to combine rigorous, scholarly reporting with a flair for intrigue and personality that givesLootthe fast pace of a novel. I enjoyed it immensely."-Tina Brown "Lootis a riveting foray into the biggest question facing museums today: who should own the great works of ancient art? Sharon Waxman is a first-rate reporter, a veritable Euphronios of words, who not only explores the legal and moral ambiguities of the conflict but brings to life the colorful -- even outrageous -- personalities facing off for a high noon showdown over some of the world's iconic works of art. Vivid, witty, and delightful, this book will beguile any reader with an interest in art and museums."-Douglas Preston, author ofThe Monster of Florence"Sharon Waxman'sLootis the most instructive as well as the most intelligent (and the most entertaining) guide through the labyrinth of antiquity and the ways in which the claims of the departed intersect with the rights of the living."-Christopher Hitchens"Sharon Waxman approaches her subject with the passion of a great journalist and the rigor of a scholar. It may never again be possible for some of us to walk down the halls of the Louvre or the British Museum or the Metropolitan without a vague sense of disquietude, a frisson of wonder about the provenance of some of their showcase works of ancient art."-Lucette Lagnado, author ofThe Man in the White Sharkskin SuitSharon Waxman'sLootis indispensable for everyone concerned with the illicit trade in smuggled antiquities. She exposes the self-serving humbug that too often afflicts both affluent possessors and righteous nationalists and shows that we all have a stake in getting an honest account of how great objects came to rest in our grandest museums."-Karl E. Meyer, author ofThe Plundered Pastand co-author ofKingmakers: The Invention of the Modern Middle East, [An] intelligent, well-informed book . . . [Waxman] skillfully interweaves lucid historical accounts with savvy contemporary interviews. . . . This wide-ranging narrative limns a multifaceted problem with no single solution. Facing facts would be a good place to start, Waxman concludes., Loot is hip to the politics underlying the whole repatriation craze. . . . This book's title is absolutely true., Sharon Waxman has written a compelling page turner about the world of antiquities and art-world skulduggery. She manages to combine rigorous, scholarly reporting with a flair for intrigue and personality that gives Loot the fast pace of a novel. I enjoyed it immensely., Fast-paced and compelling....Waxman has an array of wondrous tales to tell....Considerable, admirable, and totally absorbing., Loot is a riveting foray into the biggest question facing museums today: who should own the great works of ancient art? Sharon Waxman is a first-rate reporter, a veritable Euphronios of words, who not only explores the legal and moral ambiguities of the conflict but brings to life the colorful -- even outrageous -- personalities facing off for a high noon showdown over some of the world's iconic works of art. Vivid, witty, and delightful, this book will beguile any reader with an interest in art and museums., Sharon Waxman's Loot is indispensable for everyone concerned with the illicit trade in smuggled antiquities. She exposes the self-serving humbug that too often afflicts both affluent possessors and righteous nationalists and shows that we all have a stake in getting an honest account of how great objects came to rest in our grandest museums., Waxman illustrates this overstuffed book with the colorful personalities and histories behind some of the most famous ancient artworks (the Elgin Marbles, the Rosetta Stone), and the questions she raises are fascinating ones...Loot contains its share of golden treasures underneath all that dust., "Sharon Waxman has written a compelling page turner about the world of antiquities and art-world skulduggery. She manages to combine rigorous, scholarly reporting with a flair for intrigue and personality that gives Loot the fast pace of a novel. I enjoyed it immensely."Tina Brown " Loot is a riveting foray into the biggest question facing museums today: who should own the great works of ancient art? Sharon Waxman is a first-rate reporter, a veritable Euphronios of words, who not only explores the legal and moral ambiguities of the conflict but brings to life the colorful -- even outrageous -- personalities facing off for a high noon showdown over some of the world's iconic works of art. Vivid, witty, and delightful, this book will beguile any reader with an interest in art and museums."Douglas Preston, author of The Monster of Florence "Sharon Waxman's Loot is the most instructive as well as the most intelligent (and the most entertaining) guide through the labyrinth of antiquity and the ways in which the claims of the departed intersect with the rights of the living."Christopher Hitchens "Sharon Waxman approaches her subject with the passion of a great journalist and the rigor of a scholar. It may never again be possible for some of us to walk down the halls of the Louvre or the British Museum or the Metropolitan without a vague sense of disquietude, a frisson of wonder about the provenance of some of their showcase works of ancient art."Lucette Lagnado, author of The Man in the White Sharkskin Suit Sharon Waxman's Loot is indispensable for everyone concerned with the illicit trade in smuggled antiquities. She exposes the self-serving humbug that too often afflicts both affluent possessors and righteous nationalists and shows that we all have a stake in getting an honest account of how great objects came to rest in our grandest museums."Karl E. Meyer, author of The Plundered Past and co-author of Kingmakers: The Invention of the Modern Middle East, Sharon Waxman approaches her subject with the passion of a great journalist and the rigor of a scholar. It may never again be possible for some of us to walk down the halls of the Louvre or the British Museum or the Metropolitan without a vague sense of disquietude, a frisson of wonder about the provenance of some of their showcase works of ancient art., Loot does an excellent job of exploring the political underpinnings of the contest over antiquities...[Waxman's] critical distance allows her to see both sides of this tangled story. . . Loot is an engaging and informative read., Former New York Times culture correspondent [Sharon] Waxman adroitly and expertly explores a centuries-old struggle . . . In Waxman's hands, the question of justice remains intriguingly slippery, and the argument over who owns history takes on new depth. Erudite and wholly satisfying., Comprehensive and revealing . . . Waxman is a congenial, globe-hopping tour guide through cramped offices, dank tomb sites, and sleek, art-filled palaces., Sharon Waxman's Loot is the most instructive as well as the most intelligent (and the most entertaining) guide through the labyrinth of antiquity and the ways in which the claims of the departed intersect with the rights of the living., Waxman, a former correspondent for the New York Times, recounts tales of arrogance, greed and lust in museum personnel who, however well educated, are all too human in their daily affairs. . . . The questions Waxman raises are real, and her proposals to remedy the situation are the start of a much-needed discussion., Absorbing and well-researched . . . [Waxman] gives all actors in this bitterly antagonistic drama a hearing and writes with flair and an earnest sense of inquiry., A remarkable book . . . After reading [Loot] you will never again view an antiquity in a museum in the same light.
Dewey Edition
22
Dewey Decimal
709.01
Synopsis
"Fast-paced and compelling . . . Waxman has an array of wondrous tales to tell . . . Considerable, admirable, and totally absorbing."-- The Boston Globe For the past two centuries, the West has plundered the treasures of the ancient world to fill its great museums, but in recent years the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects. Sharon Waxman brings us inside this high-stakes conflict, from the great cities of the West to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She shows how the actions of a few determined and implacable characters may yet strip these museums of some of their most cherished treasures. For readers who are fascinated by antiquity, who love to frequent museums, and who believe in the value of cultural exchange, Loot opens a new window on an enduring conflict.

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