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Joseph Goldberg: Jeweled Earth (Thomas T. Wilson Series) - Hardcover - VERY GOOD

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Zuletzt aktualisiert am 30. Jul. 2025 16:59:11 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Brand
Unbranded
Book Title
Joseph Goldberg: Jeweled Earth (Thomas T. Wilson Series)
MPN
Does not apply
ISBN
9780295987675
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Washington Press
ISBN-10
0295987677
ISBN-13
9780295987675
eBay Product ID (ePID)
61597154

Product Key Features

Number of Pages
112 Pages
Publication Name
Joseph Goldberg : Jeweled Earth
Language
English
Subject
Collections, Catalogs, Exhibitions / General, Aesthetics, American / General
Publication Year
2007
Type
Textbook
Author
Nathan Kernan, Regina Hackett
Subject Area
Art, Philosophy
Format
Hardcover

Dimensions

Item Height
0.6 in
Item Weight
28.9 Oz
Item Length
10 in
Item Width
9.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2007-027197
Dewey Edition
22
Reviews
A lovely volume of fine reproductions.... Jeweled Earth is a collection of paintings that are gentle in spirit and refreshing in form. Goldberg has carved out a career going his own way in art. It is encouraging to see such fine art receiving a beautiful presentation.
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
759.13
Table Of Content
Preface and Acknowledgments / Greg Kucera Joseph Goldberg 's Jeweled Earth / Nathan Kernan A Conversation with Joseph Goldberg / Regina Hackett Color Plates Patrons
Synopsis
For nearly four decades, Joseph Goldberg has produced paintings of great intelligence and sumptuous beauty. Raised near Spokane, Washington, he returned to live and work in the open, semi-arid spaces of eastern Washington after building a Seattle reputation as an abstract artist working with geometric shapes in the unusual technique of encaustic painting. An essay by New York-based poet Nathan Kernan examines Goldberg's oeuvre and explores the role of poetry in the artist's life and work. In her interview with Goldberg, Seattle Post-Intelligencer critic Regina Hackett considers more personal aspects of the artist's life., For nearly four decades, Joseph Goldberg has produced paintings of great intelligence and sumptuous beauty. Raised near Spokane, Washington, he returned to live and work in the open, semi-arid spaces of eastern Washington after building a Seattle reputation as an abstract artist working with geometric shapes in the unusual technique of encaustic painting. In the late 1960s and early 1970s, Goldberg's paintings were deceptively simple arrangements of geometric motifs in watercolor on paper or oil on linen. By the mid-1970s, he began to make paintings of a more complex nature, sometimes in nonrectangular forms, but still expressing a reductive sensibility. By the early 1980s, Goldberg had fully embraced his signature medium of encaustic-a demanding and difficult method of fusing intense colors of dry pigments with layers of wax, fired by heat into a lustrous surface. The paintings of the 1980s pursued a variety of motifs abstracted from architecture and landscape, including a series of irregular, banner-like works of shapes within similar shapes. At the same time, Goldberg was producing paintings and drawings of the highly varied Washington landscape and of his travels through the Southwest and Europe. As his work progressed through the 1990s, this expansive vision of the natural world embraced an increasingly larger scope of imagery. Goldberg's development as an artist has been enriched by his travels through ancient Roman ruins and the Greek revival manors of rural Sussex, England, as well as by his studies of Hopi, Anasazi, Navajo, and Zuni civilizations. This history emerges in the form of representational architectural details, landscape impressions, and cultural references. His more recent work is focused on Eastern Washington and its landscape of dramatic gorges, prominent ridges, and desolate fields of sage and sand. The paintings since 2000 have often returned to the severity of his earliest work, now filtered through the artist's keen sense of the art that came before him and of the grandeur of nature surrounding him. Whether painting the space between stars in the dark skies of Eastern Washington or the expansive white ground between rural detritus abandoned at the edges of a snow-covered field, Goldberg has imbued his paintings with mystery and meaning. An essay by New York-based poet Nathan Kernan examines Goldberg's oeuvre and explores the role of poetry in the artist's life and work. In her interview with Goldberg, Seattle Post-Intelligencer critic Regina Hackett considers more personal aspects of the artist's life. A Thomas T. Wilson Book
LC Classification Number
THO

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