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BECKER: DEKORATIVE KUNST: VOM MITTELALTER BIS ZUR RENAISSANCE (2011 HC){N9}
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eBay-Artikelnr.:257065596503
Artikelmerkmale
- Artikelzustand
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Features
- Dust Jacket
- ISBN
- 9783836505185
Über dieses Produkt
Product Identifiers
Publisher
Taschen
ISBN-10
3836505185
ISBN-13
9783836505185
eBay Product ID (ePID)
99415283
Product Key Features
Original Language
German
Book Title
Becker-Decorative Arts
Number of Pages
412 Pages
Language
Fre,Ger,Eng
Publication Year
2011
Topic
General, History / Medieval, Decorative Arts
Illustrator
Yes
Genre
Design, Art
Format
Hardcover
Dimensions
Item Height
2.5 in
Item Weight
192.4 Oz
Item Length
19.5 in
Item Width
13 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Number of Volumes
3 vols.
Dewey Decimal
709.02
Synopsis
When Kunstwerke und Gerathschaften des Mittelalters und der Renaissance (1852-1863) was published, what purchasers in fact bought was a small printed museum of unusual treasures. With 216 hand-colored copperplate engravings, the three-volume publication gives a comprehensive overview of applied arts in Europe from the 6th to the 16th centuries. The objects presented comprise furniture, metalwork, jewelry, tapestries, and works of bookbinding. Carefully selected masterpieces like the gilt Corvinus goblet, an enamelled saltcellar, and medieval ivory combs are depicted, along with a decorative sword, now lost. Carl Becker (1794-1859) was head of the Royal Cabinet of Prints and Drawings in Munich and later director of the Bavarian National Museum. His work helped influence the creation of new museums of art and design the South Kensington Museum in London (today the Victoria and Albert Museum), founded in 1852, being the very first in which artists could study the hand-crafted masterpieces of earlier epochs. Although Becker commissioned various artists to make drawings of the historical originals for Kunstwerke und Gerathschaften, the signatures on the plates show that most of the illustrations stem from the hand of artist Jakob Heinrich von Hefner-Alteneck (1811-1903) and he can therefore be considered as the works main draughtsman; considering that Becker died before the completion of the work, the most influential figure behind it was undoubtedly Hefner-Alteneck. Before his collaboration with Becker, Hefner-Alteneck had previously published Trachten des christlichen Mittelalters (Costumes of the Christian Middle Ages). With their publication, Jakob Heinrich von Hefner-Alteneck and Carl Becker gave expression to the 19th centurys revived interest in the art of the Middle Ages and the Renaissance. By selecting masterpieces from public and private collections, and reproducing them faithfully in pictures, they created a document of artistic quality in itself, which also provides evidence of works which have since been lost. With this new edition, which includes a commentary, TASCHEN is making an important publication accessible once more, giving a glimpse of the treasure chambers of the Middle Ages and the Renaissance. This complete reprint was created on the basis of an original copy in the Wurttembergische Landesbibliothek in Stuttgart., Treasures of the Middle Ages and Renaissance: Eight centuries of European applied arts When Kunstwerke und Gerathschaften des Mittelalters und der Renaissance (1852-1863) was published, what purchasers in fact bought was a small printed museum of unusual treasures. With 216 hand-colored copperplate engravings, the publication gives a comprehensive overview of applied arts in Europe from the 9th to the 16th centuries. The objects presented comprise furniture, metalwork, jewelry, tapestries, and works of bookbinding. Carefully selected masterpieces such as the gilt Corvinus goblet, an enamelled saltcellar, and medieval ivory combs are depicted, along with a decorative sword, now lost. The editor Jakob Heinrich von Hefner-Alteneck (1811-1903) was head of the Royal Cabinet of Prints and Drawings in Munich and later director of the Bavarian National Museum. His work helped influence the creation of new museums of art and design - the South Kensington Museum in London (today the Victoria and Albert Museum), founded in 1852, being the very first - in which artists could study the hand-crafted masterpieces of earlier epochs. Although the co-editor Carl Becker (1794-1859) commissioned various artists to make drawings of the historical originals for Kunstwerke und Gerathschaften , the signatures on the plates show that most of the illustrations stem from the hand of artist Jakob Heinrich von Hefner-Alteneck and he can therefore be considered as the work's main draughtsman; considering that Becker died before the completion of the work, the most influential figure behind it was undoubtedly Hefner-Alteneck. Before his collaboration with Becker, Hefner-Alteneck had previously published Trachten des christlichen Mittelalters (Costumes of the Christian Middle Ages). With their publication, Jakob Heinrich von Hefner-Alteneck and Carl Becker gave expression to the 19th century's revived interest in the art of the Middle Ages and the Renaissance. By selecting masterpieces from public and private collections, and reproducing them faithfully in pictures, they created a document of artistic quality in itself, which also provides evidence of works which have since been lost. With this new edition, which includes a commentary, TASCHEN is making an important publication accessible once more, giving a glimpse of the treasure chambers of the Middle Ages and the Renaissance. This complete reprint was created on the basis of an original copy in the Wurttembergische Landesbibliothek in Stuttgart. Text in English, French, and German, Treasures of the Middle Ages and Renaissance: Eight centuries of European applied arts When Kunstwerke und Gerthschaften des Mittelalters und der Renaissance (1852-1863) was published, what purchasers in fact bought was a small printed museum of unusual treasures. With 216 hand-colored copperplate engravings, the publication gives a comprehensive overview of applied arts in Europe from the 9th to the 16th centuries. The objects presented comprise furniture, metalwork, jewelry, tapestries, and works of bookbinding. Carefully selected masterpieces such as the gilt Corvinus goblet, an enamelled saltcellar, and medieval ivory combs are depicted, along with a decorative sword, now lost. The editor Jakob Heinrich von Hefner-Alteneck (1811-1903) was head of the Royal Cabinet of Prints and Drawings in Munich and later director of the Bavarian National Museum. His work helped influence the creation of new museums of art and design - the South Kensington Museum in London (today the Victoria and Albert Museum), founded in 1852, being the very first - in which artists could study the hand-crafted masterpieces of earlier epochs. Although the co-editor Carl Becker (1794-1859) commissioned various artists to make drawings of the historical originals for Kunstwerke und Gerthschaften, the signatures on the plates show that most of the illustrations stem from the hand of artist Jakob Heinrich von Hefner-Alteneck and he can therefore be considered as the work's main draughtsman; considering that Becker died before the completion of the work, the most influential figure behind it was undoubtedly Hefner-Alteneck. Before his collaboration with Becker, Hefner-Alteneck had previously published Trachten des christlichen Mittelalters (Costumes of the Christian Middle Ages). With their publication, Jakob Heinrich von Hefner-Alteneck and Carl Becker gave expression to the 19th century's revived interest in the art of the Middle Ages and the Renaissance. By selecting masterpieces from public and private collections, and reproducing them faithfully in pictures, they created a document of artistic quality in itself, which also provides evidence of works which have since been lost. With this new edition, which includes a commentary, TASCHEN is making an important publication accessible once more, giving a glimpse of the treasure chambers of the Middle Ages and the Renaissance. This complete reprint was created on the basis of an original copy in the Wrttembergische Landesbibliothek in Stuttgart. Text in English, French, and German, Treasures of the Middle Ages and Renaissance: Eight centuries of European applied arts When Kunstwerke und Ger thschaften des Mittelalters und der Renaissance (1852-1863) was published, what purchasers in fact bought was a small printed museum of unusual treasures. With 216 hand-colored copperplate engravings, the publication gives a comprehensive overview of applied arts in Europe from the 9th to the 16th centuries. The objects presented comprise furniture, metalwork, jewelry, tapestries, and works of bookbinding. Carefully selected masterpieces such as the gilt Corvinus goblet, an enamelled saltcellar, and medieval ivory combs are depicted, along with a decorative sword, now lost. The editor Jakob Heinrich von Hefner-Alteneck (1811-1903) was head of the Royal Cabinet of Prints and Drawings in Munich and later director of the Bavarian National Museum. His work helped influence the creation of new museums of art and design - the South Kensington Museum in London (today the Victoria and Albert Museum), founded in 1852, being the very first - in which artists could study the hand-crafted masterpieces of earlier epochs. Although the co-editor Carl Becker (1794-1859) commissioned various artists to make drawings of the historical originals for Kunstwerke und Ger thschaften , the signatures on the plates show that most of the illustrations stem from the hand of artist Jakob Heinrich von Hefner-Alteneck and he can therefore be considered as the work's main draughtsman; considering that Becker died before the completion of the work, the most influential figure behind it was undoubtedly Hefner-Alteneck. Before his collaboration with Becker, Hefner-Alteneck had previously published Trachten des christlichen Mittelalters (Costumes of the Christian Middle Ages). With their publication, Jakob Heinrich von Hefner-Alteneck and Carl Becker gave expression to the 19th century's revived interest in the art of the Middle Ages and the Renaissance. By selecting masterpieces from public and private collections, and reproducing them faithfully in pictures, they created a document of artistic quality in itself, which also provides evidence of works which have since been lost. With this new edition, which includes a commentary, TASCHEN is making an important publication accessible once more, giving a glimpse of the treasure chambers of the Middle Ages and the Renaissance. This complete reprint was created on the basis of an original copy in the W rttembergische Landesbibliothek in Stuttgart. Text in English, French, and German, When Kunstwerke und Geräthschaften des Mittelalters und der Renaissance (1852-1863) was published, what purchasers in fact bought was a small printed museum of unusual treasures . With 216 hand-colored copperplate engravings, the three-volume publication gives a comprehensive overview of applied arts in Europe from the 6th to the 16th centuries . The objects presented comprise furniture, metalwork, jewelry, tapestries, and works of bookbinding. Carefully selected masterpieces like the gilt Corvinus goblet, an enamelled saltcellar, and medieval ivory combs are depicted, along with a decorative sword, now lost. Carl Becker (1794-1859) was head of the Royal Cabinet of Prints and Drawings in Munich and later director of the Bavarian National Museum. His work helped influence the creation of new museums of art and design - the South Kensington Museum in London (today the Victoria and Albert Museum), founded in 1852, being the very first - in which artists could study the hand-crafted masterpieces of earlier epochs.
LC Classification Number
N5975
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paperdragon860
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