About Time: Gedichte von David Duchovny SIGNIERT 1./1. HC DJ 2025 Gedichte
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About Time: Gedichte von David Duchovny SIGNIERT 1./1. HC DJ 2025 Gedichte
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eBay-Artikelnr.:257101030595
Artikelmerkmale
- Artikelzustand
- Signed By
- David Duchovny
- Signed
- Yes
- Narrative Type
- Nonfiction
- Original Language
- English
- Intended Audience
- Adults
- Inscribed
- No
- Edition
- First Edition
- Vintage
- No
- Type
- Poetry
- Era
- 2020s
- Personalized
- No
- Features
- Dust Jacket
- Country/Region of Manufacture
- United States
- ISBN
- 9781636142630
Über dieses Produkt
Product Identifiers
Publisher
Akashic Books
ISBN-10
163614263X
ISBN-13
9781636142630
eBay Product ID (ePID)
7074295542
Product Key Features
Book Title
About Time : Poems
Number of Pages
96 Pages
Language
English
Publication Year
2025
Topic
Subjects & Themes / Death, Grief, Loss, Subjects & Themes / Love & Erotica, American / General
Genre
Poetry
Format
Hardcover
Dimensions
Item Height
0.5 in
Item Weight
9.9 Oz
Item Length
9.3 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Trade
Reviews
This swift and unnerving fever-dream of a novella, Duchovny's fifth work of fiction, is saturated with mythic and literary allusions and shaped by resonant riffs on Poe and Mann. At once philosophical and suspenseful, grandly imaginative and sharply funny, this mind-bending story of delusion and longing is a dark reflection of New York's countless crimes and tragedies and much-tested resilience, emblematic of the suffering and tenacity of all of humanity., Inspired by Duchovny's self-reflection while sequestered in his own aerie above Central Park at the height of the pandemic, this work is provocative, challenging, and not without its moments of dark humor., David Duchovny's language is specific and surprising. Colloquial. In the tradition of Robert Frost and Vachel Lindsay, a tradition that has been eclipsed by Imagism. With modernist twists, he invigorates the tradition of storytelling poems., Why should I be surprised that the soulful actor David Duchovny is not only an accomplished novelist but also possesses the heart of a true poet? His verse effortlessly charts a course through a landscape of melancholia so rich with irony and humor that I found myself reading his poems aloud just to savor the depth of his emotions., As a novelist, actor Duchovny has already shown readers that he's . . . the real deal, and this poetry collection further establishes him as a talented writer, as capable of mining Milton as he is of reflecting on ephemera and incidentals . . . Duchovny approaches poetry as a uselessness that demands to be used, an unneeded form that he needs, and his poems clearly communicate the desire to make words of what is unspeakable by anchoring them to unconventionally and beautifully wrought poetic conventions., David Duchovny has written a helluva book of poems, a volume I suspect will adorn many shelves. The collection is smart, smart-assed, and moving enough to reward study. Buy this book!, Evocative, chilly prose that wouldn't be out of place in a late Don DeLillo novel. Like his previous novels Bucky F*cking Dent and Miss Subways, it's a love letter to Duchovny's native New York. But it's also a smart story about obsession. A slim, compelling tale of a man on the brink., David Duchovny is known as one of the most talented, brightest, and wickedly funny actors in the entertainment business. He is also a wonderful writer, as evidenced by his many novels and this collection of intimate and humorous poetry., In the former X-Files actor's fifth [book], a lonely ex-financier stuck in his apartment during the Covid-19 pandemic becomes obsessed with the Central Park Reservoir and slowly goes mad.
Synopsis
David Duchovny's seventh published - and first poetic - work covers a range of intimate themes and topics, including love, the loss of love, parenting, Duchovny's own parents (in particular his father, who looms large throughout the work), alienation, and other emotional quandaries. Fans of Duchovny's fiction will recognize the insightful and clever play of words that, in this new form, distill to an emotionally impactful portrayal of what the author holds most dear. Duchovny's approach to poetry is beautifully (and, typically, humorously) encapsulated in his introduction to the work, in which he writes: Poetry is not useful. And that is exactly why we need it. It reminds us of two important things: our ultimate lack of agency (unpopular to say, I know) and our inability to say anything plain, our inability to capture what it means to be human with the imperfect tool of words; we come face-to-face with ourselves, for in the end we will all die and be forgotten, and come away with nothing, nothing in the way of utility anyway, no talking points, no bullet points, no propaganda, no resolutions, no policy, no knowledge. If anything, maybe we remember a few lines, take it to heart, the lustres or 'touchstones' Matthew Arnold called them, the greatest riffs, and they lie there modestly swaying in the seabed of our mind, barnacled and semi-ghostly; something like an adult nursery rhyme, something like a pop song from the collective unconscious, something like wisdom. You see, I wanted to say it plain, but out comes that torrent of modifiers and adjustments, denials, double negatives, shading, stabs at wit, backpedaling, playing at capturing the lightning. Maybe this time. Maybe that's what a poem is - maybe this time, that glorious feeling of maybe this time I'll get it right. If that's the case, that seems a worthy enterprise to me. You see, I got somewhere, but the way back is unclear - that's a good enough definition of poetry for now. No, it's not. Duchovny's efforts at achieving such clarity range in this collection from laser-sharp, single-sentence poems to emotionally sweeping song lyrics. With About Time - perhaps his most personal work to date - Duchovny continues his journey as one of the most prolific creators of his generation., DAVID DUCHOVNY'S SEVENTH PUBLISHED-AND FIRST POETIC-WORK covers a range of intimate themes and topics, including love, the loss of love, parenting, Duchovny's own parents (in particular his father, who looms large throughout the work), alienation, and other emotional quandaries. Fans of Duchovny's fiction will recognize the insightful and clever play of words that, in this new form, distill to an emotionally impactful portrayal of what the author holds most dear. Duchovny's approach to poetry is beautifully (and, typically, humorously) encapsulated in his introduction to the work, in which he writes: Poetry is not useful. And that is exactly why we need it. It reminds us of two important things: our ultimate lack of agency (unpopular to say, I know) and our inability to say anything plain, our inability to capture what it means to be human with the imperfect tool of words; we come face-to-face with our shadow selves, for in the end we will all die and be forgotten, and come away with nothing, nothing in the way of utility anyway, no talking points, no bullet points, no propaganda, no resolutions, no policy, no knowledge. If anything, maybe we remember a few lines . . . something like a pop song from the collective unconscious, something like wisdom. You see, I wanted to say it plain, but out comes that torrent of modifiers and adjustments, denials, double negatives, shading, stabs at wit, backpedaling, playing at capturing the lightning. Maybe this time. Maybe that's what a poem is-that glorious feeling of Maybe this time I'll get it right. If that's the case, it seems a worthy enterprise to me. You see, I got somewhere, but the way back is unclear-that's a good enough definition of poetry for now. No, it's not. Duchovny's efforts at achieving such clarity range in this collection from laser-sharp, single-sentence poems to emotionally sweeping ruminations. With About Time-perhaps his most personal work to date-Duchovny continues his journey as one of the most prolific creators of his generation. Front cover photo ? Stefan Sappert, From acclaimed author, actor, and singer-songwriterDavid Duchovny, a deeply personal, existential, and insightful debut poetry collection, DAVID DUCHOVNY'S SEVENTH PUBLISHED--AND FIRST POETIC--WORK covers a range of intimate themes and topics, including love, the loss of love, parenting, Duchovny's own parents (in particular his father, who looms large throughout the work), alienation, and other emotional quandaries. Fans of Duchovny's fiction will recognize the insightful and clever play of words that, in this new form, distill to an emotionally impactful portrayal of what the author holds most dear. Duchovny's approach to poetry is beautifully (and, typically, humorously) encapsulated in his introduction to the work, in which he writes: Poetry is not useful. And that is exactly why we need it. It reminds us of two important things: our ultimate lack of agency (unpopular to say, I know) and our inability to say anything plain, our inability to capture what it means to be human with the imperfect tool of words; we come face-to-face with our shadow selves, for in the end we will all die and be forgotten, and come away with nothing, nothing in the way of utility anyway, no talking points, no bullet points, no propaganda, no resolutions, no policy, no knowledge. If anything, maybe we remember a few lines . . . something like a pop song from the collective unconscious, something like wisdom. You see, I wanted to say it plain, but out comes that torrent of modifiers and adjustments, denials, double negatives, shading, stabs at wit, backpedaling, playing at capturing the lightning. Maybe this time. Maybe that's what a poem is--that glorious feeling of Maybe this time I'll get it right. If that's the case, it seems a worthy enterprise to me. You see, I got somewhere, but the way back is unclear--that's a good enough definition of poetry for now. No, it's not. Duchovny's efforts at achieving such clarity range in this collection from laser-sharp, single-sentence poems to emotionally sweeping ruminations. With About Time --perhaps his most personal work to date--Duchovny continues his journey as one of the most prolific creators of his generation. Front cover photo (c) Stefan Sappert
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lettermangirl
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Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe.
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- b***e (21)- Bewertung vom Käufer.Letzter MonatBestätigter KaufEasy transaction! Paid for the item, it arrived just a couple days later exactly as advertised! Great seller!
- h***a (1346)- Bewertung vom Käufer.Letzter MonatBestätigter KaufMy package arrived arrive at my door. Out of the box its appearance was in good condition better than I expected, the description was understated. I would purchase from this vendor without reservation.
- h***a (1346)- Bewertung vom Käufer.Letzter MonatBestätigter KaufMy package arrived arrive at my door. Out of the box its appearance was in good condition better than I expected, the description was understated. I would purchase from this vendor without reservation.
- a***4 (31946)- Bewertung vom Käufer.Letzter MonatBestätigter KaufGreat book thx