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Little Lost Girls Blues von N'Dambi (CD, 2004) VERSIEGELT

HoldFast Records NJ
(15818)
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Standort: Asbury Park, New Jersey, USA
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Zuletzt aktualisiert am 08. Jun. 2025 22:28:22 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Color
Blue
Features
Sealed
UPC
0696977082721

Über dieses Produkt

Product Identifiers

Producer
Madukwu Chinwah^N'dambi
Record Label
Cdb, CD Baby
UPC
0696977082721
eBay Product ID (ePID)
23046065512

Product Key Features

Release Year
2004
Format
CD
Genre
Soul/R&B & Soul
Artist
N'dambi
Release Title
Little Lost Girls Blues

Dimensions

Item Height
0.40 in
Item Weight
0.20 lb
Item Length
5.58 in
Item Width
4.96 in

Additional Product Features

Number of Discs
1
Number of Tracks
14
Tracks
Picture This, Deep, Rain, What's Wrong with You?, The Meeting, See Ya in My Dreams, Lonely Woman, Soul from the Abyss, The Sunshine, Can This Be Love, I Think for Sure, Broke My Heart, Crazy World, Lonely Woman (Interlude)
Notes
'While N'Dambi flows in the same nouveau-R&B vein as her fellow Dallas born homegirl, this old-soul sista is a blend of vintage Chaka Khan and Me'Shell Ndegeocello- D'Angelo's X Chromosome, if you will.' :: Vibe 'She's been compared to everyone from Angie Stone to Macy Gray, but on her self-produced, self-distributed debut Little Lost Girl Blues, soul singer N'Dambi has clearly blazed her own pathâ. Along with D'Angelo, Rahsaan Patterson, and Badu, N'Dambi is spearheading a growing movement of R&B that breaks from the flash of the previous decade to revisit the more organic, introspective sounds of 1970's soul.' :: Harper's Bazaar Magazine 'Southernfried R&B sweetened with bohemian rap poetry' :: Elle Magazine 'See Ya In My Dreams will easily draw comparisons to the pioneering ladies of jazz. An album to savor over and over again.' :: Billboard 'You've heard Mary J. Blige, Lauryn Hill, Erykah Badu, and Macy Gray. Don't take off your headsets just yet. Listen to the N'Dambi revolution.' :: Honey Magazine 'Standing tall in the center, her golden brown Afro a bit bigger, is N'Dambi-scatting something fierce to 'Next Lifetime.' This has become her anointment.' :: XXL Magazine 'Little Lost Girls Blues, her debut, barely made an impression when it dropped last fall, surprising once you consider that N'Dambi's songs are better than Stone's, her vocal authority trumps Gray in both range and uniqueness, and her album, a self released affair, seems like the kind of indie triumph that generally makes crit types go bonkers.' :: Time Out New York 'You'll notice that the similarity between her music and that of Badu's lies not in the songs themselves, but in the fact that neither artist nor her music can be classified as a certain genre of music....N'Dambi seems to channel the vocal depth of Sarah Vaughn and the scatting power of Ella Fitzgerald, with thoughtful lyrics that make even those who are typically held captive by a song's beat take notice. ' :: Upscale Magazine 'N'Dambi, the long revered back-up singer for Erykah Badu, takes center stage with the mesmerizing solo album Little Lost Girls Blues.' :: Detour Magazine 'The overall product is spellbinding, as each track displays the songtress' uncanny ability to gaze into a person's soul and capture the essence of their innermost emotions. Pay attention to the hypnotic cover art, her poignant lyrics, and bottomless, heart-tugging vocals. ' :: Hits Magazine 'The spirit of N'Dambi speaks and commands attention almost as quickly as her eight-inch afro. But for those who are not able to bathe in the warmth of her presence, her debut album, Little Lost Girls Blues, is more than a viable substitute. Not only does her album provide open minds with a portal to her spirit-filled world of dramatic instrumentation and heartfelt lyrics, but her moody vocals capture the emotional peaks and valleys traveled by music greats like Nina Simone and Chaka Khan.' :: Vibe Online 'Quite simply, this album is the underrated gem of 1999. N'Dambi, a Dallas native best known for the huge Afro she sported singing behind Erykah Badu, should absolutely be the queen of the boho princesses of which Badu is a charter member.' :: BET.com 'No way is she capable of those big, round, deep notes that ride on the backs of ghosts named Ella and Chaka. It seems so inconceivable. This tiny woman, responsible for such an enormous, engulfing sound' :: The Dallas Observer 'The most impressive thing, however, is how N'Dambi feels (and sounds) comfortable whether she's exalting against the spare strings of a solo acoustic guitar ('The Sunshine') or acting as a jazz era throwback ('See Ya In My Dreams'). It's a promising debut and a welcomed departure from today's cookie-cutter R&B aesthetic.' :: CD-Now 'Many people are not hip to one of the best new artists in the marketplace' :: The Urban Network 'Most Beautiful perfectly describes how those who choose to embark on the N'Dambi experience will feel upon giving this soulful

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