Post-Theory : Reconstructing Film Studies, David Bordwell & Noel Carroll, 1966

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Book Title
Post-Theory : Reconstructing Film Studies Paperback
Subject
Film Studies
ISBN
9780299149444
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Wisconsin Press
ISBN-10
0299149447
ISBN-13
9780299149444
eBay Product ID (ePID)
83843

Product Key Features

Number of Pages
582 Pages
Language
English
Publication Name
Post-Theory : Reconstructing Film Studies
Publication Year
1996
Subject
Film / General, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Author
Noel Carroll
Series
Wisconsin Studies in Film Ser.
Format
Trade Paperback

Dimensions

Item Height
1.3 in
Item Weight
28.8 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
95-037052
Dewey Edition
20
Reviews
" Post-Theory is absolutely timely as a call to reform the field of film studies. Bordwell and Carroll-two of the most prominent names in the field-advocate pluralism, open mindedness, film theories over film Theory, and the need for an ongoing critical dialogue.  There is no other book like it."-Andrew Horton, author of Writing the Character-Centered Screenplay, " Post-Theory is absolutely timely as a call to reform the field of film studies. Bordwell and Carroll--two of the most prominent names in the field--advocate pluralism, open mindedness, film theories over film Theory, and the need for an ongoing critical dialogue. There is no other book like it."--Andrew Horton, author of Writing the Character-Centered Screenplay, " Post-Theory is absolutely timely as a call to reform the field of film studies. Bordwell and Carroll--two of the most prominent names in the field--advocate pluralism, open mindedness, film theories over film Theory, and the need for an ongoing critical dialogue.  There is no other book like it."--Andrew Horton, author of Writing the Character-Centered Screenplay
Illustrated
Yes
Dewey Decimal
791.43
Synopsis
With Post-Theory , David Bordwell and Noel Carroll challenge the prevailing practices of film scholarship. Since the 1970s, film scholars have been searching for a unified theory that will explain all sorts of films, their production, and their reception; the field has been dominated by structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. Bordwell and Carroll ask, why not employ many theories tailored to specific goals, rather than searching for a unified theory? Post-Theory offers fresh directions for understanding film, presenting new essays by twenty-seven scholars on topics as diverse as film scores, audience response, and the national film industries of Russia, Scandinavia, the U.S., and Japan. They use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema., With Post-Theory , David Bordwell and No l Carroll challenge the prevailing practices of film scholarship. Since the 1970s, film scholars have been searching for a unified theory that will explain all sorts of films, their production, and their reception; the field has been dominated by structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. Bordwell and Carroll ask, why not employ many theories tailored to specific goals, rather than searching for a unified theory? Post-Theory offers fresh directions for understanding film, presenting new essays by twenty-seven scholars on topics as diverse as film scores, audience response, and the national film industries of Russia, Scandinavia, the U.S., and Japan. They use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema., With Post-Theory , David Bordwell and Noël Carroll challenge the prevailing practices of film scholarship. Since the 1970s, film scholars have been searching for a unified theory that will explain all sorts of films, their production, and their reception; the field has been dominated by structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. Bordwell and Carroll ask, why not employ many theories tailored to specific goals, rather than searching for a unified theory? Post-Theory offers fresh directions for understanding film, presenting new essays by twenty-seven scholars on topics as diverse as film scores, audience response, and the national film industries of Russia, Scandinavia, the U.S., and Japan. They use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema.
LC Classification Number
PN1994.P6565 1996

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